Ben Folds – So There
Label: |
New West Records – NW5108 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Classical |
Style: |
Pop Rock |
Tracklist
| 8 Chamber Rock Songs Featuring yMusic | |||
| A1 | yMusic– | Capable Of Anything | 3:50 |
| A2 | yMusic– | Not A Fan | 3:33 |
| A3 | yMusic– | So There | 4:19 |
| A4 | yMusic– | Long Way To Go | 4:43 |
| B1 | yMusic– | Phone In A Pool | 4:01 |
| B2 | yMusic– | Yes Man | 3:57 |
| B3 | yMusic– | F10-D-A | 1:59 |
| B4 | yMusic– | I'm Not The Man | 4:35 |
| Concerto For Piano And Orchestra | |||
| Concerto For Piano And Orchestra | |||
| C1 | The Nashville Symphony Orchestra*– | Movement 1 | 10:29 |
| C2 | The Nashville Symphony Orchestra*– | Movement 2 | 5:45 |
| C3 | The Nashville Symphony Orchestra*– | Movement 3 | 4:31 |
| Instrumentals | |||
| D1 | yMusic– | So There | 4:16 |
| D2 | yMusic– | Capable Of Anything | 3:34 |
| D3 | yMusic– | Yes Man | 3:57 |
| D4 | yMusic– | Not A Fan | 3:33 |
Companies, etc.
- Copyright © – New West Records, LLC
- Phonographic Copyright ℗ – New West Records, LLC
- Recorded At – Grand Victor Sound Recording
- Recorded At – Avatar Studios
- Recorded At – Groove Masters
- Recorded At – Studio G, Brooklyn, NY
- Recorded At – Groovemaster Studios
- Recorded At – Windmill Lane Studios
- Mixed At – Waystation
- Mixed At – House of Blues Studios, Nashville, TN
- Mastered At – Gateway Mastering
- Mastered At – Bernie Grundman Mastering
- Lacquer Cut At – Bernie Grundman Mastering
- Designed At – SMOG Design, Inc.
- Published By – Free From The Man Publishing
- Published By – Penumbral Music
- Published By – Alicia Witt Music
Credits
- A&R – Kim Buie
- Arranged By, Producer – Rob Moose (tracks: A1 to B4, D1 to D4)
- Booking [Pacific Rim/Australia] – Marlene Tsuchii
- Booking [UK/European] – Primary Talent Intl*
- Commissioned By – The Nashville Ballet (tracks: C1 to C3)
- Composed By – Ben Folds (tracks: C1 to C3)
- Concert Grand Piano [Yamaha Concert Grand] – Ben Folds (tracks: C1 to C3)
- Conductor [Conducted By] – Giancarlo Guerrero (tracks: C1 to C3)
- Cover [Cover Art Design], Design [Cover Art Design] – Alex Sopp
- Design [Package] – John Heiden
- Edited By – Joachim Horsley (tracks: C1 to C3)
- Engineer [Assistant Engineers, Dublin] – Rachel Breslin (tracks: A1 to B4, D1 to D4)
- Engineer [Assistant Engineers, Los Angeles] – Rich Tosi (tracks: A1 to B4, D1 to D4)
- Engineer [Assistant Engineers, NYC] – Thom Beemer (tracks: A1 to B4, D1 to D4)
- Engineer [Assistant Engineers, Nashville] – Zack DeWall (tracks: A1 to B4, D1 to D4)
- Engineer [Assistant] – Zack DeWall (tracks: C1 to C3)
- Engineer [Recording Engineers] – Leo Overtoom (tracks: A1 to B4, D1 to D4)
- Legal – Sheppard Mullin Richter Hampton LLP*
- Management – Sharon Corbitt-House
- Management [ing] – Victor Wlodingeur
- Mastered By – Bob Ludwig
- Mastered By [Vinyl Mastering], Lacquer Cut By [Vinyl Cutting] – Chris Bellman
- Mixed By – Richard King (tracks: C1 to C3)
- Mixed By [Assisted By] – Peter Chun (tracks: A1 to B4, D1 to D4)
- Mixed By [Mix Assistant] – Gena Johnson (tracks: C1 to C3)
- Orchestra [yMusic Are], Cello – Gabriel Cabezas (tracks: A1 to B4, D1 to D4)
- Orchestra [yMusic Are], Clarinet, Bass Clarinet – Hideaki Aomori (tracks: A1 to B4, D1 to D4)
- Orchestra [yMusic Are], Flute, Alto Flute, Piccolo Flute, Harmony Vocals [Harmonies] – Alex Sopp (tracks: A1 to B4, D1 to D4)
- Orchestra [yMusic Are], Trumpet, French Horn – CJ Camerieri* (tracks: A1 to B4, D1 to D4)
- Orchestra [yMusic Are], Viola – Nadia Sirota (tracks: A1 to B4, D1 to D4)
- Orchestra [yMusic Are], Violin, Harmony Vocals [Harmonies] – Rob Moose (tracks: A1 to B4, D1 to D4)
- Orchestrated By – Joachim Horsley (tracks: C1 to C3)
- Photography By – Ben Folds
- Piano, Percussion – Ben Folds (tracks: A1 to B4, D1 to D4)
- Producer, Recorded By – Elliot Scheiner (tracks: C1 to C3)
- Public Relations [Publicity] – Tito Bells
- Songwriter – Rob Moose (tracks: B2, D3)
Notes
Pressed on 180 gram black vinyl; packaged in a gatefold sleeve, and includes printed insert with lyrics and card.
