Slift – Ilion
Label: |
Sub Pop – SP1626 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Space Rock |
Tracklist
| A1 | Ilion | |
| A2 | Nimh | |
| B1 | The Words That Have Never Been Heard | |
| B2 | Confluence | |
| C1 | Weavers' Weft | |
| C2 | Uruk | |
| D1 | The Story That Has Never Been Told | |
| D2 | Enter The Loop |
Companies, etc.
- Phonographic Copyright ℗ – Le Bosquet
- Copyright © – Le Bosquet
- Licensed To – Sub Pop Records
- Recorded At – Le Manoir de Léon
- Recorded At – Veilhes
- Recorded At – Roubichou
- Record Company – Sub Pop Records
- Pressed By – Optimal Media GmbH – BN01048
Credits
- Artwork [Artwork By] – Caza
- Band [Slift], Bass – Rémi Fossat
- Band [Slift], Drums, Piano, Vibraphone – Canek Flores
- Band [Slift], Guitar, Vocals, Synth [Synths] – Jean Fossat
- Layout – Guthio
- Mastered By – JJ Golden
- Mixed By – Rémi Fossat
- Performer [Additional Players], Saxophone, Synth [Synths] – Etienne Jaumet
- Performer [Additional Players], Synth [Synths] – Olivier Cussac
- Performer [Additional Players], Vocals [Heavenly Vocals] – Clemence Lagier
- Performer [Performed By] – Slift
- Producer [Produced By] – Olivier Cussac
- Recorded By – Olivier Cussac
- Recorded By [Ilion's Synths Recorded By] – Benoît Gibertaud
- Written-By [Written By] – Slift
Notes
Black vinyl.
12" • Gatefold sleeve • Uncoated paperboard • Printed inner sleeves
©℗ 2024 Le Bosquet, under license to Sub Pop Records.
12" • Gatefold sleeve • Uncoated paperboard • Printed inner sleeves
©℗ 2024 Le Bosquet, under license to Sub Pop Records.
Barcode and Other Identifiers
- Barcode (Scanned): 098787162615
- Barcode (Text): 0 98787 16261 5
- Matrix / Runout (Runout side A - Variant 1): BN01048-01 A1 1+ SP1626
- Matrix / Runout (Runout side B - Variant 1): BN01048-01 B1 1+ SP1626
- Matrix / Runout (Runout side C - Variant 1): BN01048-02 C1 1I SP1626
- Matrix / Runout (Runout side D - Variant 1): BN01048-02 D1 1I SP1626
- Matrix / Runout (Runout side A - Variant 2): BN01048-01 A1 1v SP1626
- Matrix / Runout (Runout side B - Variant 2): BN01048-01 B1 1v SP1626
- Matrix / Runout (Runout side C - Variant 2): BN01048-02 C1 vv SP1626
- Matrix / Runout (Runout side D - Variant 2): BN01048-02 D1 1= SP1626
Other Versions (5 of 8)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Ilion (2×LP, Album, Limited Edition, Yellow Marbled [Engine Fire]) | Sub Pop | SP1626 | UK, Europe & US | 2024 | ||
|
New Submission
|
Ilion (CD, Album) | Sub Pop | SP1626 | Europe | 2024 | ||
|
Recently Edited
|
Ilion (2×LP, Album, Limited Edition, Red With Black Smoke, Loser Edition) | Sub Pop | SP1626 | USA & Europe | 2024 | ||
|
New Submission
|
Ilion (2×LP, Album, Limited Edition, White Marbled [Space Dust Marble]) | Sub Pop | SP1626 | USA & Europe | 2024 | ||
|
New Submission
|
Ilion (2×LP, Album, Limited Edition, White) | Sub Pop | SP1626 | 2024 |
Recommendations
Reviews
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Edited one year agoSimilarly to what Leo_Ashencold posted here on Jan 26, 2024, mine example of this edition also came quite filled with clicks and pops. not totally, but quite a lot for a factory sealed brand new item.
regular dry-brush cleaning before listen did not help much.
This is not the first time in my experience having fresh released items with quality like that. This happens.
But always not a good surprise having production quality like that. Especially when comparing with some used vinyls being cleaner when received.
great music itself, though. -
Extremely dynamic, punchy and selective sounding pressing. Absolutely no clicks and pops whatsoever👌👌👌
I highly recommend this particular pressing 💯 -
Edited one year agoI always considered that Discogs should help people to choose good editions and not necessarily judge albums and artists. In other words, I tend to not make comments about my experience with an album / artist, and focus on the format, sound and extras.
This edition (and I hope not the others) is the example of how a poor pressing can ruin the whole album. Few times I've see so much crap in a vinyl, the needle could only advance 10 min before jumpling collapsed by the amount of dirt accumulated. In other words, I had to clean it 8 times before I could properly listen to the album in one go. On top I could not even understand if the lack of dynamics I noticed was because of the noise and crackle, or the pressing being awfully flat.
This is far from acceptable, as you have to compromise a stylus and at least 1 hour of your time to clean a vinyl that already costs 30 euro (if you are lucky to find it for that price in Spain). By the time I finished I literally lost the interest and moved to another record, obviously I will come back to it...bottom line is control quality sucks, considering what we pay for records today.
Release
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Recently Edited
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