Various – The Decca Sound
Tracklist
Ernest Ansermet | |||
El Sombrero De Tres Picos | (31:29) | ||
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Introducción | 1:38 | |
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Part 1 | La Tarde | 5:05 | |
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Danza De La Molinera | 3:39 | |
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Las Uvas | 4:06 | |
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Part 2 | Danza De Los Vecinos | 3:14 | |
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Danza De Los Vecinos | 7:00 | |
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Danza Del Molinero | 6:02 | |
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Danza Final | 6:10 | |
La Vida Breve | (7:05) | ||
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Interludio Y Danza | 7:05 | |
Images Pour Orchestra | (33:31) | ||
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Gigues | 7:31 | |
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Ibéria | I Par Les Rues Et Par Les Chemins | 6:48 | |
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Ibéria | II Les Parfums De La Nuit | 7:10 | |
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Ibéria | III Le Matin D'un Jour De Fête | 4:11 | |
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Rondes De Printemps | 7:51 | |
Ataúlfo Argenta | |||
2-1 | España | 6:32 | |
Capriccio Espagnol, Op.34 | (14:30) | ||
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I Alborada | 1:14 | |
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II Variazioni | 4:18 | |
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III Alborada | 1:13 | |
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IV Scena E Canto Gitano | 4:44 | |
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V Fandango Asturiano | 3:16 | |
Andaluza | (4:14) | ||
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Danza Espanola No.5 In E Minor, Op.37 | 4:14 | |
Spanish Dances, Book 1, Op.12 | (14:02) | ||
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No.1 In C Major | 1:43 | |
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No.2 In G Minor | 4:03 | |
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No.3 In A Major | 2:43 | |
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No.4 In B Flat Major | 2:31 | |
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No.5 In D Major | 3:02 | |
Violin Concerto In D Minor, Op.35 | (33:38) | ||
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I Allegro Moderato | 17:59 | |
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II Canzonetta: Andante | 6:05 | |
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III Allegro Vivacissimo | 9:38 | |
Vladimir Ashkenazy | |||
Piano Concerto No.3 In D Minor, Op.30 | (42:40) | ||
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I Allegro Ma Non Tanto | 16:50 | |
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II Intermezzo: Adagio | 11:36 | |
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III Finale: Alla Breve | 14:17 | |
Piano Sonata No.2 In B Flat Minor, Op.36 (Original Version, 1913) | (25:30) | ||
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I Allegro Agitato | 10:25 | |
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I Non Allegro – Lento | 8:00 | |
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III Allegro Molto | 7:05 | |
Symphony No.1 In E Minor, Op.39 | (39:24) | ||
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I Andante Ma Non Troppo – Allegro Energico | 11:05 | |
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II Andante | 10:12 | |
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III Scherzo: Allegro | 5:33 | |
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IV Finale: Andante | 12:44 | |
Pictures At An Exhibition | (34:45) | ||
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Promenade | 4:02 | |
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Gnomus | ||
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Promenade | 5:24 | |
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Il Vecchio Castello | ||
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Promenade | 3:54 | |
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Tuileries | ||
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Bydlo | ||
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Promenade | 4:33 | |
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Ballet Of The Unhatched Chicks | ||
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Samuel Goldenberg And Schmuyle | ||
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Promenade | 7:03 | |
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Limoges: Le Marché | ||
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Catacombae: Cum Mortuis In Lingua Mortua | ||
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The Hut On Hen's Legs (Baba Yaga) | 9:09 | |
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The Great Gate Of Kiev | ||
Cecilia Bartoli | |||
5-1 | Ecco Quel Fiero Istante! (La Partenza, WoO 124) | 0:55 | |
5-2 | Che Fa Il Mio Bene? (L'Amante Impaziente I, Op.82 No.3) | 1:35 | |
5-3 | Che Fa Il Mio Bene? (L'Amante Impaziente II, Op.82 No.4) | 2:04 | |
5-4 | T'intendo, Sì, Mio Cor (Liebes-Klage, Op.82 No.2) | 3:21 | |
5-5 | Dimmi, Ben Mio (Hoffnung, Op.82 No.1) | 2:04 | |
5-6 | In Questa Tomba Oscura, WoO 133 | 3:21 | |
5-7 | Ridente La Calma, K152 (210a) | 3:52 | |
5-8 | Vedi Quanto Adoro, D510 | 4:52 | |
5-9 | Se Dall'etra (Nel Boschetto, D738) | 2:42 | |
5-10 | Io Vuo' Cantar Di Co (Alla Cetra, D737) | 3:49 | |
5-11 | La Pastorella, D528 | 2:12 | |
5-12 | Non T'accostar All'urna, D688 No.1 | 3:18 | |
5-13 | Guarda, Che Bianca Luna, D688 No.2 | 3:04 | |
5-14 | Da Quel Sembiante Appresi, D688 No.3 | 1:42 | |
5-15 | Mio Ben Ricordati, D688 No.4 | 2:01 | |
5-16 | Pensa, Che Questo Istante, D76 | 2:24 | |
5-17 | Mi Batte 'L Cor! (Felice Arrivo E Congedo, D767) | 3:08 | |
5-18 | Arianna A Naxos | 20:47 | |
David Bell | |||
Concerto For Violin And Orchestra, Op.14 | (22:43) | ||
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I Allegro | 10:14 | |
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II Andante | 8:46 | |
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III Presto In Moto Perpetuo | 3:43 | |
Baal Shem | (14:07) | ||
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I Vidui (Contrition) | 3:03 | |
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II Nigun (Improvisation) | 6:28 | |
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III Simchas Torah (Rejoicing) | 4:36 | |
Concerto For Violin And Orchestra | (30:32) | ||
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I Andante Tranquilo | 11:20 | |
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II Presto Capriccioso Alla Napolitana | 6:25 | |
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II Vivace | 12:47 | |
Herbert Blomstedt | |||
7-1 | Don Juan, Op.20 | 17:35 | |
Eine Alpensinfonie, Op.64 | (55:25) | ||
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Nacht | 3:26 | |
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Sonnenaufgang | 1:33 | |
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Der Anstieg | 2:09 | |
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Eintritt In Den Wald | 6:23 | |
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Am Wasserfall | 0:14 | |
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Erscheinung | 0:44 | |
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Auf Blumige Wiesen | ||
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Auf Der Alm | 2:22 | |
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Durch Dickicht Und Gestrüpp Auf Irrwegen | 1:24 | |
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Auf Dem Gletscher | 1:07 | |
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Gefahrvolle Augenblicke – Auf Dem Gipfel | 6:29 | |
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Vision | 3:30 | |
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Nebel Steigen Auf | 0:18 | |
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Die Sonne Verdüstert Sich Allmählich | 0:55 | |
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Elegie | 2:04 | |
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Stille Vor Dem Sturm | 2:04 | |
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Gewitter Und Sturm – Abstieg | 3:44 | |
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Sonnenuntergang | ||
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Ausklang | 6:42 | |
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Nacht | 2:34 | |
Karl Böhm | |||
Symphony No.4 In E Flat Major "Romantic" (1878/80 Version (1880 With Bruckner's 1886 Revisions)) | (1:08:10) | ||
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I Bewegt, Nicht Zu Schnell | 20:14 | |
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II Andante Quasi Allegretto | 15:34 | |
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III Scherzo: Bewegt – Trio: Nicht Zu Schnell. Keinesfalls Schleppend | 11:09 | |
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IV Finale: Bewegt, Doch Nicht Zu Schnell | 21:13 | |
Willi Boskovsky - New Year's Day Concert in Vienna | |||
9-1 | Loreley-Rhein-Klänge – Walzer, Op.154 | 8:11 | |
9-2 | Bitte Schön! – Polka Française (After Motifs From Cagliostro In Wien, Op.372) | 4:34 | |
9-3 | Ohne Bremse – Polka Schnell, Op.238 | 2:11 | |
9-4 | Wein, Weib Und Gesang – Walzer, Op.333 | 6:32 | |
9-5 | Die Emancipierte – Polka Mazur, Op.282 | 3:29 | |
9-6 | Herrreinspaziert, Op.518 | 7:16 | |
9-7 | Overture: Die Schöne Galathee | 7:54 | |
9-8 | Bei Uns Z'Haus – Walzer, Op.361 | 8:11 | |
9-9 | Moulinet – Polka Française, Op.57 | 3:33 | |
9-10 | Tik-Tak – Polka Schnell, Op.365 | 2:43 | |
9-11 | Pizzicato-Polka | 2:43 | |
9-12 | Rudolfsheimer – Polka Schnell, Op.152 | 3:23 | |
9-13 | Auf Der Jagd – Polka Schnell, Op.373 | 4:07 | |
9-14 | Leichtes Blut – Polka Schnell, Op.319 | 3:21 | |
9-15 | An Der Schönen Blauen Donau, Op.31 | 9:23 | |
9-16 | Radetzky-Marsch, Op.228 | 3:35 | |
Benjamin Britten | |||
War Requiem, Op.66 | |||
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I Requiem Aeternam | Requiem Aeternam (Chours, Boys) | 5:58 | |
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What ing-Bells For These Who Die As Cattle? (Tenor, Chorus) | 3:31 | |
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II Dies Irae | Dies Irae (Chorus) | 3:38 | |
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Bugles Sang (Baritone) | 2:35 | |
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Liber Scriptus Profertur (Soprano, Chorus) | 2:57 | |
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Out There (Tenor, Baritone) | 1:57 | |
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Recordare Jesu Pie (Chorus) | 4:49 | |
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Be Slowly Lifted Up (Baritone) | 1:52 | |
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Dies Irae (Chorus) | 1:12 | |
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Lacrimosa Dies Illa (Soprano, Chorus) | 1:54 | |
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Move Him Into The Sun (Tenor, Soprano, Chorus) | 4:47 | |
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III Offertorium | Domine Jesu Christe (Chorus) | 3:31 | |
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So Abram Rose (Tenor, Boys, Chorus, Baritone) | 6:08 | |
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IV Sanctus | Sanctus, Sanctus, Sanctus (Soprano, Chorus) | 6:06 | |
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After The Blast Of Lightning (Baritone) | 3:46 | |
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V Agnus Dei | One Ever Hangs (Tenor, Chorus) | 3:37 | |
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VI Libera Me | Libera Me, Domine (Chorus, Soprano) | 7:36 | |
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It Seemed That Out Of Battle I Escaped (Tenor, Baritone) | 9:35 | |
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Let Us Sleep Now ... In Paradisum (Baritone, Boys, Chorus, Soprano, Tenor) | 5:34 | |
Riccardo Chailly | |||
Turangalîla-symphonie | |||
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I Introduction | 6:20 | |
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II Chant D'amour 1 | 7:59 | |
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III Turangalîla 1 | 5:56 | |
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IV Chant D'Amour 2 | 11:11 | |
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V Joie De Sang Des Étoiles | 6:18 | |
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VI Jardin Du Sommeil D'amour | 11:40 | |