Hype sticker:
Audio Mastered For Vinyl
New West
Free Digital Included
Unique Code & Details Inside
180g
Tracks A1 to B4, D1 to D4 recorded at:
Grand Victor Sound Studio - Nashville
Avatar - NYC
Groove Master - Santa Monica
Studio G - Brooklyn
Groovemasters Recording Studio - Chicago
Windmill Lane Studio - Dublin
Track B1 recorded [...] Windmill Studios - Dublin and at Groovemasters Studios - Chicago, IL
Tracks C1 to C3: Recorded at Grand Victor Sound Studio - Nashville GrandVictorSound.com
Tracks A1 to B4, D1 to D4: Mixed at Waystation
Tracks C1 to C3: Mixed at House of Blues - Nashville
Mastered at Gateway Mastering Studios - Portland, ME
Vinyl mastering and cutting, Bernie Grundman Mastering - LA
©&℗ 2015 New West Records, LLC.
Track publishers:
All songs: Free From The Man Publishing (BMI) except B2: Free From The Man Publishing (BMI)/Penumbral Music (ASCAP) and B4: Free From The Man Publishing, (BMI)/Alicia Witt Music (ASCAP)
Hype sticker:
Audio Mastered For Vinyl
New West
Free Digital Included
Unique Code & Details Inside
180g
Tracks A1 to B4, D1 to D4 recorded at:
Grand Victor Sound Studio - Nashville
Avatar - NYC
Groove Master - Santa Monica
Studio G - Brooklyn
Groovemasters Recording Studio - Chicago
Windmill Lane Studio - Dublin
Track B1 recorded [...] Windmill Studios - Dublin and at Groovemasters Studios - Chicago, IL
Tracks C1 to C3: Recorded at Grand Victor Sound Studio - Nashville GrandVictorSound.com
Tracks A1 to B4, D1 to D4: Mixed at Waystation
Tracks C1 to C3: Mixed at House of Blues - Nashville
Mastered at Gateway Mastering Studios - Portland, ME
Vinyl mastering and cutting, Bernie Grundman Mastering - LA
©&℗ 2015 New West Records, LLC.
Track publishers:
All songs: Free From The Man Publishing (BMI) except B2: Free From The Man Publishing (BMI)/Penumbral Music (ASCAP) and B4: Free From The Man Publishing, (BMI)/Alicia Witt Music (ASCAP)
Barcode and Other Identifiers
- Barcode (Text): 6 07396 51081 8
- Barcode (Scanned): 607396510818
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 10)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
So There (2×LP, Album, Stereo, 180g, DVD, Album, Stereo, All Media, Deluxe Edition, Limited Edition) | New West Records | NW5108 | US | 2015 | ||
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New Submission
|
So There (CD, Album, Digipak) | New West Records | NW6337 | US | 2015 | ||
|
New Submission
|
So There (2×LP, Album, Limited Edition, Stereo, White, 180 Gram) | New West Records | NW5108 | US | 2015 | ||
|
New Submission
|
So There (LP, Album, Test Pressing) | New West Records | NW5108 | Netherlands | 2015 | ||
|
Recently Edited
|
So There (2×LP, Album, 180 gram, HD DVD, Album, All Media, Deluxe Edition, Limited Edition) | New West Records | NW5108 | US | 2015 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo
Reviews
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Agreed to everything below, sounds fantastic! Was a bit of an impulse purchase thinking I didn’t really need it on vinyl but I’m so glad I got it. -
Absolutely fantastic sound quality. Seriously impressive, and sounds easily better than most in my collection.
Another commenter noted the sharp edges of the disks, and isn't kidding; this has been cut sharp on the edges. Handle with care -
This truly is a phenomenal pressing! The vinyl is dead silent, flat, and clean (with poly sleeves). The mastering on this release by Chris Bellman is truly top-notch and you can really hear the warmth and dynamics of the orchestra, piano, and Ben's voice. The classical pieces sound so lush and there's great instrument separation as well.
With how hard Ben Folds albums seem to be to find on vinyl, this was a great purchase with an eclectic mix of work. Highly recommended for all Ben Folds fans! -
Edited 5 years agoI have been a heavy duty Ben Folds fan since the very beginning, but I didn’t know what to expect with this album and only purchased it because of a crazy good deal that I could not resist. But, I am Very glad that I purchased a copy. The first LP is basically like a standard recent years Ben Folds solo album with some extra orchestral embellishments and the second LP has straight up orchestral pieces on side 3 and side 4 has instrumentals of a few of the songs from the previous disc. All the songs and pieces of music are masterfully crafted and a joy to listen to. And the mastering on this vinyl pressing is top notch. The background is dead quiet and every instrument & vocal performance soars with depth and vibrance. I am thoroughly impressed with this album and would recommend it to any Ben Folds fan or to anyone wanting an inexpensive record to really show off the capabilities of their sound system. UPDATE: The LPs in my copy of this album are 100% the sharpest edged records that I have ever handled. Disc 2 sliced my finger pretty deeply with normal handling. So, be careful with these ones.
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