なぞらない* – Nazoranai
Label: |
Ideologic Organ – SOMA009 |
---|---|
Format: |
|
Country: |
Austria |
Released: |
|
Genre: |
Rock |
Style: |
Free Improvisation |
Tracklist
A | Feel The Ultimate Joy Towards The Resolve Of Pillar Being Shattered Within You Again And Again And Again (Part 1) | 17:40 | |
B1 | Feel The Ultimate Joy Towards The Resolve Of Pillar Being Shattered Within You Again And Again And Again (Part 2) | 6:12 | |
B2 | Not A Joy To Come Closer But So-called A Sacred Insanity Has Finally Appeared | 9:49 | |
C | Getting A Bit Blurry Brush Up Your Cartel And Devote It To Something | 21:58 | |
D | Not To Leave Everything To The Light Outside Of You But To Be Aware Of The Prayer "What Do I Want To Do?" That Exists Inside You, And Let That Go Out Of You As A Light, Or Things Might Get Worse, No? | 16:36 |
Companies, etc.
- Recorded At – La Gaîté Lyrique
- Mixed At – Chinatown, Melbourne
- Mastered At – Chinatown, Melbourne
- Lacquer Cut At – Dubplates & Mastering
- Manufactured By – Editions Mego
- Distributed By – Editions Mego
- Copyright © – Ideologic Organ
- Copyright © – Editions Mego
- Published By – Ideologic Organ
- Published By – Touch Music
Credits
- Art Direction, Curated By [Ideologic Organ Curation] – Stephen O'Malley
- Artwork – Lars Teichmann
- Bass Guitar – Stephen O'Malley
- Booking – Regina Greene
- Drums [Battery] – Oren Ambarchi
- Edited By – Oren Ambarchi
- Guitar, Vocals, Synth – Keiji Haino
- Lacquer Cut By [Vinyl Cut By] – Rashad Becker
- Mastered By – Joe Talia
- Mixed By – Oren Ambarchi
- Photography By ["Bathing Girls" & "Nymphos"] – Annette Apel
- Photography By ["Fever"] – Martino Gerosa
- Recorded By – Chris Fullard
Notes
Recorded at Gaîté Lyrique, Paris on 8th November, 2011.
Edited in Sydney January 2012. Mixed at Chinatown, Melbourne 8th February 2012.
Mastered at Chinatown, Melbourne 17th April 2012. Vinyl cut at Dubplates & Mastering, Berlin April 2012.
"Bathing Girls" & "Nymphos" (detail, 2010, photos by Annette Apel), "Fever" (2010, photo by Martino Gerosa).
Booking: Regina Greene / Frontporch
Thanks you: Benoit Rosseau, Chris Fullard, Hau2 Theatre/Jessica Paez/Jan Rohlf, Keiko Higuchi, Lars Teichmann, Lasse Marhaug.
Manufactured and distributed by Editions Mego.
© 2012 Ideologic Organ / Editions Mego
Published by Ideologic Organ (BMI) & Touch Music.
"For best results use hi-fi cartridges only"
Released in a gatefold sleeve.
Gaîté Lyrique is misspelled as Gâité Lyrique on the sleeve.
B2 duration printed on label is 9:47
Tracktitles also given in Japanese on release.
Edited in Sydney January 2012. Mixed at Chinatown, Melbourne 8th February 2012.
Mastered at Chinatown, Melbourne 17th April 2012. Vinyl cut at Dubplates & Mastering, Berlin April 2012.
"Bathing Girls" & "Nymphos" (detail, 2010, photos by Annette Apel), "Fever" (2010, photo by Martino Gerosa).
Booking: Regina Greene / Frontporch
Thanks you: Benoit Rosseau, Chris Fullard, Hau2 Theatre/Jessica Paez/Jan Rohlf, Keiko Higuchi, Lars Teichmann, Lasse Marhaug.
Manufactured and distributed by Editions Mego.
© 2012 Ideologic Organ / Editions Mego
Published by Ideologic Organ (BMI) & Touch Music.
"For best results use hi-fi cartridges only"
Released in a gatefold sleeve.
Gaîté Lyrique is misspelled as Gâité Lyrique on the sleeve.
B2 duration printed on label is 9:47
Tracktitles also given in Japanese on release.
Barcode and Other Identifiers
- Barcode (Sticker, as printed): 9 120020 388979
- Barcode (Sticker, string): 9120020388979
- Matrix / Runout (Runout side A, etched): SOMA 009 A ®@D&m
- Matrix / Runout (Runout side B, etched): SOMA 009 B ®@D&m
- Matrix / Runout (Runout side C, etched): SOMA 009 C ®@D&m
- Matrix / Runout (Runout side D, etched): SOMA 009 D ®@D&m
- Rights Society: BMI
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Nazoranai (CD, Album) | Editions Mego | SOMA009CD | Austria | 2012 |
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Reviews
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Excellent! Vinyl plays great, nice bass and full sound. One of my favourite Keiji Haino releases, it's heavy!
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I am usually skeptical of "supergroups" but I will make an exception in Nazoranai's case. Every bit as heavy and bludgeoning as you would think it would be considering the lineup, but at the same time almost fragile as genuine emotion pours through. I have a pile of records with Keiji Haino on them (97 according to Discogs, but I doubt I have them all catalogued). This is easily in my Top 5 for this prolific artist.
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