The Stooges – The Stooges
Tracklist
A1 | 1969 | 4:05 | |
A2 | I Wanna Be Your Dog | 3:10 | |
A3 | We Will Fall | 10:15 | |
B1 | No Fun | 5:15 | |
B2 | Real Cool Time | 2:29 | |
B3 | Ann | 3:00 | |
B4 | Not Right | 2:49 | |
B5 | Little Doll | 3:21 |
Companies, etc.
- Record Company – Warner Music Group
- Marketed By – Rhino Entertainment Company
- Manufactured For – Rhino Entertainment Company
- Phonographic Copyright ℗ – Elektra Records
- Copyright © – Elektra Records
- Copyright © – Rhino Entertainment Company
- Copyright © – Glen Craig
- Pressed By – Optimal Media GmbH – BO17999
- Published By – Paradox Music (3)
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
Credits
- A&R [A&R Producer], Producer [A&R Producer] – Jason Jones (30)
- Art Direction – William S. Harvey
- Art Direction [Rhino Hi-Fi], Design [Rhino Hi-Fi] – Rachel Gutek
- Bass – Dave Alexander
- Design – Robert L. Heimall
- Drums – Scott Asheton
- Editor [Rhino Hi-Fi: Editorial] – Sheryl Farber
- Guitar – Ron Asheton
- Image Editor [Rhino Hi-Fi: Photo Editor] – Amelia Halverson
- Liner Notes [Insert], Interviewee – Jason Jones (30)
- Liner Notes [Insert], Interviewer – Glen Craig (3)
- Logo [Rhino Hi-Fi Logo] – Lisa Glines
- Mastered By [Rhino Hi-Fi: Mastering], Lacquer Cut By [Rhino Hi-Fi: Lacquer Cutting] – Kevin Gray
- Photography By – Joel Brodsky
- Photography By [Rhino Hi-Fi: Inner Gatefold And Insert Photos] – Glen Craig (3)
- Producer [Produced By] – John Cale
- Product Manager [Rhino Hi-Fi: Packaging Manager] – Kristin Attaway
- Project Manager [Rhino Hi-Fi: Project Assistance] – Truman Lusson
- Project Manager [Rhino Hi-Fi: Project Supervision] – Jason Jones (30)
- Songwriter [All Songs Written By] – The Stooges
- Supervised By [Production Supervisor] – Jac Holzman
- Vocals – Iggy Stooge
Notes
Packaged in a double pocket gatefold heavy card board tip-on sleeve.
Gold foil stamped number in bottom right corner of back of jacket in the format '#### / 5000'.
Also includes a single-sided lyrics insert on cardstock and a 'Rhino High Fidelity' labelled black poly-lined inner sleeve.
[Back cover]
All selections by The Stooges
Copyright © Paradox Music BMI
℗ & © 2024, 1969 Elektra Records, a Warner Music Group Company.
Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company, 777 S. Santa Fe Ave., Los Angeles, CA 90021.
Made in U.S.A.
[Obi]
• 180-Gram Vinyl
• Cut From Original Analog Master Tapes by Kevin Gray at Cohearent Audio
• Pressed at Optimal Media
• Heavyweight Gatefold Jacket
• Includes Exclusive Gatefold and Insert With Rare Photos and Q&A With Photographer Glen Craig
• Limited Numbered Edition of 5,000
[Labels]
℗ 2024, 1969 Elektra Records, a Warner Music Group Company.
© 2024 Rhino Entertainment Company, a Warner Music Group Company.
Made in
[Bi-fold insert]
Inner Gatefold and Insert Photos: © 2014 Glen Craig
© 2024, 1969 Elektra Records, a Warner Music Group Company.
[Lyrics insert]
All selections by The Stooges
Copyright Paradox Music
© 2024, 1969 Elektra Records.
Runouts are etched. The faintly inscribed "geometric" marks"1|", "1=" and "1+" are mirrored.
Gold foil stamped number in bottom right corner of back of jacket in the format '#### / 5000'.
Also includes a single-sided lyrics insert on cardstock and a 'Rhino High Fidelity' labelled black poly-lined inner sleeve.
[Back cover]
All selections by The Stooges
Copyright © Paradox Music BMI
℗ & © 2024, 1969 Elektra Records, a Warner Music Group Company.
Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company, 777 S. Santa Fe Ave., Los Angeles, CA 90021.
Made in U.S.A.
[Obi]
• 180-Gram Vinyl
• Cut From Original Analog Master Tapes by Kevin Gray at Cohearent Audio
• Pressed at Optimal Media
• Heavyweight Gatefold Jacket
• Includes Exclusive Gatefold and Insert With Rare Photos and Q&A With Photographer Glen Craig
• Limited Numbered Edition of 5,000
[Labels]
℗ 2024, 1969 Elektra Records, a Warner Music Group Company.
© 2024 Rhino Entertainment Company, a Warner Music Group Company.
Made in
[Bi-fold insert]
Inner Gatefold and Insert Photos: © 2014 Glen Craig
© 2024, 1969 Elektra Records, a Warner Music Group Company.
[Lyrics insert]
All selections by The Stooges
Copyright Paradox Music
© 2024, 1969 Elektra Records.
Runouts are etched. The faintly inscribed "geometric" marks"1|", "1=" and "1+" are mirrored.
