Tracklist
| Ten | |||
| A1 | Once | 3:44 | |
| A2 | Even Flow | 4:51 | |
| A3 | Alive | 5:40 | |
| A4 | Why Go | 3:20 | |
| A5 | Black | 5:38 | |
| A6 | Jeremy | 5:14 | |
| B1 | Oceans | 2:40 | |
| B2 | Porch | 3:28 | |
| B3 | Garden | 4:56 | |
| B4 | Deep | 4:18 | |
| Release | (8:52) | ||
| B5a | Release | 5:00 | |
| B5b | (Silence) | 0:20 | |
| B5c | Master / Slave | 3:32 | |
| Ten Redux | |||
| C1 | Once | 3:44 | |
| C2 | Even Flow | 4:51 | |
| C3 | Alive | 5:38 | |
| C4 | Why Go | 3:18 | |
| C5 | Black | 5:33 | |
| C6 | Jeremy | 5:14 | |
| D1 | Oceans | 2:40 | |
| D2 | Porch | 3:27 | |
| D3 | Garden | 4:55 | |
| D4 | Deep | 4:18 | |
| Release | (8:52) | ||
| D5a | Release | 4:58 | |
| D5b | (Silence) | 0:22 | |
| D5c | Master / Slave | 3:32 |
Companies, etc.
- Recorded At – London Bridge Studio
- Mixed At – Ridge Farm Studios
- Mastered At – Gateway Mastering
- Remixed At – Southern Tracks
- Mastered At – Sterling Sound
- Mastered At – Nashville Record Productions
- Pressed By – United Record Pressing
- Phonographic Copyright ℗ – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Published By – Write Treatage Music
- Published By – Innocent Bystander
- Published By – Jumpin' Cat Music
- Published By – Scribing C-ment Songs
- Published By – 3 Kick Heads
Credits
- A&R – Michael Goldstone
- Art Direction, Artwork [Concept], Design – Jeff Ament
- Artwork [Additional Art] – Steve Pitstick
- Bass [Basses] – Jeff Ament
- Booking [Agent] – Don Mueller*
- Cello – Walter Gray
- Drums – Dave Krusen
- Engineer – Nick Didia (tracks: C1 to D5)
- Engineer [Additional Engineering] – Don Gilmore (tracks: A1 to B5)
- Engineer [Assistant] – Tom Tapley (tracks: C1 to D5)
- Guitar [Guitars] – Stone Gossard
- Legal [Attorney] – Richard Leher
- Lyrics By – Vedder*
- Management – Kelly Curtis
- Mastered By – Bob Ludwig (tracks: C1 to D5)
- Mastered By [Vinyl] – WG* (tracks: A1 to B5)
- Mixed By – Tim Palmer (tracks: A1 to B5)
- Music By – Gossard* (tracks: A1 to A3, A5, B1, B3 to B5)
- Performer [Fire Extinguisher, Pepper Shaker] – Tim Palmer
- Photography By [Photos] – Lance Mercer
- Piano, Organ, Percussion – Rick Parashar
- Producer – Rick Parashar
- Remastered By [2008] – Bob Ludwig (tracks: A1 to B5)
- Remix – Brendan O'Brien (tracks: C1 to D5)
- Vocals – Eddie Vedder
Notes
During tracks B5 and D5, an additional song appears after 20 seconds of silence. Tracks B5a and D5a 'Release' end at 5:00. The hidden tracks B5c and D5c 'Master/Slave' start at 5:20 to 8:52 (3:32), giving tracks B5 and D5 an overall duration of 8:52.
This edition was subject to a later repress.
180-Gram Audiophile Pressing.
Originally released in 1991.
LP1 - Ten: The groundbreaking debut album. Newly Remastered for vinyl - featuring "Alive".
LP2 - Ten Redux: Brand New Remixes by Brendan O'Brien!
Remixed at Southern Tracks.
"Ten" -
Mixed for Worlds End (America) Inc.
Recorded at London Bridge Studios, Seattle - March/April 1991.
Mixed at Ridge Farm Studios, Dorking, England - June 1991.
Remastered 2008 at Gateway Mastering, Portland, ME.
"Ten Redux" -
Remixed at Southern Tracks, Atlanta, GA.
Mastered at Gateway Mastering , Portland, ME.
All songs ©1991 Write Treatage Music/Innocent Bystander/Jumpin' Cat Music/Scribing C-Ment Songs/3 Kick Heads (ASCAP).
© 1991, 2009 Sony Music Entertainment.
Records 1 vinyl mastered at Nashville Record Production. Record 2 vinyl mastered by Sterling Sound. Credits taken from the vinyl runout.
Durations do not appear on this release. Timings via stopwatch.
This edition was subject to a later repress.
180-Gram Audiophile Pressing.
Originally released in 1991.
LP1 - Ten: The groundbreaking debut album. Newly Remastered for vinyl - featuring "Alive".
LP2 - Ten Redux: Brand New Remixes by Brendan O'Brien!
Remixed at Southern Tracks.
"Ten" -
Mixed for Worlds End (America) Inc.
Recorded at London Bridge Studios, Seattle - March/April 1991.
Mixed at Ridge Farm Studios, Dorking, England - June 1991.