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VII Turangalîla 2 | 3:45 | |
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VIII Développement De L'amour | 10:43 | |
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IX Turangalîla 3 | 5:17 | |
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X Final | 6:47 | |
Kyung-Wha Chung | |||
Violin Concerto In E Minor, Op.64 | (25:39) | ||
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I Allegro Molto Apionato | 8:15 | |
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II Andante | 8:42 | |
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III Allegro Non Troppo – Allegro Molto Vivace | 7:19 | |
Violin Concerto No.1 In G Minor, Op.26 | (24:16) | ||
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I Vorspiel (Allegro Moderato) | 8:15 | |
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II Adagio | 8:42 | |
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III Finale (Allegro Energico) | 7:19 | |
Scottish Fantasia, Op.46 | |||
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I Introduction – Grave – Adagio Cantabile | 8:11 | |
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II Allegro | 5:23 | |
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III Andante Sostenuto | 6:52 | |
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IV Finale: Allegro Guerriero | 7:38 | |
Piano Concerto No.20 In D Minor, K 466 | (33:00) | ||
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I Allegro | 15:06 | |
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II Romance | 10:02 | |
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III Rondo (Allegro Assai) | 7:52 | |
Clifford Curzon | |||
Piano Concerto No.27 In B Flat, K 595 | (32:03) | ||
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I Allegro | 14:20 | |
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II Larghetto | 8:57 | |
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III Allegro | 8:46 | |
Christoph von Dohnányi | |||
Erwartung, Op.17 | (28:41) | ||
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Scene 1 = Premier Tableau = 1. Szene | Hier Hinein? | 2:47 | |
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Scene 2 = Deuxiéme Tableau = 2. Szene | Ist Das Noch Der Weg? | 2:50 | |
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Scene 3 = Troisiéme Tableau = 3. Szene | Da Kommt Ein Licht! | 1:52 | |
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Scene 4 = Quatriéme Tableau = 4. Szene | Er Ist Auch Nicht Da | 3:03 | |
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Es Ist Noch Da... Herrgott In Himmel... | 6:07 | |
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Aber So Seltsam Ist Dein Auge... | 2:17 | |
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Du Siehst Wieder Dort Hin! | 1:40 | |
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Oh! Nicht Einmal Die Gnade, Mit Dir Sterben Zu Dürfen... | 3:29 | |
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Liebster, Liebster, Der Morgen Kommt... | 4:25 | |
Lulu Suite | (34:38) | ||
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I Rondo: Andante – Tempo I – Hymne: Sostenuto | 15:10 | |
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II Ostinato: Allegro | 3:35 | |
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III Lieder Der Lulu: Comodo | 2:44 | |
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IV Variationen: Moderato – Grandioso – Grazioso – Funèbre – Affetuoso – Thema | 4:06 | |
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V Adagio: Sostenuto – Lento – Grave | 9:03 | |
14-15 | Im Sommerwind | 14:43 | |
Antal Dorati | |||
L'Oiseau de Feu = The Firebird | (43:36) | ||
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Introduction | 2:44 | |
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Tableau 1 | Le Jardin Echanté De Kachtcheï = Kashchei's Magic Garden | 1:39 | |
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Apparition de L'Oiseau De Feu Poursuivi Par Ivan Tsarévitch = Appearance Of The Firebird Pursued By Prince Ivan | 2:10 | |
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Danse de L'Oiseau De Feu = Dance Of The Firebird's Dance | 1:33 | |
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Capture de L'Oiseau De Feu Par Ivan Tsarévitch = Prince Ivan Captures The Firebird | 1:03 | |
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Supplications De L'Oiseau De Feu – Apparation Des Treize Princesses Enchantées = Supplication Of The Firebird – Appearance Of The Thirteen Enchanted Princesses | 7:20 | |
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Jeu Des Princesses Avec Les Pommes D'or = The Princesses' Game With The Golden Apples | 2:29 | |
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Brusque Apparaition D'Ivan Tsarévitch = Sudden Appearance Of Prince Ivan | 1:13 | |
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Khorovod (Ronde) Des Princesses = The Princesses' Round–dance | 3:49 | |
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Lever Du Jour – Ivan Tsarévitch Pénètre Dans Le Palais de Kachtcheï = Daybreak – Prince Ivan Enters Kastchei's Palace | 1:19 | |
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Carillion Féerique – Apparition Des Monstres–gardiens de Kachtcheï – Capture D'Ivan Tsarévitch – Intercession Des Princesses = Magic Carillon – Appearance Of Kashchei's Guardian Monsters – Capture Of Prince Ivan – Intercession Of The Princesses | 5:04 | |
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Danse De La Suite De Kachtcheï Enchantée Par L'oiseau De Feu = Dance Of Kashchei's Retinue Under The Firebird's Spell | 0:51 | |
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Danse Infernale De Tous Les Sujets De Kachtcheï = Infernal Dance Of All Kashchei's Subjects | 4:59 | |
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Berceuse (l'Oiseau De Feu) – Reveil De Kastchei – Mort De Kastchei – Profunds Ténèbres = Lullaby (The Firebird) – Kashchei Awakens – Death Of Kashchei – Darkness | 4:36 | |
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Tableau 2 | Disparition Du Palais Et Des Sortilèges De Kastchei – Animation Des Chevaliers Petrifiés – Allégresse Générale = Dissolution Of The Palace And Kashchei's Spells – Animation Of The Petrified Warriors – General Rejoicing | 2:45 | |
Le Sacre Du Printemps | (33:42) | ||
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Première Partie: L' Adoration De La Terre = Part 1: The Adoration Of The Earth | I Introduction | 3:40 | |
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Les Augures Printaniers – Danses Des Adolescentes = Augurs Of Spring – Dances Of The Young Girls | 3:07 | |
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Jeu Du Rapt = Ritual Of Abduction | 1:26 | |
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Rondes Printanières = Spring Rounds | 3:03 | |
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Jeux Des Cités Rivales = Ritual Of The Rival Tribes | 1:55 | |
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Cortège Du Sage – Le Sage = Procession Of The Sage – The Sage | 1:04 | |
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Danse De La Terre = Dance Of The Earth | 1:08 | |
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Second Partie: Le Sacrifice = Part 2: The Sacrifice | VIII Introduction | 3:58 | |
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Cercles Mystérieux Des Adolescentes = Mystic Circles Of The Young Girls | 3:06 | |
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Glorification de L'élue = Glorification Of The Chosen One | 1:36 | |
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Evocation Des Ancêtres = Evocation Of The Ancestors | 0:56 | |
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Action Rituelle Des Ancêtres = Ritual Action Of The Ancestors | 3:27 | |
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Danse Sacrale : L'élue = Sacrificial Dance: The Chosen One | 4:34 | |
Charles Dutoit | |||
Ma Mère L'Oye (Complete Ballet) | (28:11) | ||
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Prélude | 3:19 | |
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1ᵉʳ Tableau = Scene 1 = 1. Bild | Danse Du Rouet Et Scène | 3:29 | |
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2ᵉ Table = Scene 2 = 2. Bild | Pavane De La Belle Au Bois Dormant | 2:28 | |
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3ᵉ Tableau = Scene 3 = 3. Bild | Les Entretiens De La Belle Et De La Bête | 5:13 | |
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4ᵉ Tableau = Scene 4 = 4. Bild | Petit Poucet | 4:24 | |
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5ᵉ Tableau = Scene 5 = 5. Bild | Laideronette – Apothéose: Le Jardin Féerique | 9:19 | |
16-7 | Pavane Pour Une Infante Défunte | 6:38 | |
Le Tombeau De Couperin | (15:26) | ||
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I Prélude | 2:48 | |
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II Forlane | 5:19 | |
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III Menuet | 4:30 | |
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IV Rigaudon | 2:49 | |
Valses Nobles Et Sentimentales | (15:26) | ||
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I Modéré | 3:52 | |
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II Assez Lent | ||
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III Modéré | 3:11 | |
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IV Assez Animé | ||
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V Presque Lent | 2:13 | |
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VI Assez Vif | ||
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VII Moins Vif | 6:47 | |
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VIII Epilogue | ||
16-16 | Boléro | 15:02 | |
Renée Fleming | |||
Le Nozze Di Figaro | |||
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Porgi, Amor | 3:51 | |
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E Susanna Non Vien! ... Dove Sono I Bei Momenti | 6:16 | |
Eugene Onegin | |||
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Nu, Zaboltalas Ya! ... Puskai Pogibnu Ya (Letter Scene) | 21:16 | |
Rusalka | |||
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Měsíčku Na Nebi Hlubokém= O Silver Moon | 6:40 | |
Otello | |||
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Era Più Calmo? ... "Piangea Cantando Nell'erma Landa" ... Ave Maria | 16:05 | |
Peter Grimes | |||
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Peter Seems To Have Disappeared ... | 5:55 | |
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Embroidery In Childhood Was A Luxury Of Idleness (Embroidery Aria) | ||
Daphne | |||
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Ich Komme, Ich Komme (Transformation Scene) | 11:26 | |
Nelson Freire | |||
Piano Concerto No.1 In D Minor, Op.15 | (46:24) | ||
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I Maestoso | 20:52 | |
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II Adagio | 14:03 | |
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III Rondo: Allegro Non Troppo | 11:28 | |
Carnaval, Op.9 | (23:09) | ||
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Préambule | 2:13 | |
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Pierrot | 1:05 | |
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Arlequin | 0:35 | |
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Valse Noble | 1:10 | |
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Eusebius | 1:28 | |
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Florestan | 0:46 | |
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Coquette | 0:48 | |
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Réplique | 0:25 | |
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Papillons | 0:44 | |
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A.S.C.H. – S.C.H.A. (Lettres Dansantes) | 0:41 | |
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Chiarina | 0:50 | |
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Chopin | 1:14 | |
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Estrella | 0:29 | |
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Reconnaissance | 1:16 | |
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Pantalon Et Colombine | 0:53 | |
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Valse Allemande – Paganini – Valse Allemande | 2:02 | |
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Aveu | 0:57 | |
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Promenade | 1:53 | |
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Pause | 0:17 | |
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Marche Des Davidsbündler Contre Les Philistins | 3:17 | |
Bernard Haitink | |||
Symphony No.5 In D Minor, Op.47 | (49:47) | ||