Barcode and Other Identifiers
- Barcode (Text on obi): 0 81227 81393 2
- Barcode (Scanned from obi, UPC-A): 081227813932
- Rights Society: BMI
- Rights Society: GEMA/BIEM
- Matrix / Runout (Side A runout, variant 1): BO17999-01 A1 RHF1-74051-A 0081227813932 KPG@CA 1|
- Matrix / Runout (Side B runout, variant 1): BO17999-01 B1 RHF1-74051-B 0081227813932 KPG@CA 1|
- Matrix / Runout (Side A runout, variant 2): BO17999-01 A1 RHF1-74051-A 0081227813932 KPG@CA 1=
- Matrix / Runout (Side B runout, variant 2): BO17999-01 B1 RHF1-74051-B 0081227813932 KPG@CA 1+
Other Versions (5 of 150)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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The Stooges (LP, Album, Stereo, Monarch Pressing) | Elektra | EKS 74051 | US | 1969 | |||
Recently Edited
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The Stooges (LP, Album, Stereo, Terre Haute Pressing) | Elektra | EKS-74051 | US | 1969 | ||
New Submission
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The Stooges (8-Track Cartridge, Album, Stereo) | Elektra | M 84051 | US | 1969 | ||
New Submission
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The Stooges (LP, Album, Stereo) | Elektra | SLVLXEK 415, SLVLXEK. 415 | 1969 | |||
New Submission
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The Stooges (LP, Album, Stereo) | Elektra | EKS-74051 | UK | 1969 |
Recommendations
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2022 USLP, Album, Reissue, Remastered, Stereo
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Reviews
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Edited 11 days agoCOMPARISON TIME:
2016 Rhino/Warner smokey vinyl
VS
2019 HMV UK ltd white double vinyl
VS
2024 Rhino High Fidelity KPG AAA cut
Phew... this took some doing. Having two identical decks into a single phono pre helps no end but i had to up and change initially like mad. The decks in question that i use to test are quite humble.... AT LP5X with stock VM95E carts into my main rig comprising Opera Reference 40 full tube phono stage, feeding Icon Audio Stereo 40 amp feeding classic timewarp condition Wharfedale 507.2's. I could have sought out a second Pioneer PL51 (my main rig) but this would be an expesive folly especially to find a mint one like my own and it end up not getting much use. The AT's then, are perfect for testing (and more!).
Anyway.... first up, the 2016 smokey vinyl pressed at the excellent Record Industry. The positives are a quiet vinyl (not essential for this album) and a funky look. Without doubt, the sound is the weakest of the three. Its not bad per sè... just abit too safe. No nasties and its close in some respects to the KPG but its just not quite as good in any single respect. Like i said, i feel that doesnt make it bad (none of these are) its just the lesser of the three.
The 2019 HMV UK on white vinyl would appear to be Optimal Media's work. It needed a good clean but matches the Record Industry for compound. This one is without doubt the most ballsout, hardcore, WHITE HEAT pressing of the three. There is a case to argue that this immensely powerful recording should be done justice by way of maximum cranking at the mastering desk and thats how i feel about this press. It is louder than the KPG cut which is a little louder itself than the 2016 Smokey. It has the most bass. It has the most open and revealing uppers. It has the bloomiest soundstage. It also has the most HEAT. Its the most JOHN CALE of the three. But with the heat comes distortion. The basic needle of the VM95E struggles with the presence region. Its not bad but its inherently hot, greasy and bombastic sounding of cut.
The Rhino High Fidelity is a curious thing. The juxtaposition of the Stooges being selected for and presented in "High Fidelity" makes for abit of a laugh and arguably no sense. KPG has ruined a number of Rhino Hifi cuts (for me) by going for maximim clarity above everything to the detriment of the whole. Those Sabbath Lps.... the Cars Lps.... ughhh. However the majority (just) of the cuts are excellent and despite my fears he would try and maximum HiFi the life out of this Stooges record, he has managed to hit a home run! Its just so well balanced! It easily dispatches the 2016 smokey. There is clarity but its not overdone and coming with prices to pay. Its like he knew this didnt need it and the best approach would be a sympathetic one. Its therefore less of an aural assault than the madly brilliant 2019 HMV pressing and thus not as lively but - to me - this is High Fidelity done in the truest essence.... not just for more detail outright, but for maximum cleanliness and not missing the details in doing so and therefore just leaving the music unharmed and presented with polish. That makes it a success even if its not a title that warrants it!
So... which one do i prefer? The 2016 is a gonner. Soon to be sold. The other two... well its a taste thing really. KPG has done a great job and its a very safe pressing on superb vinyl and its super crankable. The 2019 though is the most thrilling and exciting listen. Whats more with a better needle than a humble bonded elliptical its heat will dial back. Under those circumstances i honestly think its the one i want to listen to the most. The Stooges are best served hot and spicy!!! If you have a needle that traces like a beast that can act as a nice cooling dip to go with the heat and spice then this is what i would personally recommend, but i would not argue for the glossy clean, super safe and very fine sound of the Rhino Hifi.
Thanks for reading and happy listening! -
Edited one month agoHas anyone compared the 2024 Rhino Hi Fi to the 2016 clear/black swirl? The 2016 has been my copy for a while and sounds pretty good to my ears, though it has a very bare bones packaging. Just wondering if it would be worth upgrading to the 2024 HiFi issue.
https://discogs.mejorespelis.org/release/32134491-The-Stooges-The-Stooges
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Plenty has been said already: great sound, great pressing, sturdy glossy sleeve. I agree! I want more "nice" reissues like this for punk or post-punk albums. I like Steely Dan too but like I'm good you know? We can stop remastering Aja there are plenty to go around. Funhouse next please.
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I’m surprised this is still available on the Rhino site. Sounds and looks so good I would have thought they’d be long gone by now. Bonus if you haven’t got yours yet!
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Take out "we will fall" (which is the only dud on this album that everyone skips), and you have an "album" that's not even 25 minutes long.
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This reeealllyyy sounds great. This is a top notch product from top to bottom, front to back. High fidelity indeed. Ass kicking indeed. Awesome packaging indeed. 10/10
Release
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Recently Edited
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