The MonkeesThe Monkees

Label:

RCA Victor – COS-101

Format:

Vinyl , LP, Album, Stereo

Country:

Released:

Genre:

Pop

Style:

Beat

Tracklist

A1 (Theme From) The Monkees
ProducerTommy Boyce
Written-ByTommy Boyce - Bobby Hart*
2:20
A2 Saturday's Child
ProducerTommy Boyce
Written-ByDavid Gates
2:44
A3 I Wanna Be Free
ProducerTommy Boyce-Bobby Hart*
Written-ByTommy Boyce - Bobby Hart*
2:24
A4 Tomorrow's Gonna Be Another Day
ProducerTommy Boyce-Bobby Hart*
Written ByTommy Boyce-Steve Venet
Written-ByTommy Boyce
2:33
A5 Papa Gene's Blues
ProducerMichael Nesmith
Written-ByMichael Nesmith
1:55
A6 Take A Giant Step
ProducerTommy Boyce-Bobby Hart*
Written-ByCarol King - Gerry Goffin*
2:32
B1 Last Train To Clarksville
ProducerTommy Boyce-Bobby Hart*
Written-ByTommy Boyce - Bobby Hart*
2:40
B2 This Just Doesn't Seem To Be My Day
ProducerTommy Boyce
Written-ByTommy Boyce - Bobby Hart*
2:08
B3 Let's Dance On
ProducerTommy Boyce
Written-ByTommy Boyce - Bobby Hart*
2:30
B4 I'll Be True To You
ProducerTommy Boyce
Written-ByRuss Titleman*
2:48
B5 Sweet Young Thing
ProducerMichael Nesmith
Written ByMichael Nesmith-Carol King-Gerry Goffin
Written-ByMichael Nesmith
1:54
B6 Gonna Buy Me A Dog
ProducerTommy Boyce-Bobby Hart*
Written-ByTommy Boyce - Bobby Hart*
2:38

Companies, etc.

  • Phonographic Copyright ℗Radio Corporation Of America
  • Published ByScreen Gems-Columbia Music, Inc.
  • Made ByTELDEC »Telefunken-Decca« Schallplatten GmbH
  • Record CompanyColgems Records
  • Pressed ByTeldec-Press GmbH
  • Lacquer Cut AtTELDEC-Studio, Hamburg

Credits

  • Coordinator [Music Coordinators]Lester Sill
  • Drums, VocalsMicky Dolenz
  • Guitar, VocalsPeter Tork
  • Lacquer Cut ByS*
  • Photography By [Cover Photo]Bernard Yeszin
  • Supervised By [Music Supervision]Don Kirshner

Notes

All selections published by Screen Gems - Columbia Music, Inc., BMI

©1966, Radio Corporation of America

Made in by TELDEC »Telefunken-Decca« Schallpl.-Ges.mbH., from Master Recordings of RCA

A Colgems Records Production

Barcode and Other Identifiers

  • Rights Society (Publishing): BMI
  • Rights Society: GEMA
  • Matrix / Runout (Label A-side): TZRS-4689
  • Matrix / Runout (Label B-side): TZRS-4690
  • Matrix / Runout (Stamped A-side, variant 1): LP - Ste - TZRS - 4689 - X Manufactured in
  • Matrix / Runout (Stamped B-side, variant 1): LP - Ste - TZRS - 4690 - X Manufactured in
  • Matrix / Runout (Stamped A-side, variant 2): LP - Ste - TZRS - 4689 - X Manufactured in S-H
  • Matrix / Runout (Stamped B-side, variant 2): LP - Ste - TZRS - 4690 - X Manufactured in S-H

Other Versions (5 of 138)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Monkees (LP, Album, Mono, Repress) Colgems COM-101, COM-101 RE US 1966
Recently Edited
The Monkees (LP, Album, Misprint, Stereo, Hollywood Pressing) Colgems COS-101 US 1966
Recently Edited
The Monkees (LP, Album, Repress, Mono) RCA Victor COM-101, COM 101 Canada 1966
New Submission
The Monkees (LP, Album, Mono) RCA Victor LPV-7494 Venezuela 1966
New Submission
The Monkees (LP, Album, Stereo) RCA Victor COS-101 Canada 1966

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Reviews

  • Meisterbommel's avatar
    Meisterbommel
    “The Monkees” by The Monkees stands as an emblem of the pop-cultural revolution of the 1960s. The German vinyl pressing from 1966 encapsulates a remarkable musical time capsule, maintaining an excellent sound quality despite its age. This pressing impresses particularly with its clarity and warmth of sound, accentuated by the analog medium of vinyl. Tracks like “Last Train to Clarksville” and “(Theme From) The Monkees” unfold with a vivacity that one might not expect from a recording of this era.

    However, as with many older recordings, there are certain limitations in sound quality. The slight weaknesses in the highs, noted in the 1966 German pressing, could be partly attributed to the recording technology limitations of the time. These minor flaws can lead to a loss in detail and brilliance in the higher frequency ranges, especially noticeable in the vocal harmonies and guitar riffs.

    Nonetheless, the German vinyl pressing of “The Monkees” remains a considerable piece of music history. It represents not only the beginnings of a band conceived as an American answer to The Beatles but also an era when pop music began to establish itself as a serious art form. For vinyl collectors and fans of the band, this pressing, despite its minor flaws, is a worthy addition to their collection.

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