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I Moderato | 18:03 | |
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II Allegretto | 5:29 | |
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III Largo | 15:41 | |
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IV Allegro Non Troppo | 10:34 | |
Symphony No.9 In E Flat Major, Op.70 | (25:51) | ||
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Allegro | 4:56 | |
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Moderato | 7:44 | |
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Presto | 2:38 | |
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Largo | 3:56 | |
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Allegretto – Allegro | 6:37 | |
Christopher Hogwood | |||
Dido & Aeneas | (52:26) | ||
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Overture | 2:04 | |
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Act One = Acte Un = Erster Akt | Shake The Cloud From Off Your Brow (Belinda, Chorus) | 1:02 | |
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Ah! Belinda. I Am Prest With Torment (Dido, Belinda, Second Woman) | 4:13 | |
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When Monarchs Unite (Chorus) | 0:17 | |
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Whence Could So Much Virtue Spring? (Dido, Belinda, Second Woman) | 1:31 | |
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Fear No Danger To Ensue – Dance (The Baske) (Belinda, Second Woman, Chorus) | 2:08 | |
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See, Your Royal Guest Appears (Belinda, Aeneas, Dido) | 0:47 | |
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Cupid Only Throws The Dart (Chorus) | 0:35 | |
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If Not For Mine (Aeneas) | 0:22 | |
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Pursue Thy Conquest, Love (Belinda) | 0:51 | |
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A Dance Gittars Chacony | 0:20 | |
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To The Hills And The Vales (Chorus) | 1:10 | |
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The Triumphing Dance | 1:12 | |
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Act Two = Acte Deux = Zweiter Akt | Prelude For The Witches – Wayward Sisters (Sorceress, First Witch) | 1:27 | |
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Harm's Our Delight (Chorus) | 0:14 | |
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The Queen Of Carthage, Whom We Hate (Sorceress, First And Second Witch, Chorus) | 2:41 | |
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In Our Deep Vaulted Cell (Chorus) | 1:12 | |
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Echo Dance Of The Furies | 1:04 | |
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Ritornelle – Thanks To These Lonesome Vales (Belinda, Chorus) | 3:14 | |
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Gitter Ground - A Dance | 0:29 | |
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Oft She Visits This Lonely Mountain – Ritornelle (Second Woman) | 1:36 | |
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Behold, Upon My Bending Spear (Aeneas, Dido) | 0:32 | |
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Haste, Haste To Town (Belinda, Chorus) | 0:45 | |
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Stay, Prince, And Hear Great Jove's Command (Spirit, Aeneas) | 2:45 | |
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Ritornelle | 0:49 | |
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Act Three = Acte Trois = Dritter Akt | Prelude – Come Away, Fellow Sailors | 1:36 | |
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The Sailors' Dance | 0:48 | |
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See The Flags And Streamers Curling (Sorceress, First And Second Witch) | 1:26 | |
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Destruction's Our Delight (Chorus) | 0:34 | |
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The Witches' Dance | 1:36 | |
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Your Councel All Is Urg'd In Vain (Dido, Belinda, Aeneas) | 3:41 | |
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Great Minds Against Themselves Conspire (Chorus) | 0:58 | |
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Thy Hand Belinda ... When I Am Laid In Earth (Dido) | 4:06 | |
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With Drooping Wings Ye Cupids Come (Chorus) | 4:21 | |
Janine Jansen | |||
Violin Concerto In D Major, Op.61 | (40:41) | ||
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I Allegro Ma Non Troppo | 22:56 | |
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II Larghetto – | 8:20 | |
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III Rondo: Allegro | 9:25 | |
Violin Concerto, Op. 15 | (32:35) | ||
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I Moderato Con Moto | 9:31 | |
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II Vivace – Cadenza – | 8:35 | |
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III acaglia: Andante Lento | 14:29 | |
Gustav Holst | |||
The Planets, H125 | (48:37) | ||
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Mars, The Bringer Of War | 7:00 | |
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Venus, The Bringer Of Peace | 8:19 | |
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Mercury, The Winged Messenger | 3:55 | |
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Jupiter, The Bringer Of Jollity | 7:35 | |
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Saturn, The Bringer Of Old Age | 8:30 | |
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Uranus, The Magician | 5:44 | |
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Neptune, The Mystic | 7:37 | |
The Perfect Fool, Op.39 H150 | (10:41) | ||
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I Introduction – Dance Of Spirits Of Earth | 4:33 | |
|
II Dance Of Spirits Of Water | 2:54 | |
|
Dance Of Spirits Of Fire | 3:14 | |
22-11 | Egdon Heath, Op.47 H172 | 12:54 | |
Julius Katchen | |||
Piano Concerto No.3, Bb 127, Sz 119 | (24:54) | ||
|
I Allegretto | 7:05 | |
|
II Adagio Religioso | 10:54 | |
|
III Allegro Vivace | 6:55 | |
Piano Concerto In G Major | (22:16) | ||
|
I Allegramente | 8:03 | |
|
II Adagio Assai | 10:12 | |
|
III Presto | 4:01 | |
Piano Concerto No.3 In C Major, Op.26 | (26:27) | ||
|
I Andante – Allegro | 8:39 | |
|
II Andantino Con Variazoni | 8:43 | |
|
III Allegro Ma Non Troppo | 9:05 | |
István Kertész | |||
Symphony No.9 In E Minor, Op.95 "From The New World" | (40:18) | ||
|
I Adagio – Allegro Molto | 9:48 | |
|
II Largo | 11:46 | |
|
III Scherzo: Molto Vivace | 7:39 | |
|
IV Allegro Con Fuoco | 11:05 | |
Symphony No.8 In G Major, Op.88 | (35:06) | ||
|
I Allegro Con Brio | 10:03 | |
|
II Adagio | 9:59 | |
|
III Allegretto Grazioso | 6:03 | |
|
IV Allegro Ma Non Troppo | 9:01 | |
King's College Choir | |||
Missa In Anguistiis In D Minor, Hob. XXII:11 ("Nelson Mass") | (40:13) | ||
|
Kyrie | 5:05 | |
|
Gloria | Gloria In Excelsis Deo | 3:31 | |
|
Quoniam Tu Solos Sanctus | 4:28 | |
|
Quoniam Tu Solos Sanctus | 2:47 | |
|
Credo | Credo In Unum Deum | 1:52 | |
|
Et Incarnatus Est | 4:17 | |
|
Et Resurrexit | 3:41 | |
|
Sanctus | 2:23 | |
|
Benedictus | 5:57 | |
|
Agnus Dei | Agnus Dei | 3:27 | |
|
Dona Nobis Pacem | 2:46 | |
Missa In Tempore Belli In C Major, Hob. XXII:9 ("Paukenmesse") | (40:24) | ||
|
Kyrie | 5:02 | |
|
Gloria | 10:51 | |
|
Credo | 9:57 | |
|
Sanctus | 2:54 | |
|
Benedictus | 5:53 | |
|
Agnus Dei | 5:47 | |
Alicia de Larrocha | |||
Goyescas | (52:25) | ||
|
Los Majos Enamorados Part I | I Los Requiebros | 8:43 | |
|
II Coloquio En La Reja | 11:15 | |
|
III El Fandango Del Candil | 5:31 | |
|
IV Quejas. Ó La Majas Y El Ruiseñor | 6:38 | |
|
Los Majos Enamorados Part II | V El Amor Y La Muerte (Balada) | 12:18 | |
|
VI Epilogo, O Serenata Del Espectro | 7:36 | |
26-7 | El Pelele | 4:30 | |
Noches En Los Jardens De España | (24:48) | ||
|
I En El Generalife | 10:19 | |
|
II Danza Lejana | 5:17 | |
|
III En Los Jardines De La Sierra De Cordoba | 9:12 | |
Ute Lemper | |||
27-1 | Alles Schwindel | 4:10 | |
27-2 | Sex-Appeal | 6:05 | |
27-3 | Peter, Peter, Komm Zu Mir Zurück! | 4:38 | |
27-4 | Das Gesellschaftslied | 4:17 | |
27-5 | Wenn Die Beste Freundin | 2:37 | |
27-6 | Ich Bin Ein Vamp! | 3:52 | |
27-7 | L'heure Bleue | 3:42 | |
27-8 | Zieh Dich Aus, Petronella! | 2:17 | |
27-9 | Der Verflossene | 3:57 | |
27-10 | Raus Mit Den Männern! | 3:57 | |
27-11 | Gesetzt Den Fall | 4:17 | |
27-12 | Ich Weiß Nicht, Zu Wem Ich Gehöre | 4:10 | |
27-13 | Das Lila Lied | 3:00 | |
27-14 | Maskulinum-Femininum | 1:44 | |
27-15 | Mir Ist Heut So Nach Tamerlan! | 4:54 | |
27-16 | Eine Kleine Sehnsucht | 4:04 | |
27-17 | Wir Wollen Alle Wieder Kinder Sein! | 3:48 | |
27-18 | Münchhausen | 8:07 | |
Radu Lupu | |||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 "Moonlight" | (17:21) | ||
|
I Adagio Sostenuto | 7:09 | |
|
II Allegretto | 2:31 | |
|
III Presto Agitato | 7:41 | |
Piano Sonata No 8 In C Minor, Op.13 "Pathétique" | (22:17) | ||
|
I Grave – Allegro Molto E Con Brio | 10:09 | |
|
II Adagio Cantabile | 7:01 | |
|
III Rondo – Allegro | 5:07 | |
Piano Sonata No.21 In C Major, Op.53 "Waldstein" | (26:11) | ||
|
I Allegro Con Brio | 10:56 | |
|
II Introduzione: Adagio Molto – | 4:36 | |
|
III Rondo: Allegretto Moderato – Prestissimo | 10:39 | |
28-10 | 32 Variations On An Original Theme In C Minor, WoO 80 | 11:15 | |
Peter Maag | |||
Symphony No.3 In A Minor, Op.56 "Scottish" | (38:06) | ||
|
I Andante Con Monto – Allegro Un Poco Agitato – Assai Animato – Andante Come Prima – | 13:10 | |
|
II Vivace Non Troppo – | 4:10 | |
|
III Adagio – | 11:04 | |
|
IV Allegro Vivacissimo – Allegro Maestoso Assai | 9:42 | |
A Midsummer Night's Dream: Overture Op.22 And Incidental Music Op.61 | (40:50) | ||
|
Overture, Op.21 | 11:54 | |
|
Scherzo, Op 61 No.1 | 4:23 | |
|
"You Spotted Snakes," Op.61 No.3 | 4:23 | |
|
Intermezzo, Op.61 No.5 | 3:31 | |
|
Nocturne, Op.61 No.9 | 6:22 | |
|
Wedding March, Op.61 No.9 | 4:34 | |
|
Dance Of The Clowns, Op.61 No.11 | 1:43 | |
|
Finale, Op.61 No.12 | 4:00 | |
Feste Romane | (25:36) | ||
|
I Circenses | 4:35 | |
|
Il Giubileo | 8:05 | |
|
III L'ottobrata | 7:39 | |
|
La Befana | 5:17 | |
Lorin Maazel | |||
Pini Di Roma | (21:11) | ||
|
I Pini Di Villa Borghese | 2:47 | |
|
II Pini Presso Una Catacomba | 6:52 | |
|
III Pini Del Gianicolo | 6:45 | |
|
IV Pini Della Via Appia | 4:47 | |
Le Coq D'or – Suite | |||
|
I King Dodon In His Palace | 10:38 | |
|
II King Dodon On The Battlefield | 3:34 | |
|
III King Dodon With The Queen Of Shemakha | 6:53 | |
|
IV The Marriage Feast And Lamentable End Of King Dodon | 5:45 | |
Charles Mackerras | |||
Sinfonietta | (24:11) | ||
|
I Allegretto – Allegro – Maestoso | 2:24 | |
|
II Andante – Allegretto – Maestoso – Tempo I – Allegretto | 6:10 | |
|
III Moderato – Con Moto – Prestissimo – Tempo I – Moderato | 5:22 | |
|
IV Allegretto – Adagio – Presto – Andante – Presto – Prestissimo | 3:02 | |
|
V Andante Con Moto – Maestoso – Tempo I – Allegretto – Allegro – Maestoso – Adagio | 7:13 | |
Taras Bulba (Rhapsody After Gogol) | (23:20) | ||
|
I The Death Of Andri | 8:51 | |
|
II The Death Of Ostap | 5:28 | |
|
III The Prophecy And Death Of Taras Bulba | 9:01 | |
The Cunning Little Vixen – Suite | (19:04) | ||
|
I Andante | 9:03 | |
|
II Andante | 10:01 | |
Sinfonietta For Strings In C Major Op.48 | |||
|
I Pezzo In Forma Di Sonatina: Andante Non Troppo – Allegro Moderato | 9:15 | |
|
II Walzer: Moderato, Tempo Di Valse | 3:30 | |
|
III Elègie: Larghetto Elegiaco | 9:58 | |
|
IV Finale (Tema Russo): Andante – Allegro Con Spirito | 7:32 | |
Neville Marriner | |||
Souvenir De Florence, Op. 70 (Version For Orchestra) | (27:22) | ||
|
I Allegro Con Spirito | 9:14 | |
|
II Adagio Cantabile E Con Moto | 7:56 | |
|
III Allegro Moderato | 4:31 | |
|
IV Allegro Vivace | 5:42 | |
Holberg Suite, Op. 40 | (20:17) | ||
|
I Präludium: Allegro Vivace | 2:40 | |
|
II Sarabande: Andante | 4:30 | |
|
III Gavotte: Allegretto – Musette: Poco Più Mosso | 3:23 | |
|
IV Air: Andante Religioso | 6:03 | |
|
V Rigaudon: Allegro Con Brio | 3:41 | |
Jean Martinon | |||
Divertissement | (14:21) | ||
|
Introduction | 1:08 | |
|
Cortège | 4:48 | |
|
Nocturne | 2:36 | |
|
Valse | 2:51 | |
|
Parade | 1:39 | |
|
Finale | 1:39 | |
33-7 | Danse Macabre, Op.40 | 6:56 | |
Jeux D'Enfants (Petite Suite D'Orchestre, Op.22) | (11:40) | ||
|
Marche (Trompette Et Tambour) | 2:04 | |
|
Berceuse (La Poupée) | 3:02 | |
|
Impromptu (La Toupie) | 1:00 | |
|
Duo (Petit Mari, Petite Femme) | 3:04 | |
|
Galop (Le Bal) | 1:30 | |
33-13 | La Rouet D'Omphale, Op.31 | 7:50 | |
