Rolling Stones* – Let It Bleed
Label: |
London Records – NPS 4 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Blues |
Style: |
Blues Rock |
Tracklist
A1 | Gimmie Shelter | 4:30 | |
A2 | Love In Vain | 4:18 | |
A3 | Country Honk | 3:00 | |
A4 | Live With Me | 3:35 | |
A5 | Let It Bleed | 5:27 | |
B1 | Midnight Rambler | 6:52 | |
B2 | You Got The Silver | 2:51 | |
B3 | Monkey Man | 4:12 | |
B4 | You Can't Always Get What You Want | 7:28 |
Companies, etc.
- Manufactured By – Nanker Phelge Music Ltd.
- Distributed By – London Records, Inc.
- Pressed By – American Record Pressing Co.
- Published By – Gideon Music, Inc.
- Published By – Nice Songs
Credits
- Arranged By [Choir] – Jack Nitzche* (tracks: B4)
- Arranged By [Horns] – Leon Russell (tracks: A4)
- Autoharp – Brian Jones (5) (tracks: B2)
- Bass – Keith Richards (tracks: A4)
- Blues Harp – Mick Jagger (tracks: A1, B1)
- Design [Cover & Liner Design] – Robert Brownjohn
- Design [Cover & Liner] – Nagota & Brownjohn Ltd.
- Design [Poster & Sleeve] – Victor Kahn (2)
- Drums – Charlie Watts
- Engineer [Assistant] – Jerry Hansen
- Engineer [Chief] – Glyn Johns
- Fiddle – Byron Berline (tracks: A3)
- Guitar – Mick Taylor (tracks: A4)
- Mandolin – Ry Cooder (tracks: A2)
- Organ – Nicky Hopkins (tracks: B2)
- Other [Tea And Sympathy] – "Jock"
- Percussion – Rocky Dijon (tracks: B4)
- Photography By – Don McAllester
- Piano – Nicky Hopkins (tracks: A1, A4, B2, B3)
- Piano, French Horn, Organ – Al Kooper (tracks: B4)
- Producer – Jimmy Miller
- Slide Guitar – Mick Taylor (tracks: A3)
- Tambourine – Jimmy Miller (tracks: B3)
- Tenor Saxophone – Bobby Keys (tracks: A4)
- Vibraphone – Bill Wyman (tracks: B3)
- Vocals – Nanette Newman (tracks: A3, B4)
- Written-By – Mick Jagger, Keith Richards* (tracks: A1, A3 to B4)
Notes
All selections published by Gideon Music Inc. except Love In Vain, published by Noma Music Inc
Label variation. Both catalog numbers and side numbers are listed to the right of the spindle hole. Title and songs are directly below the spindle hole.
Originally issued with a pink printed inner sleeve and a poster.
[ARP Logo] in runouts is stamped. All other characters are etched.
Track A1: Spelled "Gimmie Shelter" on back sleeve and label.
Label variation. Both catalog numbers and side numbers are listed to the right of the spindle hole. Title and songs are directly below the spindle hole.
Originally issued with a pink printed inner sleeve and a poster.
[ARP Logo] in runouts is stamped. All other characters are etched.
Track A1: Spelled "Gimmie Shelter" on back sleeve and label.
Barcode and Other Identifiers
- Rights Society: BMI
- Pressing Plant ID (Stamped in runouts): [ARP Logo]
- Matrix / Runout (Label side A): XZAL 9363
- Matrix / Runout (Label side B): XZAL 9364
- Matrix / Runout (Runout side A): XZAL-9363-2 [ARP Logo]
- Matrix / Runout (Runout side B): XZAL-9364-2 [ARP Logo]
Other Versions (5 of 469)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Let It Bleed (LP, Album, Terre Haute Pressing) | London Records | NPS-4 | US | 1969 | ||
Let It Bleed (LP, Album, Stereo, Royal Sound Labels) | Decca | SLK 16 640-P, SLK 16 640 P | 1969 | ||||
Recently Edited
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Let It Bleed (LP, Album, Stereo, Unboxed Labels) | Decca | SKL 5025, SKL. 5025 | UK | 1969 | ||
Recently Edited
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Let It Bleed (LP, Album, Stereo) | Decca | SKLM 5025, SKLM.5025 | New Zealand | 1969 | ||
Recently Edited
|
Let It Bleed (LP, Album, Mono) | Decca | LK 5025 | UK | 1969 |
Recommendations
Reviews
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Edited one year agoINSANELY dynamic pressing, HAS to be the top US pressing. Wall to wall and floor to ceiling sound of the highest quality.
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Edited one year agoi have a copy of this record with TWO side 2 labels, as in NO side 1. London NPS-4, no poster but has sleeve with notes. any idea of value? can't find any info...
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Edited one year agoIn a retrospective review, NME magazine said that the album "tugs and teases" in various musical directions and called it "a classic".[15] In 2000, Q magazine ranked it at No. 28 in its list of "The 100 Greatest British Albums Ever". In 2001, the TV network VH1 placed Let It Bleed at No. 24 on their best album survey. In 1997, it was voted 27th greatest album by The Guardian. In 2003, it was listed at No. 32 on the "List of Rolling Stone's 500 Greatest Albums of All Time".[22] In a five-star review for Rolling Stone in 2004, Gavin Edwards praised Keith Richard's guitar playing throughout the album and stated, "Whether it was spiritual, menstrual or visceral, the Stones made sure you went home covered in blood."[16] Jason McNeil of PopMatters wrote that Beggars Banquet and Let It Bleed are "the two greatest albums the band’s (or anyone’s) ever made".[23]
Release
See all versions
Recently Edited
Recently Edited
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