Chicago (2)Chicago

Label:

Columbia – KGP 24

Format:

2 x Vinyl , LP, Album , 360 Sound, Santa Maria Pressing, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Classic Rock

Tracklist

A1 Movin' In
A2 The Road
A3 Poem For The People
A4 In The Country
B1 Wake Up Sunshine
Ballet For A Girl In Buchannon
B2a Make Me Smile
B2b So Much To Say, So Much To Give
B2c Anxiety's Moment
B2d West Virginia Fantasies
B2e Colour My World
B2f To Be Free
B2g Now More Than Ever
C1 Fancy Colours
C2 25 Or 6 To 4
C3 Prelude
C4 A.M. Mourning
C5 P.M. Mourning
C6 Memories Of Love
It Better End Soon
D1a 1st Movement
D1b 2nd Movement
D1c 3rd Movement
D1d 4th Movement
D2 Where Do We Go From Here

Companies, etc.

  • Record CompanyCBS Inc.
  • Pressed ByColumbia Records Pressing Plant, Santa Maria
  • Published ByAurelius Music
  • Produced ForPoseidon Productions (3)
  • Mastered AtCustomatrix
  • Manufactured ByColumbia Records

Credits

  • Artwork [Cover Art]Nick Fasciano
  • Design [Cover]John Berg
  • Engineer [Engineering]Donald Puluse*
  • Orchestrated By [Orchestration For Prelude]Peter Matz (tracks: C3)
  • Photography By [Poster Photos]Herb Greene
  • Producer [Produced By]James William Guercio
  • Written-ByW. Parazaider* (tracks: D1b)

Notes

Original issues are on the red 360 Sound label with white lettering in the label rim and have a stickered gatefold sleeve with a poster.

All selections Aurelius Music (BMI)
It Better End Soon / Robert Lamm, Terry Kath © 1969 Aurelius Music, BMI

Producer's Note: This endeavor should be experienced sequentially.
Tracks are numbered 1 through 23 on labels.

Nick Fasciano appears on back of sleeve; Nicholas Fasciano appears inside gatefold.

Runouts are stamped and etched. The etched details usually follow the stamped details.

Barcode and Other Identifiers

  • Pressing Plant ID (Etched in runouts): S
  • Rights Society: BMI
  • Other (Catalog number LP1): CS 9962
  • Other (Catalog number LP2): CS 9977
  • Matrix / Runout (Label side A): XSM 151734
  • Matrix / Runout (Label side B): XSM 151735
  • Matrix / Runout (Label side C): XSM 151852
  • Matrix / Runout (Label side D): XSM 151853
  • Matrix / Runout (Side A runout, variant 1): o XSM151734-1G 1 A
  • Matrix / Runout (Side B runout, variant 1): o XSM151735-1F 1 S B3
  • Matrix / Runout (Side C runout, variant 1): o XSM151852-1G S A 17
  • Matrix / Runout (Side D runout, variant 1): o XSM151853-1F 1 B 12
  • Matrix / Runout (Side A runout, variant 2): T̶ o XSM151734-1G 1 S C4
  • Matrix / Runout (Side B runout, variant 2): o XSM151735-1AA 1 S B15
  • Matrix / Runout (Side C runout, variant 2): o XSM151852-1G 2 S A6
  • Matrix / Runout (Side D runout, variant 2): o XSM151853-1F 1 S B4
  • Matrix / Runout (Side A runout, variant 3): o XSM151734-1AA S B6
  • Matrix / Runout (Side B runout, variant 3): o XSM151735-1AA 1 S C2
  • Matrix / Runout (Side C runout, variant 3): o XSM151852-1F S A27
  • Matrix / Runout (Side D runout, variant 3): o XSM151853-1F 1 S B16
  • Matrix / Runout (Side A runout, variant 4): o XSM151734-1AA S B11
  • Matrix / Runout (Side B runout, variant 4): o XSM151735-1AA 1 S C2
  • Matrix / Runout (Side C runout, variant 4): o XSM151852-1G S A30
  • Matrix / Runout (Side D runout, variant 4): o XSM151853-1F Z C22

Other Versions (5 of 175)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Chicago (2×LP, Album, Gatefold) CBS 66233 UK 1970
Recently Edited
Chicago (2×LP, Album, Stereo, Gatefold) Columbia KGP 24 Canada 1970
Recently Edited
Chicago (2×LP, Album, Stereo, Gatefold) CBS S 66233 Europe 1970
New Submission
Chicago (2×LP, Album, Gatefold) CBS S 63928, 66233 Italy 1970
Recently Edited
Chicago (2×LP, Album, Repress, Pitman Pressing, Gatefold) Columbia KGP 24 US 1970

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Reviews

  • jah-collector-tempa's avatar
    vraiment super comme groupe de rock je viens de decouvrir
    • immanipper's avatar
      immanipper
      PSA, in case anyone’s wondering: no, the record is not skipping at the end of Fancy Colours, they deliberately made the ending loop 13 times, before eventually fading. So just in case anyone new to this album thought their copy was defective or scratched, it’s not.
      • KevinEkstrom's avatar
        KevinEkstrom
        Edited 2 years ago
        A fantastic glimpse of Pop/Rock//Fusion. From my perspective this album is best heard in it's entirety to get the true feel of the Pop/Rock/Fusion blend. I must state that the first 5 Chicago albums are my favorite. After Cetera found a strong foothold in the band, I completely lost interest because the band dropped it's original recipe for a straight-up Pop sound. (Not the bands fault, it was the guys behind the scenes tugging those strings). I also want to state as much as I dislike the Cetera era Chicago sound, Pete goes OFF on the bass on these early recordings. He is truly an understated thump master. The rhythm section thumps, pops, and grooves with the help of Cetera's playing. This is a terrific album straight across the board.
        • vicbowski's avatar
          vicbowski
          Does this album have the full length Make Me Smile? Terry Kath tears it up
          • recordhead59's avatar
            recordhead59
            Put on side one. Turn it way up. Sit in your favorite sweet spot for experiencing music. Drop into the superlative playing, singing, engineering, and production that makes this record so beautiful. Listen to all 4 sides in one sitting. This genre at its best.
            • alanedwards's avatar
              alanedwards
              I have Chicago 2 which I bought in sometime between 1979-1982. It is a Spanish pressing and the labels are in Spanish and English but I cannot find any information on it in the Discogs search engine. Any info on it much appreciated
              • isaacmusicman's avatar
                isaacmusicman
                Finally got this on vinyl and love it! I love the early Chicago stuff, you know, before Peter Cetera took over. I was confused for years if this was album I or II, but after buying the Transit Authority album, I am very clear. What makes this and just about all of their early stuff so good, is that it has that great fusion sound of Rock, Soul, Funk, Classical ,and Jazz. Their funk overtones are out of this world to me(I guess I have Peter Cetera to thank for that). My favorites on II is The Make Me Smile Suite, 25 or 6 to 4, and then there's the It Better End Soon Movements. Now that one right there is the bomb!!!! Robert Lamm directed himself a pure masterpiece. Chicago (at least right here) proved that a complete album was the way to go. Ok, have your hits, that's fine, but make sure you have something around them that complements them. This album was the perfect example of that.

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