Symphony No.2 In B Minor | (25:02) | ||
|
I Allegro | 6:44 | |
|
II Scherzo: Prestissimo – Allegretto | 4:38 | |
|
III Andante | 7:44 | |
|
IV Finale: Allegro | 5:56 | |
Zubin Mehta | |||
34-1 | Arcana | 18:40 | |
34-2 | Intégrales | 10:36 | |
34-3 | Ionisation | 5:05 | |
Symphony No.2 | (37:20) | ||
|
I Andante Moderato | 5:51 | |
|
II Allegro | 10:28 | |
|
III Adagio Cantabile | 9:35 | |
|
IV Lento Maestoso | 2:33 | |
|
V Allegro Molto Vivace | 9:01 | |
Pierre Monteux | |||
Daphnis Et Chloé – Complete Ballet | (51:42) | ||
|
Première Partie | Introduction Et Danse Religieuse | 7:18 | |
|
Scène – Danse Générale | 2:43 | |
|
Scène – Danse Grotesque De Dorcon | 2:18 | |
|
Danse Lègére Et Gracieuse De Daphnis | 2:23 | |
|
Scène – Danse De Lycéion – Scène (Les Pirates) | 4:38 | |
|
Nocturne – Danse Lente Et Mystérieuse | 4:39 | |
|
Deuxième Partie | Introduction | 2:54 | |
|
Danse Guerrière | 4:07 | |
|
Scène – Danse Suppliante De Chloé | 5:14 | |
|
Troisième Partie | Lever Du Jour – Scène | 5:12 | |
|
Pantomime | 5:29 | |
|
Danse Générale | 4:54 | |
Variations On An Original Theme, Op. 26 "Enigma" | (29:10) | ||
|
Theme: Andante | 1:17 | |
|
Variation I (C.A.E.) L'istesso Tempo | 1:58 | |
|
Variation II (H.D.S-P.) Allegro | 0:47 | |
|
Variation III (R.B.T.) Allegretto | 1:21 | |
|
Variation IV (W.M.B.) Allegro Di Molto | 0:27 | |
|
Variation V (R.P.A.) Moderato | 1:55 | |
|
Varation VI (Ysobel) Andantino | 1:20 | |
|
Variation VII (Troye) Allegretto | 0:56 | |
|
Variation VIII (W.N.) Allegretto | 1:55 | |
|
Variation IX (Nimrod) Adagio | 3:50 | |
|
Variation X (Dorabella) Intermezzio: Allegretto | 2:39 | |
|
Variation XI (G.R.S.) Allegro Di Molto | 0:56 | |
|
Variation XII (B.G.N.) Andante | 2:25 | |
|
Variation XIII (...) Romanza: Moderato | 2:39 | |
|
Variation XIV (E.D.U.) Finale: Allegro – Presto | 4:59 | |
Karl Münchinger | |||
Magnificat In D Major, BWV 243 | (30:58) | ||
|
I Coro: Magnificat | 3:17 | |
|
II Aria: Et Exultavit Spiritus | 2:33 | |
|
III Aria: Quia Respexit Humilatatem – IV Coro: Omnes Generationes | 4:20 | |
|
V Aria: Quia Fecit Mihi Magna | 2:20 | |
|
VI (Duetto): Et Misericordia | 4:17 | |
|
VII Coro: Fecit Potentiam | 2:02 | |
|
VIII Aria Deposuit Potentes | 2:06 | |
|
IX Aria: Esurientes Implevit Bonis | 3:09 | |
|
X Aria (Terzetto): Suscepit Israel | 2:02 | |
|
XI Coro: Sicut Locutus Est | 2:02 | |
|
XII Coro: Gloria Patri | 2:33 | |
Cantata BWV 10 Meine Seel Erhebt Den Herren | (21:59) | ||
|
I Coro: Meine Seel Erhebt Den Herren | 4:11 | |
|
II Aria: Herr, Herr, Herr, Der Du Stark Und Mächtig Bist | 7:04 | |
|
III Recitativo: Des Höchsten Güt Und Treu | 1:25 | |
|
IV Aria: Gewaltige Stößt Gott Vom Stuhl | 3:26 | |
|
V Duetto: Er Denket Der Barmherzigkeit | 2:04 | |
|
VI Recitativo: Was Gott Den Vätern Alter Zeiten | 2:05 | |
|
VII Choral: Lob Und Preis Sei Gott | 1:26 | |
Cantata BWV 140 Wachet Auf, Ruft Uns Die Stimme | (28:43) | ||
|
I Wachet Auf, Ruft Uns Die Stimme | 6:13 | |
|
II Recitativo: Er Kommt, Er Kommt, Der Bräutigam Kommt! | 1:13 | |
|
III Aria (Duetto): Wann Kommst Du, Mein Heil? | 6:13 | |
|
IV Choral: Zion Hört Die Wächter Singen | 3:57 | |
|
V Recitativo: So Geh Herein Zu Mir | 1:41 | |
|
VI Aria (Duetto): Mein Freund Ist Mein | 7:35 | |
|
VII Choral: Gloria Sei Dir Gesungen | 1:51 | |
Birgit Nilsson | |||
The Golden Ring | |||
Das Rheingold | |||
|
Schwüles Gedünst Schwebt In Der Luft | 3:12 | |
|
Abendlich Strahlt Der Sonne Auge | 4:50 | |
|
Rheingold! Rheingold! Reines Gold! | 3:41 | |
Die Walküre | |||
|
Hojotoho! Hojotoho! (Walkürenritt = The Ride Of The Valkyries = La Chevauchée Des Valkyries) | 8:25 | |
|
Loge, Hör! Lausche Hierher! (Feuerzauber = Magic Fire Music = La Miracle De Feu) | 4:54 | |
Siegfried | |||
|
Notung! Notung! Neidliches Schwert! ... | 8:27 | |
|
Hoho! Hoho! Hohei! Schmiede, Mein Hammer, Ein Hartes Schwert! (Schmiedelied = Forging Scene = Le Chant De La Forge) | 5:43 | |
|
Aber Wie Sah Meine Mutter Wohl Aus? (Waldweben = Forest Murmurs = Le Bruits De La For) | 5:06 | |
Götterdämmerung | |||
|
Siegfrieds Rheinfahrt = Siegfried's Rhine Journey = Le Voyage De Siegfried Sur Le Rhin | 5:57 | |
|
Trauermarsch = Siegfried's Funeral Mach = March Funèbre | 7:49 | |
|
Schweigt Eures Jammers Jauchzenden Schwall ... | 3:45 | |
|
Starke Scheite Schichtet Mir Dort ... | 8:55 | |
|
Mein Erbe Nun Nehm' Ich Zu Eigen ... | 2:32 | |
|
Fliegt Heim, Ihr Raben! (Brünnhildes Schlusselgesang = Immolation Scene = Chant Final De Brünnhilde) | 8:43 | |
Luciano Pavarotti | |||
Carreras · Domingo · Pavarotti In Concert 1990 | |||
|
Il Lamento Di Federico (È La Solita Storia) – L'Arlesiana | 4:21 | |
|
O Paradis – L'Africaine | 3:11 | |
|
Recondita Armonia – Tosca | 2:37 | |
|
Dein Ist Mein Ganzes Herz – Des Land Des Lächelns | 3:36 | |
|
Rondine Al Nido | 3:34 | |
|
Core ’Ngrato | 3:28 | |
|
Torna A Surriento | 2:52 | |
|
Granada | 3:41 | |
|
No Puede Ser – La Taberna Del Puerto | 2:44 | |
|
L'Improvviso (Un Di All'Azzurro Spazio) – Andrea Chénier | 5:11 | |
|
E Lucevan Le Stelle – Tosca | 2:40 | |
|
Nessun Dorma – Turandot | 3:05 | |
|
Finale – Medley | Maria · Tonight – West Side Story | 5:30 | |
|
'O Paese D' 'O Sole | ||
|
Cielito Lindo | ||
|
Memory | 6:53 | |
|
Ochi Tchorniye | ||
|
Caminito | ||
|
La Vie En Rose | ||
|
Mattinata | 8:07 | |
|
Wien, Wien, Nur Du Allein | ||
|
Amapola | ||
|
'O Sole Mio | ||
|
Encore: 'O Sole Mio | 2:54 | |
|
Encore: Nessun Dorma – Turandot | 3:32 | |
Turandot – Highlights | |||
|
Atto Primo = Act One = Acte Un = Erster Akt | Popolo Di Pekino! (Liù, Calaf, Timur, Chorus) | 5:36 | |
|
Gira La Cote! (Chorus, Calaf, Liù) | 7:02 | |
|
Signore, Ascolta! (Liù) | 2:40 | |
|
Non Piangere, Liù! (Calaf, Liù, Timur) | 5:16 | |
|
Atto Secondo = Act Two = Acte Deux = Zweiter Akt | Ah! Per L'Ultima Volta! (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) | 2:46 | |
|
Ola, Pang! Ola, Pong! (Ping, Pang, Pong) | 3:19 | |
|
Ho Una Casa Nell 'Honan (Ping, Pang, Pong) | 3:43 | |
|
In Questa Reggia (Turandot, Calaf, Chorus) | 6:32 | |
|
Gelo Che Ti Dà Foco (Turandot, Calaf, Chorus) | 3:12 | |
|
Figlio Del Cielo! (Turandot, L'Imperatore, Calaf, Chorus) | 3:05 | |
|
Atto Terzo = Act Three = Acte Trois = Dritter Akt | Nessun Dorma! (Calaf, Chorus) | 2:57 | |
|
Quel Nome! (Ping, Liù, Timur, Calaf, Turandot, Chorus) | 1:24 | |
|
Tanto Amore Segreto (Liù, Turandot, Ping, Calaf, Chorus) | 3:05 | |
|
Tu Che Di Gel Sei Cinta (Liù, Calaf, Timur, Turandot, Ping, Pang, Pong, Chorus) | 7:33 | |
|
Principessa Di Morte! (Calaf, Turandot) | 3:17 | |
|
Che È Mai Di Me? (Turandot, Calaf, Chorus) | 2:46 | |
|
Del Primo Pianto (Turandot, Calaf) | 3:57 | |
|
So Il Tuo Nome! (Turandot, Calaf) | 2:13 | |
|
Diecimila Anni Al Nostro Imperatore! (Chorus, Turandot) | 2:24 | |
Philip Pickett | |||
Dansereye 1551 | |||
|
Fanfare (After 'La Morisque') | 2:02 | |
|
e Et Medio / Reprise 'La Pingue' | 1:26 | |
|
Bergerette 'Sans Roch' / Reprise | 3:08 | |
|
Den I. Ronde 'Pour Quoy' | 2:02 | |
|
Den VII. Ronde 'Il Estoit Une Filette' | 2:29 | |
|
Den III. Ronde | 1:27 | |
|
Den IV. Ronde | 0:44 | |
|
Den V. Ronde ('Wo Bistu') | 0:57 | |
|
Den VI. Ronde / Saltarelle | 1:51 | |
|
Den XI. Ronde / Aliud | 1:52 | |
|
Bergerette 'Dont Vient Cela' / Reprise | 2:18 | |
|
Danse De Hercules Oft Maticine / De Matrigale | 2:06 | |
|
De Post | 0:55 | |
|
Les Quatre Branles | 1:58 | |
|
Fagot | 0:51 | |
|
Den Hoboeckendans | 1:48 | |
|
Basse Danse 'Mon Desir' / Reprise 'Le Cueur Est Bon | 3:45 | |
|
Den I. Allemagne / Recoupe | 3:30 | |
|
Den II. Allemagne | 1:02 | |
|
Den III. Allemagne | 2:01 | |
|
Den V. Allemagne | 0:46 | |
|
Den VI. Allemagne | 0:31 | |
|
Den VII. Allemagne | 0:38 | |
|
Den VIII. Allemagne / Recoupe/ Recoupe Aliud Den Tenor Voer Den Discant | 1:28 | |
|
Bergerette ('La Brosse') | 2:10 | |
|
Pavane 'La Bataille' | 4:31 | |
|
Pavane 'Mille Regretz' | 1:54 | |
|
Den II. Gaillard | 1:07 | |
|
Den XI. Gaillard | 0:44 | |
|
Den IX. Gaillard | 0:39 | |
|
Den IV. Gaillard | 1:37 | |
|
Den VII. Gaillard | 1:28 | |
|
Den X. Gaillard 'Mille Ducas' | 1:29 | |
|
Den III. Gaillard | 1:22 | |
|
Den XV. Gaillard 'Le Tout' | 1:37 | |
|
Danse Du Roy / Reprise | 2:26 | |
|
Entre Du Fol | 1:06 | |
|
Le Morisque | 1:56 | |
Pascal Rogé | |||
Piano Concerto No.2 In G Minor Op. 22 | (24:08) | ||
|
I Andante Sostenuto | 11:25 | |
|
II Allegro Scherzando | 5:51 | |
|
III Presto | 6:46 | |
Piano Concerto No.4 In C Minor Op. 44 | (26:18) | ||
|
I Allegro Moderato | 13:40 | |
|
II Allegro Vivace | 13:35 | |
Christophe Rousset | |||
Piano Concerto No.5 In F Major Op. 103 "Egyptian" | (28:58) | ||
|
I Allegro Animato | 11:25 | |
|
II Andante | 11:49 | |
|
III Moto Allegro | 5:44 | |
Stabat Mater | (36:00) | ||
|
Stabat Mater | 4:11 | |
|
Cujus Animam Gementem | 2:05 | |
|
O Quam Tristis | 1:48 | |
|
Quae Moerebat Et Dolebat | 2:25 | |
|
Quis Est Homo | 3:04 | |
|
Vidit Suum Dulcem Natum | 3:01 | |
|
Eja Mater | 2:13 | |
|
Fac Ut Ardeat Cor Meum | 1:49 | |
|
Sancta Mater | 5:07 | |
|
Fac Ut Portem | 3:43 | |
|
Inflammatus Et Accensus | 2:02 | |
|
Quando Corpus | 4:34 | |
Salve Regina In F Minor | (14:26) | ||
|
Salve Regina | 4:17 | |
|
Ad Te Clamanus | 4:39 | |
|
Eja Ergo, Advocata Nostra | 1:27 | |
|
Et Jesum | 2:31 | |
|
O Clemens | 1:34 | |
Salve Regina In A Minor | (9:47) | ||
|
Salve Regina | 2:33 | |
|
Ad Te Clamamus | 2:16 | |
|
Eja Ergo, Advocata Nostra | 2:12 | |
|
O Clemens | 2:47 | |
András Schiff | |||
Goldberg Variations, BWV 988 | (1:12:09) | ||
|
Aria | 3:50 | |
|
Variatio 1 A 1 Clav. | 1:55 | |
|
Variatio 2 A 1 Clav. | 1:22 | |
|
Variatio 3 Canone All'unisono. A 1. Clav. | 2:03 | |
|
Variatio 4 A 1 Clav. | 1:04 | |
|
Variatio 5 A 1 Ovvero 2 Clav. | 1:27 | |
|
Variatio 6 Canone Alla Seconda. A 1 Clav. | 1:18 | |
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Variatio 7 A 1 Ovvero 2 Clav. Al Tempo Di Giga | 1:43 | |
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Variatio 8 A 2 Clav. | 1:41 | |
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Variatio 9 Canone Alla Terza. A 1 Clav. | 1:22 | |
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Variatio 10 Fughetta. A 1 Clav. | 1:37 | |
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Variatio 11 A 2 Clav. | 1:57 | |
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Variatio 12 Canone Alla Quarta. (A 1 Clav.) | 2:00 | |
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Variatio 13 A 2 Clav. | 4:07 | |
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Variatio 14 A 2 Clav. | 2:00 | |
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Variatio 15 Canone Alla Quinta. A 1 Clav. Andante | 3:56 | |
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Variatio 16 Ouverture. A 1 Clav. | 2:45 | |
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Variatio 17 A 2 Clav. | 2:00 | |
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Variatio 18 Canone All Sesta. A 1 Clav. | 1:26 | |
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Variatio 19 A 1 Clav. | 1:18 | |
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Variatio 20 A 2 Clav. | 1:49 | |
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Variatio 21 Canone Alla Settima. A 1 Clav. | 2:14 | |
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Variatio 22 A 2 Clav. | 1:51 | |
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Variatio 22 A 2 Clav. Alle Breve | 2:09 | |
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Variatio 24 Canone All'ottava. A 1 Clav. | 2:17 | |
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Variatio 25 A 2 Clav. Adagio | 7:00 | |
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Variatio 26 A 2 Clav. | 2:04 | |
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Variatio 27 Canone Alla Nona. A 2 Clav. | 1:44 | |
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Variatio 28 A 2 Clav. | 2:41 | |
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Variatio 29 A 1 Ovvero 2 Clav. | 1:52 | |
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Variatio 30 Quodlibet. A 1 Clav. | 1:46 | |
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Aria Da Capo | 3:53 | |
Georg Solti | |||
44-1 | Ruslan And Lyudmilla – Overture | 5:02 | |
44-2 | Khovanshchina – Prelude | 5:06 | |
44-3 | Night On The Bare Mountain | 11:11 | |
44-4 | Prince Igor – Overture | 10:50 | |
44-5 | Polovtsian Dances | 13:38 | |
44-6 | Die Leichte Kavallerie – Overture | 5:52 | |
44-7 | Dichter Und Bauer – Overture | 9:00 | |
44-8 | Ein Morgan, Mittag Und Nacht In Wien – Overture | 7:37 | |
44-9 | Pique Dame – Overture | 7:05 | |
Symphony No.8 In E Flat Major "Symphony Of A Thousand" | (1:19:47) | ||
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Erster Teil = Part One = Première Partie | Veni, Creator Spiritus | 1:26 | |
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Imple Superna Gratia | 4:25 | |
