Miles Davis – Bags Groove
Tracklist
| A1 | Bags' Groove (Take 1) | 11:10 | |
| A2 | Bags' Groove (Take 2) | 9:19 | |
| B1 | Airegin | 4:59 | |
| B2 | Oleo | 5:12 | |
| B3 | But Not For Me (Take 2) | 4:37 | |
| B4 | Doxy | 4:53 | |
| B5 | But Not For Me (Take 1) | 5:40 |
Companies, etc.
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Phonographic Copyright ℗ – Craft Recordings
- Licensed To – Analogue Productions
- Licensed From – Concord Music Group, Inc.
- Pressed By – Quality Record Pressings
Credits
- Bass – Percy Heath
- Drums – Kenny Clarke
- Engineer – Van Gelder*
- Liner Notes – Ira Gitler
- Mastered By – Kevin Gray
- Piano – Horace Silver (tracks: B1 to B5)
- Recorded By – Rudy Van Gelder
- Recording Supervisor – Bob Weinstock
- Technician [Plated By] – Gary Salstrom
- Tenor Saxophone – Sonny Rollins (tracks: B1 to B5)
- Trumpet – Miles Davis
Notes
2021 Repressing of the 2014 Analogue Productions edition. Same catalog number, and distinguishable by 2021 year denoted in the center label.
Deluxe high-gloss tip-on album jacket
"200-gram pressing by Quality Record Pressings"
Features: 200gram Deep groove pressings, just like the originals where there is a deep groove that appears to be cut into the record label area of the disk, the result of the die that was used in the old presses in the ‘50s. Original tip-on jacket facsimiles with the original thick cardboard stock. The monos are pressed with a flat-edge, no groove-guard flat profile, just like the originals.
Analogue Productions catalog number found on poly bag record comes with.
*Note the track listing typo "OREO" on the rear of the jacket for B2 should be Oleo
Deluxe high-gloss tip-on album jacket
"200-gram pressing by Quality Record Pressings"
Features: 200gram Deep groove pressings, just like the originals where there is a deep groove that appears to be cut into the record label area of the disk, the result of the die that was used in the old presses in the ‘50s. Original tip-on jacket facsimiles with the original thick cardboard stock. The monos are pressed with a flat-edge, no groove-guard flat profile, just like the originals.
Analogue Productions catalog number found on poly bag record comes with.
*Note the track listing typo "OREO" on the rear of the jacket for B2 should be Oleo
Barcode and Other Identifiers
- Barcode (Text on sticker): 7 53088 71093 3
- Barcode (Scanned from sticker): 753088710933
- Other (Text on sticker): APRJ 7109
- Matrix / Runout (Side A runout): PRLP-7109-A KPG@CA QRP KEVIN GRAY
- Matrix / Runout (Side B runout): PRLP-7109-B KPG@CA QRP KEVIN GRAY
Other Versions (5 of 118)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Bags' Groove (LP, Compilation, Mono) | Prestige | 7109 | US | 1957 | ||
|
Recently Edited
|
Bags Groove (LP, Album, Mono) | Prestige | 7109 | US | 1957 | ||
|
New Submission
|
Bags Groove (LP, Album, Compilation, Repress, Mono) | Prestige | 7109, LP 7109 | US | 1958 | ||
|
New Submission
|
Bags Groove (LP, Repress, Mono) | Prestige | 7109, LP 7109 | US | 1958 | ||
|
New Submission
|
Bags Groove (LP, Repress, Mono) | Prestige | 7109, LP 7109 | US | 1958 |
Recommendations
Reviews
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Another guy here hearing drop outs on A2 and B3. Such a pity since the mastering quality is excellent, and I mean really excellent. As another reviewer pointed out, Analogue Productions could've invested in any other master instead of on this "damaged" one.
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Edited 2 years agoSounds great to me, a typical mid 50s mono sound. Disc is flat, well centered and the jacket is superb.
Very pleased. -
If this is your first Analogue Production Prestige reissue, then I have no doubt you’ll love it.
However, if you already have a few in your collection like myself you might notice that this one simply isn’t on the level many of the other in the series are. A2 and B3 suffer from (what on my system sounds like) intermittent drop outs.
This is certainly a first for me, and makes me wonder; is all analogue always worth it? Even at the expense of uninterrupted playback?
In this listeners humble opinion the answer is no.
Simply put, if I had a blind fold on there’s no way I’d think this was pressed by Analogue Production. -
This sounds so good, I couldn't believe it is in mono. The instrument separation is better than a lot of my stereo records. Worth every penny! -
anybody else hear what seems ot be tape damage or the result of a bad lacquer in the first minute of track 2? i had 2 copies and both of them have the same issue! -
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It’s good…really really good. If you’re reading this review then you probably should just buy the record. Amazing line up, fantastic sounding press….just buy the damn record. -
I know this is a Miles Davis album but Milt Jackson’s vibes is so extraordinarily good your attention shifts to him as soon as he introduces himself. The sound on this release is second-to-none. It’s like they’re there in front of you even on a modest system.
Release
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