Tracklist
| 1 | Honey | 3:30 | |
| 2 | Find My Baby | 4:00 | |
| 3 | Porcelain | 4:02 | |
| 4 | Why Does My Heart Feel So Bad? | 4:25 | |
| 5 | South Side | 3:50 | |
| 6 | Rushing | 3:00 | |
| 7 | Bodyrock | 3:37 | |
| 8 | Natural Blues | 4:15 | |
| 9 | Machete | 3:39 | |
| 10 | 7 | 1:02 | |
| 11 | Run On | 3:46 | |
| 12 | Down Slow | 1:35 | |
| 13 | If Things Were Perfect | 4:11 | |
| 14 | Everloving | 3:27 | |
| 15 | Inside | 4:49 | |
| 16 | Guitar Flute And String | 2:10 | |
| 17 | The Sky Is Broken | 4:18 | |
| 18 | My Weakness | 3:38 |
Companies, etc.
- Record Company – BMG
- Licensed To – PIAS UK
- Phonographic Copyright ℗ – Mute Records Ltd.
- Copyright © – Mute Records Ltd.
Credits
- Composed By – Richard Hall* (tracks: 1, 5, 7, 10, 12 to 18)
Notes
Available in Remastered HD quality (24-bit/96.00 kHz) or Remastered CD quality (16 bit/44.1 kHz).
This digital edition also includes a bonus booklet .
Track 17 is mis-spelt 'They Sky Is Broken', corrected above.
Track 1: ℗ 1998 The copyright in this sound recording is owned by Mute Records Ltd.
Tracks 2 to 18: ℗ 1999 The copyright in this sound recording is owned by Mute Records Ltd.
© 2014 Mute Records Ltd., a BMG Company, under exclusive license to [PIAS] UK Ltd
2014 Mute Records Ltd., a BMG Company, under exclusive license to [PIAS] UK Ltd
This digital edition also includes a bonus booklet .
Track 17 is mis-spelt 'They Sky Is Broken', corrected above.
Track 1: ℗ 1998 The copyright in this sound recording is owned by Mute Records Ltd.
Tracks 2 to 18: ℗ 1999 The copyright in this sound recording is owned by Mute Records Ltd.
© 2014 Mute Records Ltd., a BMG Company, under exclusive license to [PIAS] UK Ltd
2014 Mute Records Ltd., a BMG Company, under exclusive license to [PIAS] UK Ltd
Other Versions (5 of 161)
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Not a great remaster at all, simply "louder" which wasted any benefit of presenting the music in 24-Bit. I bought (and submitted) this ten years ago but rarely play it because some tracks begin to sound fatiguing as the upper dynamics are flat. The waveforms are pretty brick walled validating that listening experience. This is a mastering for Spotify, designed to be as loud as possible in the background rather than any material high fidelity benefit.
I've gone back to the original 1999 mastering which was more than adequate, and loud enough. It's recently been reissued including all the B-sides: Play (The Complete Recordings) (I was glad to hear they didn't reuse this mastering!)
5 stars for the music, 2 for the mastering effort. Money best spent elsewhere, in my opinion.
Release
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