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Infirma Nostri Corporis | 6:21 | |
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Accende Lumen Sensibus | 4:43 | |
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Veni, Creator Spiritus | 3:50 | |
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Gloria Patri Domino | 2:37 | |
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Zweiter Teil = Part Two = Seconde Partie (Schlusszene Aus Goethes Faust II = Final Scene From Goethe's Faust Part = Scène De Faust II de Goethe | | Poco Adagio – Waldung, Sie Schwankt Heran (Chorus Und Cho) | 16:46 | |
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Ewiger Wonnebrand (Pater Ecstaticus) | 1:35 | |
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Wie Felsenabgrund Mir Zu Füßen (Pater Profundis) | 4:42 | |
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Gerettet Ist Das Edle Glied (Engel, Chor Seliger Knaben) | 3:03 | |
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Uns Bleibt Ein Erdenrest ... Hier Ist Die Aussicht Frei (die Vollendetern Engel, Die Jüngeren Engel, Doctor Marianus, Chor Seliger Knaben) | 2:59 | |
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Höchste Herrscherin Der Welt ... Dir, Der Unberührbaren (Doctor Marianus, Chor) | 8:08 | |
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Bei Der Liebe, Die Den Füßen (Magna Peccatrix, Mulier Samaritana, maria Aegyptiaca) | 4:54 | |
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Neige, Neige, Du Ohnegleiche (Una Poenitentium (Gretchen), Chor Seliger Knaben, Mater Gloriosa) | 5:18 | |
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Blicket Auf Zum Retterblick (Doctor Marianus, Chor) | 4:47 | |
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Alles Vergängliche (Chorus Mysticus) | 6:43 | |
Joan Sutherland | |||
46-1 | Solingo, Errante E Misero – Ernani | 6:55 | |
46-2 | Adalgisa! ... O Rimembranza! – Norma | 10:35 | |
46-3 | Ma Di' ... O, Non Tremare – Norma | 11:47 | |
46-4 | Ecco La Barca ... Addio – La Gioconda | 6:10 | |
46-5 | Deh! Non Turbare – La Gioconda | 6:04 | |
46-6 | Già Nella Notte Densa – Otello | 10:23 | |
46-7 | Madre, Non Dormi? – Il Trovatore | 17:40 | |
46-8 | Encore | Angiol Di Pace – Beatrice Di Tenda | 2:50 | |
Takács Quartet | |||
String Quartet In F Minor, Op.95 "Quartetto Serioso" | (20:28) | ||
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I Allegro Con Brio | 4:23 | |
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II Allegretto Ma Non Troppo | 6:59 | |
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III Allegro Assai Vivace Ma Serioso | 4:12 | |
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IV Larghetto Espressivo – Allegretto Agitato – Allegro | 4:54 | |
String Quartet In B Flat Major, Op.130 | (57:28) | ||
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I Adagio Ma Non Troppo – Allegro | 13:53 | |
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II Presto | 1:55 | |
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III Andante Con Moto Ma Non Troppo | 6:26 | |
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IV Alla Danza Tedesca: Allegro Assai | 3:08 | |
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V Cavatina: Adagio Molto Espressivo | 8:17 | |
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VI Große Fuge, Op.133 (Original Last Movement) | 14:28 | |
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VI Finale: Allegro (Replacement Last Movement) | 9:19 | |
Renata Tebaldi | |||
La Fanciulla Del West – Highlights | (50:27) | ||
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Atto Primo = Act One = Acte Un = Erster Akt | Che Faranno I Vecchi Miei (Jake Wallace, Nick, Sonora, Trin, Sid) | 4:36 | |
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Jim, Perchè Piangi? (Trin, Larkens, Joe, Sonora, Nello) | 2:05 | |
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Minnie, Dalla Mia Casa Son Partito (Rance, Minnie) | 2:16 | |
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Laggiù Nel Soledad (Minnie, Rance) | 2:30 | |
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Mister Johnson, Siete Rimasto Indietro (Minnie, Johnson) | 4:45 | |
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Io Non Son Che Una Povera Fanciulla (Minnie) | ||
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Quello Che Tacete (Johnson) | 1:06 | |
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Come Voi Leggermi In Cor Non So (Minnie, Nick, Johnson) | 2:35 | |
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Ah, Non Temete, Nessuno Ardirà (Johnson, Minnie) | 5:32 | |
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Atto Secondo = Act Two = Acte Deux = Zweiter Akt | Non Mi Difenderò ... Or Son Sei Mesi (Minnie, Johnson) | 3:57 | |
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L'han Ferito ... Che Importa (Minnie, Johnson) | 2:35 | |
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Che C'è Di Nuovo, Jack? (Minnie, Rance) | 3:33 | |
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Atto Terzo = Act Three = Acte Trois = Dritter Akt | Ch'ella Mi Creda Libero E Lontano (Johnson, Rance) | 2:03 | |
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Ah-Ah-Ah! (Minnie, Rance, Sonora, Chorus) | 2:20 | |
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Non Vi Fu Mai (Minnie, Sonora, Chorus) | 2:11 | |
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E Anche Tu Lo Vorrai (Minnie, Sonora, Happy, Trin, Harry) | 3:47 | |
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Le Tue Parole Sono Di Dio (Sonora, Johnson, Trin, Harry, Joe) | 2:38 | |
Wiener Oktett | |||
Octet In E Flat Major, Op.20 | (32:54) | ||
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I Allegro Moderato Ma Con Fuoco | 14:22 | |
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II Andante | 7:17 | |
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III Scherzo – Allegro Leggierissimo | 4:42 | |
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IV Presto | 6:31 | |
Septet In E Flat Major, Op 20 | (40:47) | ||
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I Adagio – Allegro Con Brio | 10:20 | |
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II Adagio Cantabile | 9:00 | |
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III Tempo Di Minuetto | 3:26 | |
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IV Andante Con Variazion | 7:38 | |
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V Scherzo | 3:25 | |
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VI Andante Con Moto Alla Marcia – Presto | 6:58 | |
Winchester Cathedral Choir | |||
Belshazzar's Feast | (36:14) | ||
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Thus Spake Isaiah (Chorus) | 5:30 | |
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If I Forget Thee, O Jerusalem (Bass, Chorus) | 5:42 | |
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Babylon Was A Great City (Bass, Chorus) | 1:36 | |
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In Babylon, Belshazzar The King Made A Great Feast (Chorus) | 3:00 | |
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Praise Ye, The God Of Gold (Bass, Chorus) | 5:26 | |
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Thus In Babylon, The Mighty City (Chorus) | 3:21 | |
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And In That Same Hour (Bass, Chorus) | 2:29 | |
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Then Sing Aloud To God Our Strength (Chorus) | 4:06 | |
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The Trumpeters And Pipers Were Silent (Chorus) | 1:14 | |
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Then Sing Aloud To God Our Strength (Chorus) | 3:50 | |
50-11 | Coronation Te Deum | 10:30 | |
50-12 | I Was Glad (Anthem For The Coronation Of King Edward VII, 1902) | 7:24 | |
50-13 | Blest Pair Of Sirens | 10:44 | |
50-14 | Jerusalem | 2:51 |
Companies, etc.
- Phonographic Copyright ℗ – Decca Music Group Limited
- Copyright © – Decca Music Group Limited
- Copyright © – Oxford University Press
- Copyright © – Prof. H. C. Robbins Landon
- Published By – Chester Music Ltd.
- Published By – Éditions Max Eschig
- Published By – Hawkes & Son
- Published By – Breitkopf & Härtel
- Published By – Boosey & Hawkes Music Publishers Ltd
- Published By – G. Schirmer Inc.
- Published By – Carl Fischer, Inc.
- Published By – Oxford University Press
- Published By – C. F. Peters
- Published By – F.E.C. Leuckart
- Published By – Durand & Cie.
- Published By – Schott Musikverlage International
- Published By – Universal Edition AG
- Published By – Éditions Durand
- Published By – Arima Music
- Published By – Hawkes & Son (London) Ltd.
- Published By – Schott Musik International GmbH & Co KG
- Published By – Český Hudebni Fond
- Published By – Anglo-Soviet Music Press Ltd
- Published By – Oxford University Press
- Published By – S & N Koussevitzky
- Published By – Schott & Co. Ltd.
- Published By – Fürstner Musikverlag GmbH, Mainz
- Published By – Dreiklang-Dreimasken Bühnen- und Musikverlag GmbH
- Published By – Ludwig Doblinger KG
- Published By – Rondo-Verlag
- Published By – Rondor Musikverlag GmbH
- Published By – Ufaton Verlagsgesellschaft mbH
- Published By – Charles Brull Ltd.
- Published By – Copyright Control
- Published By – Casa Ricordi
- Published By – Universal Music Publishing Ricordi srl
- Published By – Southern Music Publications Corp., Inc.
- Published By – Peer International Corp.
- Published By – Casa Musicale Sonzogno di Piero Ostali
- Published By – Glocken-Verlag
- Published By – Mauro V. Cardillo
- Published By – BMG Ricordi S.p.A.
- Published By – Unión Musical Española
- Published By – Jaini Publications, Inc.
- Published By – The Leonard Bernstein Music Publishing Company LLC
- Published By – Casa Edition F. Bideri
- Published By – Faber Music Ltd.
- Published By – The Really Useful Group Ltd.
- Published By – E. B. Marks
- Published By – Editions Paul Beuscher
- Published By – Adolf Robitschek GmbH
- Recorded At – Victoria Hall, Geneva
- Recorded At – Kingsway Hall
- Recorded At – Walthamstow Assembly Hall
- Recorded At – All Saints Church Petersham
- Recorded At – Mozart-Saal, Wiener Konzerthaus
- Recorded At – Joseph Meyerhoff Symphony Hall
- Recorded At – Davies Symphony Hall
- Recorded At – Concertgebouw, Amsterdam
- Recorded At – The Maltings
- Recorded At – Severance Hall
- Recorded At – Henry Wood Hall, London
- Recorded At – Gewandhaus
- Recorded At – Auditorio Radiotelevisione Svizzera, Lugano
- Recorded At – Abbey Road Studios
- Recorded At – Friedrich-Ebert-Halle, Hamburg
- Recorded At – Chapel Of King's College, Cambridge
- Recorded At – St. John's College Chapel, Cambridge
- Recorded At – Decca Studio No. 3
- Recorded At – Masonic Auditorium, Cleveland
- Recorded At – Salle de la Mutualité, Paris
- Recorded At – Royce Hall
- Recorded At – Schloss Ludwigsburg
- Recorded At – Terme Di Caracalla
- Recorded At – Notre-Dame du Liban
- Recorded At – Avery Fisher Hall
- Recorded At – St George's, Bristol
- Recorded At – Accademia Nazionale di Santa Cecilia
- Recorded At – Winchester Cathedral
- Glass Mastered At – EDC,
Credits
- Compiled By – Raymond McGill
- Concept By – Paul Moseley
- Edited By [Tape Editor] – Nigel Gayler (tracks: 38-1 to 38-17)
- Engineer [Assistant Engineer] – Roxy Pope (tracks: 21-4 to 21-6)
- Engineer [Balance Engineer] – Stanley Goodall (tracks: 4-1 to 4-4, 5-1 to 5-18, 20-1 to 20-34, 26-8 to 26-10, 32-1 to 32-4, 32-9 to 32-13, 36-19 to 36-25, 46-1 to 46-8)
- Engineer [Digital Recording Engineer] – Tony Griffiths (2) (tracks: 9-1 to 9-16)
- Engineer [Location Engineer] – Krzysztof Jarosz (tracks: 17-1 to 17-6)
- Engineer [Recording Engineer] – Tryggvi Tryggvason (tracks: 49-1 to 49-4)
- Executive-Producer – Evans Mirageas (tracks: 42-1 to 42-21)
- Liner Notes – Raymond McGill
- Liner Notes [Traduction] – Dennis Collins (2)
- Liner Notes [Übersetzung Michael Gray] – Andreas Klatt (2)
- Liner Notes [Übersetzung Raymond McGill] – Christiane Frobenius
- Mastered By [Digital Mastering] – Craig Thompson (2) (tracks: CDs 36 & 50)
- Photography By – Vivianne Purdom
- Producer [Assistant Producer] – Michael Woolcock (tracks: 39-1 to 39-19)
- Producer [Recording Producer] – Richard Beswick (tracks: 41-1 to 41-3, 41-6 to 41-8)
- Remastered By – Paschal Byrne (tracks: CD 1 to 4, CD10, CD14 to CD16, CD18, CD22 to CD24, CD26, CD28, CD31, CD34, CD35, CD37, CD41, CD44, CD46, CD48)
- Remastered By [Remastering Process Supervised By] – James Lock (2) (tracks: CD10)
Notes
This compilation ℗ 2011 Decca Music Group Limited
© 2011 Decca Music Group Limited
Made in the EU
Packaged in a cardboard double-lift box, with CDs in cardboard sleeves replicating the original releases.