Remastered 2008 at Gateway Mastering, Portland, ME.
"Ten Redux" -
Remixed at Southern Tracks, Atlanta, GA.
Mastered at Gateway Mastering , Portland, ME.
All songs ©1991 Write Treatage Music/Innocent Bystander/Jumpin' Cat Music/Scribing C-Ment Songs/3 Kick Heads (ASCAP).
© 1991, 2009 Sony Music Entertainment.
Records 1 vinyl mastered at Nashville Record Production. Record 2 vinyl mastered by Sterling Sound. Credits taken from the vinyl runout.
Durations do not appear on this release. Timings via stopwatch.
Barcode and Other Identifiers
- Barcode: 8 8697-41302-1 5
- Matrix / Runout (Hand-etched runout side A): 88697-37587-1-A2 VI WG/NRP ⓤ
- Matrix / Runout (Hand-etched runout side B): 88697-37587-1-B2 VI WG/NRP ⓤ
- Matrix / Runout (Hand-etched runout side C): 8869-737587-2C RJ ② ⓤ
- Matrix / Runout (Machine stamped side C): STERLING
- Matrix / Runout (Hand-etched runout side D): 8869-7-37587-2D RJ ② ⓤ
- Matrix / Runout (Machine stamped side D): STERLING
Other Versions (5 of 310)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Ten (CD, Album, Pitman Pressing) | Epic Associated | ZK 47857, 47857 | US | 1991 | |||
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Recently Edited
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Ten (CD, Album) | Epic | EPC 468884 2, 468884 2 | Europe | 1991 | ||
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Recently Edited
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Ten (Cassette, Album, Dolby System) | Epic Associated | ZT 47857, ZT47857, 47857 | US | 1991 | ||
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Recently Edited
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Ten (LP, Album) | Epic | 188.228, 1-468884 | Brazil | 1991 | ||
|
Recently Edited
|
Ten (CD, Album) | Sony | SRCS 5634 | Japan | 1991 |
Recommendations
Reviews
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I cannot recommend this pressing at all.
I had a copy of the pressing listed below that I scratched on side A so badly it skipped. I replaced it with this pressing and I have to say Redux is very much inferior to the one listed below. It’s muddy, flat and lifeless in comparison. Surprisingly considering they should be basically identical.
https://discogs.mejorespelis.org/release/1704831-Pearl-Jam-Ten - -
Edited 2 years agoI've had this album since 2009, and when I bought it, I had already listen to O'Brien's Redux version on digital and didn't like it at the time, so I never even touched Disc 2 other than putting it into an archive sleeve. I wasn't impressed with Disc 1 as it seemed lifeless. I'm glad I didn't decide to get rid of this because I decided to give Redux a second shot 14 years later. I've got to say it sounds great. The bass comes out in this album like I've never heard it, but it doesn't overpower the rest of the guys. Vedder's vocals are front and center, the drums and guitars still sound great. You can hear all the small nuances played by on the bass and guitars. There's plenty of life to this pressing of Redux. I'm glad I got a bug up my ass to give the 2nd Disc a go.
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Edited 2 years agoProbably the quietest pressing of any album I have ever listened to. Honestly cranked the preamp up to 10 and there is still no indication of clipping. Crazy. That said, when turning the preamp up this much, it actually sounds a lot better. Still too much surface noise during quiet parts, IMO. It did seem to improve a bit after a THIRD WASHING in the vinyl Styl spin cleaner and a good wipe down on the platter. The run-in/intro to A1 is pure garbage noise. At least I only paid ~$18.00 for this new.
Could/Should be a lot better than this :(
EDIT: The gatefold sleeve is really nice. -
Edited 2 years agoMine is not as bad as others have described, but I have to play my system really loud to be able to enjoy it. No surface noise except very little at the beginning on the last track of side 2 (Release).
Just FYI, I paid $18 on Amazon for this (Sept 2022, down from $43.50). I have the CD version of this, and I hear no differences between one and the other. I bought it because a) it is one of my favorite PJ albums and I wanted to have it also on vinyl, and b) it was so cheap I could not ! -
Pretty much junk. Pressing defect surface noise all over disc one side one.
Everything is over length and sounds like squashed garbage. Buy the CD or wait for this to get mastered correctly. -
This album sounds so flat. It's listenable, but there is absolutely no life to it. I'm not super picky, but when you have a hype sticker on the cover with gold foiled "AUDIOPHILE PRESSING", it sets a certain level of expectation that this pressing doesn't live up to. -
Both vinyl are very clean. When packaged they were in the sleeves very tight. So...replace the inner sleeves and never put them back in the cardboard.LOL. So whats the deal? The new remix is pretty good. To be honest the original version of this album gave me a headache. Probably due to maxed out remastering. This version does a good job IMO of calming down the overly produced initial release. Pearl Jam fans should like hearing both mixes. -
Sounds muffled plus too many pops, some very loud especially on LP1, track A1. Disappointed.
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Awful... A complete delusion. I had high expectations from this press, but it sounds compressed and too calm for a grunge album. The original mix sounds better, more louder than the Redux. Totally disappointed
Release
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Recently Edited
Recently Edited
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