Each CD comes in a cardboard sleeve that replicates the original cover of one of the albums whose tracks are on the disc, if there is more than on. They do not describe the contents of the disc, which are printed on the back of the sleeve and in the booklet. Tracklist entries are a combination of the two.
CD 1 Total timing 77:28 · ADD · 478 3156
Recording locations: Victoria Hall, Geneva, February & March 1961
First released as SXL 2287 (Debussy)
Publishers: Chester Music Ltd. (El sombrero) Éditions Max Eschig (La vida breve)
℗ 1961 (Debussy), 1962 (Falla) Decca Music Group Limited
CD 2 Total timing 73:15 · ADD/AAD (Tchaikovsky) · 478 3157
Recording locations: Kingsway Hall, London, 27 & 28 December 1956 (Tchaikovsky), 31 December 1956 & 1 January 1957 (Chabrier, Rimsky-Korsakov, Granados, Moszkowski)
First released as SXL 2029 (Tchaikovsky)
℗ 1957 (Tchaikovsky), 1958 (Chabrier, Rimsky-Korsakov, Granados, Moszkowski) Decca Music Group Limited
CD 3 Total timing 68:13 · ADD · 478 3158
Recording locations: Walthamstow Assembly Hall, London, 18 & 19 March 1963 (Concerto); All Saints' Church, Petersham, Surrey, September 1977 (Sonata)
First released as SXL 6996 (Sonata)
Publisher: Hawkes & Son (London) Ltd
℗ 1963 (Concerto), 1982 (Sonata) Decca Music Group Limited
CD 4 Total timing 77:39 · DDD · 478 3159
Recording locations: Kingsway Hall, London, September 1982 (Mussorgsky); Walthamstow Assembly Hall, London, October 1984 (Sibelius)
Publishers: Breitkopf & Härtel Musikverlag (Sibelius); Boosey & Hawkes Music Publishers Ltd. (Mussorgsky)
First released as SXL 6996 (Mussorgsky)
℗ 1983 (Mussorgsky), 1986 (Sibelius) Decca Music Group Limited
CD 5 Total timing 67:07 · DDD · 478 3160
Recording location: Mozart-Saal, Konzerthaus, Vienna, 5-8 August 1992
First released as 440 2972
℗ 1993 Decca Music Group Limited
CD 6 Total timing 67:22 · DDD · 478 3161
Recording location: Joseph Meyerhoff Symphony Hall, Baltimore, January 1996
G. Schirmer Inc. (Barber); Carl Fischer Inc (Bloch); Oxford University Press (Walton)
First released as 452 8512
℗ 1997 Decca Music Group Limited
CD 7 Total timing 73:00 · DDD · 478 3162
Recording location: Davies Symphony Hall, San Francisco, 31 May & 1 June 1989
First released as 421 8152
℗ 1990 Decca Music Group Limited
CD 8 Total timing 68:10 · ADD · 478 3163
Recording location: Sofiensaal, Vienna, November 1973
First released as 6 BB 171-2
℗ 1974 Decca Music Group Limited
CD 9 Total timing 81:18 · DDD · 478 3164
Recording location: Großer Musikvereinsaal, Vienna, 20 December 1978*/1 January 1979
First released as D 146 D2
℗ 1979 Decca Music Group Limited
*Editor's Note: added with reference to booklet from 1995 2-CD release Wiener Philharmoniker / Willi Boskovsky - New Year's Day Concert In Vienna = Neujahrskonzert In Wien = Concert Du Nouvel An À Vienne, Decca 448 572-2.
CD 10 total timing 81:03 · ADD · 478 3165
Recording location: Kingsway Hall, London, 3-5, 7-8 & 10 January 1963
First released as SET 252-3
℗ 1963 Decca Music Group Limited
CD 11 Total timing: 75:36 · DDD · 478 3166
Recording location: Grote Zaal, Concertgebouw, Amsterdam, March 1992
Publishers: Durand & Cie., Paris. This recording follows the text of the Revised Messiaen Edition.
First released as 436 6362
℗ 1993 Decca Music Group Limited
CD 12 Total timing: 77:59 · ADD (Bruch) · DDD (Mendelssohn) · 478 3167
Recording locations: Kingsway Hall, London, 15-20 May 1972 (Bruch); L'Église de St Eustache, Montréal, July 1981 (Mendelssohn)
First released as SXDL 7558 (Mendelssohn)
℗ 1972 (Bruch), 1982 (Mendelssohn) Decca Music Group Limited
CD 13 Total timing: 65:03 · ADD · 478 3168
Recording location: Snape Maltings Concert Hall, Suffolk, 24 & 25 September 1970
First release as SXL 7007
℗ 1982 Decca Music Group Limited
CD 14 Total timing: 77:28 · ADD · 478 3169
Recording locations: Sofiensaal, Vienna, April 1973 (Berg), 21-25 September 1979 (Schoenberg); Severance Hall, Cleveland, Ohio, August 1991 (Webern)
Publishers: Universal Edition AG, Wien (Schoenberg); Schott Musikverlage International Mainz / Universal Edition, Wien (Berg); Boosey & Hawkes Music Publishers Ltd (Webern)
First released as 436 2422 (Webern)
℗ 1974 (Berg), 1981 (Schoenberg), 1992 (Webern) Decca Music Group Limited
© 2011 Decca Music Group Limited
CD 15 Total timing: 77:05 · DDD · 478 3170
Recording location: United Artists Auditorium, Detroit, 11-12 May 1981 (Rite), 24-26 October 1982 (Firebird)
Publishers: Boosey & Hawkes Music Publishers Ltd (Rite); Schott Musik International GmbH & Co., KG (Firebird)
First released as SXDL 7548 (Rite)
℗ 1982 (Rite), 1983 (Firebird) Decca Music Group Limited
CD 16 Total timing: 81:20 · DDD · 478 3171
Recording location: L'Église de St Eustache, Montréal, July 1981 (Boléro), 12-14 May 1983
Publishers: Durand S.A. Éditions Musicales/Société Arima (Ma Mère l'Oye, Boléro); Durand S.A. Éditions Musicales (Pavane, Tombeau, Valses)
First released as SXDL 7559 (Boléro)
℗ 1982 (Boléro), 1984 Decca Music Group Limited
CD 17 Total timing: 71:32 · DDD · 478 3172
Recording location: Henry Wood Hall, London, 16-21 December 1996
Publishers: Hawkes & Son (London) Ltd/Schott Musik International GmbH & Co. KG (Strauss); Český Hudebni Fond (Dvořák); Boosey & Hawkes Music Publishers Ltd (Britten)
First released as 455 7602
℗ 1997 Decca Music Group Limited
CD 18 Total timing: 69:27 · DDD · 478 3173
Recording locations: Auditorio Massimo, Radio Televisione Svizzera di Ligua Italia, Lugano, 18-2 December 2002 (Schumann); Gewandhaus zu Leipzig, 13-18 February, 2006 (Brahms)
First released as 473 9022 (Schumann)
℗ 2003 (Schumann), 2006 (Brahms) Decca Music Group Limited.
CD 19 Total timing 76:08 · DDD · 478 3174
Recording locations: Grote Zaal, Concertgebouw, Amsterdam, 21-23 May 1981 (No.5); Kingsway Hall, London, January 1980 (No.9)
Publishers: Boosey & Hawkes Music Publishers Ltd (No.5); Anglo-Soviet Music Press Ltd/Boosey & Hawkes Music Publishers Ltd (No.9)
First released as SXDL 7515 (No.9)
℗ 1981 (No.9), 1982 (No.5) Decca Music Group Limited
CD 20 Total timing 52:26 · DDD · 478 3175
Recording location: Walthamstow Assembly Hall, London, September, 1992
Publisher: Oxford University Press
First released as L'Oiseau-Lyre 436 9922
℗ 1994 Decca Music Group Limited
CD 21 Total timing 73:17 · DDD · 478 3176
Recording locations: Abbey Road Studio 1, London, 18 & 19 July 2009 (Britten); Friedrich-Ebert-Halle, Hamburg-Harburg, , 31 July-2 August 2009 (Beethoven)
Publishers: Boosey & Hawkes Music Publishers Ltd (Beethoven cadenzas); Hawkes & Son (London) Ltd (Britten)
First released as 478 1530
℗ 2009 Decca Music Group Limited
CD 22 Total timing 72:15 · ADD · 478 3177
Recording locations: Sofiensaal, Vienna, September 1961 (The Planets); Kingsway Hall, London, March 1961 (The Perfect Fool, Egdon Heath)
First released as SXL 6006 (The Perfect Fool, Egdon Heath)
℗ 1962 Decca Music Group Limited
CD 23 Total timing 73:37 · ADD · 478 3178
Recording location: Kingsway Hall, London, 9 & 10 November 1965 (Bartók), 11-13 November 1965 (Ravel), 26-29 November 1968 (Prokofiev)
Publishers: Hawkes & Son (London) Ltd. (Bartók); Boosey & Hawkes (Ravel); S. & N, Koussevitzky (Prokofiev);
First released as SXL 6411 (Prokofiev)
℗ 1966 The Decca Music Group Limited (Bartók, Ravel), 1969 (Prokofiev) Decca Music Group Limited
CD 24 Total timing 75:24 · ADD · 478 3179
Recording locations: Sofiensaal, Vienna, 22-24 March 1961 (No.9), Kingsway Hall, London, 22-26 February 1963 (No.8)
First released as SXL 6044
℗ 1961 (No.9), 1963 (No.8) Decca Music Group Limited
CD 25 Total timing 80:38 · ADD · 478 3180
Recording locations: The Chapel of King's College, Cambridge, July 1962 (Nelson Mass); St John's College, Cambridge, July 1969 (Paukenmesse)
Publisher: Schott & Co. Ltd (Nelson Mass)
Edition: H.C. Robbins Landon (Nelson Mass)
First released as Argo ZRG 634 (Paukenmesse)
℗ 1962, 1970 Decca Music Group Limited
CD 26 Total timing 81:19 · ADD (Granados) · DDD (Falla) · 478 3181
Recording Locations: Kingsway Hall, London, London/Decca Studios, West Hempstead, December 1975-December 1976 (Goyescas); Decca Studio No.3, West Hempstead. December 1976 (El pelele); Walthamstow Assembly Hall, London, 6-8 July 1983 (Noches)
Publisher: Éditions Max Eschig (Noches)
First released as 410 2892 (Falla)
℗ 1977 (Goyescas, El pelele), 1984( Noches) Decca Music Group Limited
CD 27 Total timing 72:07 · DDD · 478 3182
Recording location: CTS Studio 2, Wembley, London, January & February 1996
Publishers: Fürstner Musikverlag GmbH (1,2); Dreiklang-Dreimasken Bühnen -und Musikverlag (3, 5, 7, 15, 17, 18); Ludwig Doblinnger (Bernard Herzmansky) KG (6); Fürstner Musikverlag GmbH/Schott Musik International GmbH & Co. KG (8); Rondo-Verlag GmbH (9); Boosey & Hawkes Music Publishers Ltd (10); Rondor Musikverlag GmbH (11); Ufaton Verlagsgesellschaft mbH (12); Charles Brull Ltd & Co (13, 16); Copyright Control (4, 14)
First released as 452 6012
℗ 1996 Decca Music Group Limited
CD 28 Total timing 77:04 · ADD · 478 3183
Recording locations: Decca Studio No.3, West Hempstead, London, 13-16 June 1972 (Sonatas); Kingsway Hall, London, 27 & 28 November, 1970 (Variations)
First released as SXL 6503 (Variations)
℗ 1971 (Variations), 1973 (Sonatas) Decca Music Group Limited
CD 29 Total timing 78.56 · ADD · 478 3184
Recording location: Kingsway Hall, London, 27 & 28 February 1957 (A Midsummer Night's Dream), 21 & 22 April 1960 (Symphony)
First released as SXL 2060 (A Midsummer Night's Dream)
℗ 1959 (A Midsummer Night's Dream), 1960 (Symphony) Decca Music Group Limited
CD 30 Total timing 77:37 · ADD · 478 3185
Recording location: Masonic Auditorium, Cleveland, Ohio, 10-14 May 1976 (Respighi), 19-23 October 1979 (Rimsky-Korsakov)
Publisher Casa Ricordi/BMG Ricordi S.p.A., Milano (Respighi)
First released as SXL 6966 (Rimsky-Korsakov)
℗ 1977, 1980 Decca Music Group Limited
CD 31 Total timing 66:35 · DDD · 478 3186
Recording location: Sofiensaal, Vienna, 26 & 27 November 1978 (Suite from The Cunning Little Vixen), 25 & 26 March 1980 (Sinfonietta, Taras Bulba)
Publisher: Universal Edition AG
First released as 417 1312 (Suite from The Cunning Little Vixen)
℗ 1981 (Sinfonietta, Taras Bulba), 1986 (Vixen) Decca Music Group Limited
CD 32 Total timing 77:55 · DDD · 478 3187
Recording location: Kingsway Hall, London, April 1968 (Tchaikovsky), 11-15 1970 (Grieg)
First released as Argo ZRG 670 (Grieg)
℗ 1969 (Tchaikovsky), 1970 (Grieg) Decca Music Group Limited
CD 33 Total timing 65.09 · ADD· 478 3188
Recording locations: La Maison de la Mutualité, Paris 16 & 17 June 1960 (Ibert, Saint-Saëns, Bizet); Kingsway Hall, London, 6 & 7 March, 1958 (Borodin)
Publisher: Durand S.A. Éditions Musicales (Ibert)
First released as LSC-2298, 1959
℗ 1960 (Ibert, Saint-Saëns, Bizet), 1961 (Borodin) Decca Music Group Limited
CD 34 Total timing 71:49 · ADD· 478 3189
Recording location: Royce Hall, University of California, Los Angeles, 21 April 1971 (Varèse), May 1975 (Ives)
Publishers: Universal Music Publishing Ricordi S.r.l. (Varèse); Peer International Corp./Southern Music Publications Corp., Inc. (Ives)
First released as SXL 6753 (Ives)
℗ 1972 (Varèse), 1976 (Ives) Decca Music Group Limited
CD 35 Total timing 81:12 · ADD· 478 3190
Recording location: Kingsway Hall, London, London, 24 & 25 June 1958 (Enigma Variations), 27 & 28 April 1959 (Daphnis)
Publisher: Durand S.A. Éditions Musicales (Daphnis)
First released as LSC2418, 1960
℗ 1959 (Daphnis), 1961 (Enigma Variations) Decca Music Group Limited
CD 36 Total timing 81:34 · ADD· 478 3191
Recording location: Evangelische Schlosskirche, Ludwigsburg, Stuttgart, May 1968 (BWV 234, BWV 10), February 1984 (BWV 140)
First released as 414 0452 (BWV 140)
℗ 1969 (BWV 234, BWV 10), 1985 (BWV 140), Decca Music Group Limited
CD 37 Total timing 81:59 · ADD· 478 3192
Recording location: Sofiensaal, Vienna October 1958 (Rheingold), October 1962 (Siegfried), November 1964 (Götterdämmerung), November 1965 (Walküre)
First released as (complete operas) SET 292-7 (Götterdämmerung)
First released as The Golden Ring: SXL 6421 (tracks 1 to 4, 8, 10 only)
℗ 1959, 1963, 1965, 1966 Decca Music Group Limited
CD 38 Total timing 67:47 · DDD· 478 3193
Recording location: Terme di Caracella, Rome, 7 July 1990
Publishers: Casa Musicale Sonzogno di Piero Ostali, Milano (1); Glocken Verlag GmbH (4); Mauro V. Cardillo (5); Casa Ricordi-BMG Ricordi S.p.A, Milano (6, 12, 17); Universal Music Publishing Ltd (7); Peer International Corp. (8); Unión Musical Española (9); Jaini Publications, Inc./ The Leonard Bernstein Music Publishing Company Co. LLC (13); Casa Ed. F. Bideri (13); Faber Music Ltd./The Really Useful Group Ltd. (14); E. B. Marks Music Inc. (14); Editions Paul Beuscher (14); Adolf Robitschek Musikverlag GmbH (15)
First released as 430 4332, 1990
℗ 1990 Decca Music Group Limited
CD 39 Total timing 7246 · DDD· 478 3194
Recording location: Kingsway Hall, London, 10-25 August 1972
Publisher: Casa Ricordi-BMG Ricordi S.p.A.
First released as SET 573 [correction from SET 561 in The Decca Sound booklet] (highlights)
℗ 1973 Decca Music Group Limited
CD 40 Total timing 65:40 · DDD· 478 3195
Recording location: Walthamstow Assembly Hall, October 1991
First released as L'Oiseau-Lyre 436 1312
℗ 1993 Decca Music Group Limited
CD 41 Total timing 79:24 · DDD· 478 3196
Recording locations: Walthamstow Assembly Hall, London, 7 July 1978 (No.2); Kingsway Hall, London, 15 July 1978 (No.5), 12-14 July 1979 (No.4)
Publisher: Durand S.A. Éditions Musicales
First released as D 244 D3 (Complete concertos)
℗ 1981 Decca Music Group Limited
CD 42 Total timing 60:13 · DDD· 478 3197
Recording location: L'Église de Notre Dame du Liban, Paris, 22-26 February 1999
First released as 466 1342
℗ 1999 Decca Music Group Limited
CD 43 Total timing 72:09 · DDD· 478 3198
Recording location: Kingsway Hall, London, December 1982
First released as D 275 D2
℗ 1983 Decca Music Group Limited
CD 44 Total timing 75:23 · ADD· 478 3199
Recording locations: Kingsway Hall, London, 31 January-3 February 1966 (Glinka, Mussorgsky, Borodin Overture), May 1966 (Borodin Dances); Sofiensaal, Vienna, May 1959 (Suppé)
First released as SXL 217460 (Suppé)
℗ 1960 (Glinka, Mussorgsky, Borodin), 1966 (Suppé) Decca Music Group Limited
CD 45 Total timing 79:47 · ADD· 478 3200
Recording location: Sofiensaal, Vienna, 30 August-2 September 1971
First released as SET 534-5
℗ 1972 Decca Music Group Limited
CD 46 Total timing 72:24 · ADD· 478 3201
Recording location: Avery Fisher Hall, New York, 20-23 March 1981
First released as 417 5872, single disc (1987).
℗ 1981 Decca Music Group Limited
CD 47 Total timing 77:54 · DDD· 478 3202
Recording location: St. George's, Bristol, 17-20 November 2003 (Op. 95), 19-23 July 2004 (Op. 130/133)
First released as: 470 8492 (disc 3 only)
℗ 2005 Decca Music Group Limited
CD 48 Total timing 50:27 · ADD· 478 3203
Recording location: Accademia di Santa Cecilia, Rome, July-August 1958
Publishers: Casa Ricordi-BMG Ricordi S.p.A.
First released as SXL 2267 (highlights)
℗ 1958 Decca Music Group Limited
CD 49 Total timing 73:39 · ADD· 478 3204
Recording location: Sofiensaal, Vienna, February 1959 (Beethoven), November 1972 (Mendelssohn)
First released as SXL 2157 (Beethoven)
℗ 1960 (Beethoven), 1973 (Mendelssohn) Decca Music Group Limited
CD 50 Total timing 67:43 · DDD· 478 3204
Recording location:Winchester Cathedral, June 1990 (Parry), May 1991 (Coronation Te Deum), 3-5 February 1995 (Belshazzar)
Publisher: Oxford University Press (Belshazzar, Coronation Te Deum)
First released as 430 836-2 (Parry)
℗1991 (Parry), 1992 (Coronation Te Deum), 1995 (Belshazzar) Decca Music Group Limited
© 2011 Decca Music Group Limited
Made in the EU
Packaged in a cardboard double-lift box, with CDs in cardboard sleeves replicating the original releases.
Each CD comes in a cardboard sleeve that replicates the original cover of one of the albums whose tracks are on the disc, if there is more than on. They do not describe the contents of the disc, which are printed on the back of the sleeve and in the booklet. Tracklist entries are a combination of the two.
CD 1 Total timing 77:28 · ADD · 478 3156
Recording locations: Victoria Hall, Geneva, February & March 1961
First released as SXL 2287 (Debussy)
Publishers: Chester Music Ltd. (El sombrero) Éditions Max Eschig (La vida breve)
℗ 1961 (Debussy), 1962 (Falla) Decca Music Group Limited
CD 2 Total timing 73:15 · ADD/AAD (Tchaikovsky) · 478 3157
Recording locations: Kingsway Hall, London, 27 & 28 December 1956 (Tchaikovsky), 31 December 1956 & 1 January 1957 (Chabrier, Rimsky-Korsakov, Granados, Moszkowski)
First released as SXL 2029 (Tchaikovsky)
℗ 1957 (Tchaikovsky), 1958 (Chabrier, Rimsky-Korsakov, Granados, Moszkowski) Decca Music Group Limited
CD 3 Total timing 68:13 · ADD · 478 3158
Recording locations: Walthamstow Assembly Hall, London, 18 & 19 March 1963 (Concerto); All Saints' Church, Petersham, Surrey, September 1977 (Sonata)
First released as SXL 6996 (Sonata)
Publisher: Hawkes & Son (London) Ltd
℗ 1963 (Concerto), 1982 (Sonata) Decca Music Group Limited
CD 4 Total timing 77:39 · DDD · 478 3159
Recording locations: Kingsway Hall, London, September 1982 (Mussorgsky); Walthamstow Assembly Hall, London, October 1984 (Sibelius)
Publishers: Breitkopf & Härtel Musikverlag (Sibelius); Boosey & Hawkes Music Publishers Ltd. (Mussorgsky)
First released as SXL 6996 (Mussorgsky)
℗ 1983 (Mussorgsky), 1986 (Sibelius) Decca Music Group Limited
CD 5 Total timing 67:07 · DDD · 478 3160
Recording location: Mozart-Saal, Konzerthaus, Vienna, 5-8 August 1992
First released as 440 2972
℗ 1993 Decca Music Group Limited
CD 6 Total timing 67:22 · DDD · 478 3161
Recording location: Joseph Meyerhoff Symphony Hall, Baltimore, January 1996
G. Schirmer Inc. (Barber); Carl Fischer Inc (Bloch); Oxford University Press (Walton)
First released as 452 8512
℗ 1997 Decca Music Group Limited
CD 7 Total timing 73:00 · DDD · 478 3162
Recording location: Davies Symphony Hall, San Francisco, 31 May & 1 June 1989
First released as 421 8152
℗ 1990 Decca Music Group Limited
CD 8 Total timing 68:10 · ADD · 478 3163
Recording location: Sofiensaal, Vienna, November 1973
First released as 6 BB 171-2
℗ 1974 Decca Music Group Limited
CD 9 Total timing 81:18 · DDD · 478 3164
Recording location: Großer Musikvereinsaal, Vienna, 20 December 1978*/1 January 1979
First released as D 146 D2
℗ 1979 Decca Music Group Limited
*Editor's Note: added with reference to booklet from 1995 2-CD release Wiener Philharmoniker / Willi Boskovsky - New Year's Day Concert In Vienna = Neujahrskonzert In Wien = Concert Du Nouvel An À Vienne, Decca 448 572-2.
CD 10 total timing 81:03 · ADD · 478 3165
Recording location: Kingsway Hall, London, 3-5, 7-8 & 10 January 1963
First released as SET 252-3
℗ 1963 Decca Music Group Limited
CD 11 Total timing: 75:36 · DDD · 478 3166
Recording location: Grote Zaal, Concertgebouw, Amsterdam, March 1992
Publishers: Durand & Cie., Paris. This recording follows the text of the Revised Messiaen Edition.
First released as 436 6362
℗ 1993 Decca Music Group Limited
CD 12 Total timing: 77:59 · ADD (Bruch) · DDD (Mendelssohn) · 478 3167
Recording locations: Kingsway Hall, London, 15-20 May 1972 (Bruch); L'Église de St Eustache, Montréal, July 1981 (Mendelssohn)
First released as SXDL 7558 (Mendelssohn)
℗ 1972 (Bruch), 1982 (Mendelssohn) Decca Music Group Limited
CD 13 Total timing: 65:03 · ADD · 478 3168
Recording location: Snape Maltings Concert Hall, Suffolk, 24 & 25 September 1970
First release as SXL 7007
℗ 1982 Decca Music Group Limited
CD 14 Total timing: 77:28 · ADD · 478 3169
Recording locations: Sofiensaal, Vienna, April 1973 (Berg), 21-25 September 1979 (Schoenberg); Severance Hall, Cleveland, Ohio, August 1991 (Webern)
Publishers: Universal Edition AG, Wien (Schoenberg); Schott Musikverlage International Mainz / Universal Edition, Wien (Berg); Boosey & Hawkes Music Publishers Ltd (Webern)
First released as 436 2422 (Webern)
℗ 1974 (Berg), 1981 (Schoenberg), 1992 (Webern) Decca Music Group Limited
© 2011 Decca Music Group Limited
CD 15 Total timing: 77:05 · DDD · 478 3170
Recording location: United Artists Auditorium, Detroit, 11-12 May 1981 (Rite), 24-26 October 1982 (Firebird)
Publishers: Boosey & Hawkes Music Publishers Ltd (Rite); Schott Musik International GmbH & Co., KG (Firebird)
First released as SXDL 7548 (Rite)
℗ 1982 (Rite), 1983 (Firebird) Decca Music Group Limited
CD 16 Total timing: 81:20 · DDD · 478 3171
Recording location: L'Église de St Eustache, Montréal, July 1981 (Boléro), 12-14 May 1983
Publishers: Durand S.A. Éditions Musicales/Société Arima (Ma Mère l'Oye, Boléro); Durand S.A. Éditions Musicales (Pavane, Tombeau, Valses)
First released as SXDL 7559 (Boléro)
℗ 1982 (Boléro), 1984 Decca Music Group Limited
CD 17 Total timing: 71:32 · DDD · 478 3172
Recording location: Henry Wood Hall, London, 16-21 December 1996
Publishers: Hawkes & Son (London) Ltd/Schott Musik International GmbH & Co. KG (Strauss); Český Hudebni Fond (Dvořák); Boosey & Hawkes Music Publishers Ltd (Britten)
First released as 455 7602
℗ 1997 Decca Music Group Limited
CD 18 Total timing: 69:27 · DDD · 478 3173
Recording locations: Auditorio Massimo, Radio Televisione Svizzera di Ligua Italia, Lugano, 18-2 December 2002 (Schumann); Gewandhaus zu Leipzig, 13-18 February, 2006 (Brahms)
First released as 473 9022 (Schumann)
℗ 2003 (Schumann), 2006 (Brahms) Decca Music Group Limited.
CD 19 Total timing 76:08 · DDD · 478 3174
Recording locations: Grote Zaal, Concertgebouw, Amsterdam, 21-23 May 1981 (No.5); Kingsway Hall, London, January 1980 (No.9)
Publishers: Boosey & Hawkes Music Publishers Ltd (No.5); Anglo-Soviet Music Press Ltd/Boosey & Hawkes Music Publishers Ltd (No.9)
First released as SXDL 7515 (No.9)
℗ 1981 (No.9), 1982 (No.5) Decca Music Group Limited
CD 20 Total timing 52:26 · DDD · 478 3175
Recording location: Walthamstow Assembly Hall, London, September, 1992
Publisher: Oxford University Press
First released as L'Oiseau-Lyre 436 9922
℗ 1994 Decca Music Group Limited
CD 21 Total timing 73:17 · DDD · 478 3176
Recording locations: Abbey Road Studio 1, London, 18 & 19 July 2009 (Britten); Friedrich-Ebert-Halle, Hamburg-Harburg, , 31 July-2 August 2009 (Beethoven)
Publishers: Boosey & Hawkes Music Publishers Ltd (Beethoven cadenzas); Hawkes & Son (London) Ltd (Britten)
First released as 478 1530
℗ 2009 Decca Music Group Limited
CD 22 Total timing 72:15 · ADD · 478 3177
Recording locations: Sofiensaal, Vienna, September 1961 (The Planets); Kingsway Hall, London, March 1961 (The Perfect Fool, Egdon Heath)
First released as SXL 6006 (The Perfect Fool, Egdon Heath)
℗ 1962 Decca Music Group Limited
CD 23 Total timing 73:37 · ADD · 478 3178
Recording location: Kingsway Hall, London, 9 & 10 November 1965 (Bartók), 11-13 November 1965 (Ravel), 26-29 November 1968 (Prokofiev)
Publishers: Hawkes & Son (London) Ltd. (Bartók); Boosey & Hawkes (Ravel); S. & N, Koussevitzky (Prokofiev);
First released as SXL 6411 (Prokofiev)
℗ 1966 The Decca Music Group Limited (Bartók, Ravel), 1969 (Prokofiev) Decca Music Group Limited
CD 24 Total timing 75:24 · ADD · 478 3179
Recording locations: Sofiensaal, Vienna, 22-24 March 1961 (No.9), Kingsway Hall, London, 22-26 February 1963 (No.8)
First released as SXL 6044
℗ 1961 (No.9), 1963 (No.8) Decca Music Group Limited
CD 25 Total timing 80:38 · ADD · 478 3180
Recording locations: The Chapel of King's College, Cambridge, July 1962 (Nelson Mass); St John's College, Cambridge, July 1969 (Paukenmesse)
Publisher: Schott & Co. Ltd (Nelson Mass)
Edition: H.C. Robbins Landon (Nelson Mass)
First released as Argo ZRG 634 (Paukenmesse)
℗ 1962, 1970 Decca Music Group Limited
CD 26 Total timing 81:19 · ADD (Granados) · DDD (Falla) · 478 3181
Recording Locations: Kingsway Hall, London, London/Decca Studios, West Hempstead, December 1975-December 1976 (Goyescas); Decca Studio No.3, West Hempstead. December 1976 (El pelele); Walthamstow Assembly Hall, London, 6-8 July 1983 (Noches)
Publisher: Éditions Max Eschig (Noches)
First released as 410 2892 (Falla)
℗ 1977 (Goyescas, El pelele), 1984( Noches) Decca Music Group Limited
CD 27 Total timing 72:07 · DDD · 478 3182
Recording location: CTS Studio 2, Wembley, London, January & February 1996
Publishers: Fürstner Musikverlag GmbH (1,2); Dreiklang-Dreimasken Bühnen -und Musikverlag (3, 5, 7, 15, 17, 18); Ludwig Doblinnger (Bernard Herzmansky) KG (6); Fürstner Musikverlag GmbH/Schott Musik International GmbH & Co. KG (8); Rondo-Verlag GmbH (9); Boosey & Hawkes Music Publishers Ltd (10); Rondor Musikverlag GmbH (11); Ufaton Verlagsgesellschaft mbH (12); Charles Brull Ltd & Co (13, 16); Copyright Control (4, 14)
First released as 452 6012
℗ 1996 Decca Music Group Limited
CD 28 Total timing 77:04 · ADD · 478 3183
Recording locations: Decca Studio No.3, West Hempstead, London, 13-16 June 1972 (Sonatas); Kingsway Hall, London, 27 & 28 November, 1970 (Variations)
First released as SXL 6503 (Variations)
℗ 1971 (Variations), 1973 (Sonatas) Decca Music Group Limited
CD 29 Total timing 78.56 · ADD · 478 3184
Recording location: Kingsway Hall, London, 27 & 28 February 1957 (A Midsummer Night's Dream), 21 & 22 April 1960 (Symphony)
First released as SXL 2060 (A Midsummer Night's Dream)
℗ 1959 (A Midsummer Night's Dream), 1960 (Symphony) Decca Music Group Limited
CD 30 Total timing 77:37 · ADD · 478 3185
Recording location: Masonic Auditorium, Cleveland, Ohio, 10-14 May 1976 (Respighi), 19-23 October 1979 (Rimsky-Korsakov)
Publisher Casa Ricordi/BMG Ricordi S.p.A., Milano (Respighi)
First released as SXL 6966 (Rimsky-Korsakov)
℗ 1977, 1980 Decca Music Group Limited
CD 31 Total timing 66:35 · DDD · 478 3186
Recording location: Sofiensaal, Vienna, 26 & 27 November 1978 (Suite from The Cunning Little Vixen), 25 & 26 March 1980 (Sinfonietta, Taras Bulba)
Publisher: Universal Edition AG
First released as 417 1312 (Suite from The Cunning Little Vixen)
℗ 1981 (Sinfonietta, Taras Bulba), 1986 (Vixen) Decca Music Group Limited
CD 32 Total timing 77:55 · DDD · 478 3187
Recording location: Kingsway Hall, London, April 1968 (Tchaikovsky), 11-15 1970 (Grieg)
First released as Argo ZRG 670 (Grieg)
℗ 1969 (Tchaikovsky), 1970 (Grieg) Decca Music Group Limited
CD 33 Total timing 65.09 · ADD· 478 3188
Recording locations: La Maison de la Mutualité, Paris 16 & 17 June 1960 (Ibert, Saint-Saëns, Bizet); Kingsway Hall, London, 6 & 7 March, 1958 (Borodin)
Publisher: Durand S.A. Éditions Musicales (Ibert)
First released as LSC-2298, 1959
℗ 1960 (Ibert, Saint-Saëns, Bizet), 1961 (Borodin) Decca Music Group Limited
CD 34 Total timing 71:49 · ADD· 478 3189
Recording location: Royce Hall, University of California, Los Angeles, 21 April 1971 (Varèse), May 1975 (Ives)
Publishers: Universal Music Publishing Ricordi S.r.l. (Varèse); Peer International Corp./Southern Music Publications Corp., Inc. (Ives)
First released as SXL 6753 (Ives)
℗ 1972 (Varèse), 1976 (Ives) Decca Music Group Limited
CD 35 Total timing 81:12 · ADD· 478 3190
Recording location: Kingsway Hall, London, London, 24 & 25 June 1958 (Enigma Variations), 27 & 28 April 1959 (Daphnis)
Publisher: Durand S.A. Éditions Musicales (Daphnis)
First released as LSC2418, 1960
℗ 1959 (Daphnis), 1961 (Enigma Variations) Decca Music Group Limited
CD 36 Total timing 81:34 · ADD· 478 3191
Recording location: Evangelische Schlosskirche, Ludwigsburg, Stuttgart, May 1968 (BWV 234, BWV 10), February 1984 (BWV 140)
First released as 414 0452 (BWV 140)
℗ 1969 (BWV 234, BWV 10), 1985 (BWV 140), Decca Music Group Limited
CD 37 Total timing 81:59 · ADD· 478 3192
Recording location: Sofiensaal, Vienna October 1958 (Rheingold), October 1962 (Siegfried), November 1964 (Götterdämmerung), November 1965 (Walküre)
First released as (complete operas) SET 292-7 (Götterdämmerung)
First released as The Golden Ring: SXL 6421 (tracks 1 to 4, 8, 10 only)
℗ 1959, 1963, 1965, 1966 Decca Music Group Limited
CD 38 Total timing 67:47 · DDD· 478 3193
Recording location: Terme di Caracella, Rome, 7 July 1990
Publishers: Casa Musicale Sonzogno di Piero Ostali, Milano (1); Glocken Verlag GmbH (4); Mauro V. Cardillo (5); Casa Ricordi-BMG Ricordi S.p.A, Milano (6, 12, 17); Universal Music Publishing Ltd (7); Peer International Corp. (8); Unión Musical Española (9); Jaini Publications, Inc./ The Leonard Bernstein Music Publishing Company Co. LLC (13); Casa Ed. F. Bideri (13); Faber Music Ltd./The Really Useful Group Ltd. (14); E. B. Marks Music Inc. (14); Editions Paul Beuscher (14); Adolf Robitschek Musikverlag GmbH (15)
First released as 430 4332, 1990
℗ 1990 Decca Music Group Limited
CD 39 Total timing 7246 · DDD· 478 3194
Recording location: Kingsway Hall, London, 10-25 August 1972
Publisher: Casa Ricordi-BMG Ricordi S.p.A.
First released as SET 573 [correction from SET 561 in The Decca Sound booklet] (highlights)
℗ 1973 Decca Music Group Limited
CD 40 Total timing 65:40 · DDD· 478 3195
Recording location: Walthamstow Assembly Hall, October 1991
First released as L'Oiseau-Lyre 436 1312
℗ 1993 Decca Music Group Limited
CD 41 Total timing 79:24 · DDD· 478 3196
Recording locations: Walthamstow Assembly Hall, London, 7 July 1978 (No.2); Kingsway Hall, London, 15 July 1978 (No.5), 12-14 July 1979 (No.4)
Publisher: Durand S.A. Éditions Musicales
First released as D 244 D3 (Complete concertos)
℗ 1981 Decca Music Group Limited
CD 42 Total timing 60:13 · DDD· 478 3197
Recording location: L'Église de Notre Dame du Liban, Paris, 22-26 February 1999
First released as 466 1342
℗ 1999 Decca Music Group Limited
CD 43 Total timing 72:09 · DDD· 478 3198
Recording location: Kingsway Hall, London, December 1982
First released as D 275 D2
℗ 1983 Decca Music Group Limited
CD 44 Total timing 75:23 · ADD· 478 3199
Recording locations: Kingsway Hall, London, 31 January-3 February 1966 (Glinka, Mussorgsky, Borodin Overture), May 1966 (Borodin Dances); Sofiensaal, Vienna, May 1959 (Suppé)
First released as SXL 217460 (Suppé)
℗ 1960 (Glinka, Mussorgsky, Borodin), 1966 (Suppé) Decca Music Group Limited
CD 45 Total timing 79:47 · ADD· 478 3200
Recording location: Sofiensaal, Vienna, 30 August-2 September 1971
First released as SET 534-5
℗ 1972 Decca Music Group Limited
CD 46 Total timing 72:24 · ADD· 478 3201
Recording location: Avery Fisher Hall, New York, 20-23 March 1981
First released as 417 5872, single disc (1987).
℗ 1981 Decca Music Group Limited
CD 47 Total timing 77:54 · DDD· 478 3202
Recording location: St. George's, Bristol, 17-20 November 2003 (Op. 95), 19-23 July 2004 (Op. 130/133)
First released as: 470 8492 (disc 3 only)
℗ 2005 Decca Music Group Limited
CD 48 Total timing 50:27 · ADD· 478 3203
Recording location: Accademia di Santa Cecilia, Rome, July-August 1958
Publishers: Casa Ricordi-BMG Ricordi S.p.A.
First released as SXL 2267 (highlights)
℗ 1958 Decca Music Group Limited
CD 49 Total timing 73:39 · ADD· 478 3204
Recording location: Sofiensaal, Vienna, February 1959 (Beethoven), November 1972 (Mendelssohn)
First released as SXL 2157 (Beethoven)
℗ 1960 (Beethoven), 1973 (Mendelssohn) Decca Music Group Limited
CD 50 Total timing 67:43 · DDD· 478 3204
Recording location:Winchester Cathedral, June 1990 (Parry), May 1991 (Coronation Te Deum), 3-5 February 1995 (Belshazzar)
Publisher: Oxford University Press (Belshazzar, Coronation Te Deum)
First released as 430 836-2 (Parry)
℗1991 (Parry), 1992 (Coronation Te Deum), 1995 (Belshazzar) Decca Music Group Limited
Barcode and Other Identifiers
- Barcode (Text): 0 28947 82826 6
- Barcode (Scanned): 028947828266
- Label Code: LC 00171
- Rights Society: BIEM/SDRM
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Needs Changes
|
The Decca Sound (50×CD, , Box Set, Compilation, Limited Edition, Carton Box) | Decca | 478 9262 | Europe | 2015 |
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