Lionel RichieBack To Front

Label:

Motown – 530 018-1

Format:

2 x Vinyl , LP, Compilation, Stereo

Country:

Europe

Released:

Genre:

Pop

Style:

Soul

Tracklist

A1 Lionel Richie Do It To Me
Drum ProgrammingQuincy D. Jones, III*
Engineer [Assistant]Marnie Riley
GuitarMichael Landau
Keyboards, Backing VocalsLionel Richie
PercussionLenny Castro
Saxophone [Solo]Marc Russo
Synthesizer, Programmed By [Synthesizer]Bradley Cole*
6:03
A2 Lionel Richie My Destiny
Drum ProgrammingQuincy D. Jones, III*
Engineer [Assistant]Marnie Riley
GuitarMichael Landau
Keyboards, Backing VocalsLionel Richie
Orchestrated By [String & Horn]Paul Buckmaster
PercussionLenny Castro
Synthesizer, Programmed By [Synthesizer]Bradley Cole*
4:49
A3 Lionel Richie Love, Oh Love
Backing VocalsTerry Holcomb
DrumsJim Keltner
Engineer [Assistant]Marnie Riley
GuitarMichael Landau
KeyboardsLionel Richie
Orchestrated By [String & Horn]Paul Buckmaster
PercussionLenny Castro
Synthesizer, Programmed By [Synthesizer]Bradley Cole*
5:47
A4 Lionel Richie All Night Long
Engineer [Assistant Recording Engineer]Steve Krimmel
Mixed By [Assistant Mixing Engineer]Karen Siegel
4:16
B1 The Commodores* Easy 4:15
B2 The Commodores* Still 3:43
B3 Diana Ross Endless Love
Arranged ByGene Page
Mixed ByGuy Costa
Recorded ByReggie Dozier*
4:26
B4 Lionel Richie Running With The Night
Engineer [Assistant Recording Engineer]Steve Krimmel
Mixed By [Assistant Mixing Engineer]Karen Siegel
Written-ByLionel Richie
4:07
C1 Lionel Richie Dancin' On The Ceiling
Written-ByMichael Frenchik
4:22
C2 The Commodores* Sail On 3:59
C3 Lionel Richie Hello
Engineer [Assistant Recording Engineer]Steve Krimmel
Mixed By [Assistant Mixing Engineer]Karen Siegel
4:07
C4 Lionel Richie Truly
Engineer [Assistant Recording Engineer]Jim Cassell
Mixed By [Assistant Mixing Engineer]Stephan Smith (2)
3:19
D1 Lionel Richie Penny Lover
Engineer [Assistant Recording Engineer]Steve Krimmel
Mixed By [Assistant Mixing Engineer]Karen Siegel
3:48
D2 Lionel Richie Stuck On You 3:10
D3 Lionel Richie Say You, Say Me
Engineer [Assistant Recording Engineer]David Egerton
Mixed By [Assistant Mixing Engineer]Steve MacMillan
3:59
D4 The Commodores* Three Times A Lady 3:35

Companies, etc.

  • Phonographic Copyright ℗Motown Record Company, L.P.
  • Copyright ©Motown Record Company, L.P.
  • Record CompanyMotown Record Company
  • Recorded AtA&M Studios
  • Recorded AtConway Studios
  • Recorded AtDevonshire Studios
  • Recorded AtMotown/Hitsville U.S.A. Recording Studios
  • Recorded AtOcean Way Recording
  • Mixed AtConway Studios
  • Mixed AtMotown/Hitsville U.S.A. Recording Studios
  • Mixed AtOcean Way Recording
  • Mastered AtBernie Grundman Mastering
  • Published BySpeeding Bullet Music
  • Published ByBrockman Music
  • Published ByDyad Music
  • Published ByDyad Music Ltd.
  • Published ByJobete Music
  • Published ByLibren Music
  • Lacquer Cut AtPRS Baarn

Credits

  • Arranged By [Rhythm]Stewart Levine (tracks: A1 to A3)
  • Arranged By [String & Horn]James Anthony Carmichael (tracks: A4 to B2, C1 to D2)
  • Arranged By [Vocal]Lionel Richie (tracks: to B1, B3 to C1, D1 to D2)
  • ManagementFreddy DeMann
  • Mastered ByBernie Grundman
  • Mixed ByDaren Klein (tracks: A1 to A3)
  • ProducerStewart Levine (tracks: A1 to A3)
  • Recorded ByJane Clark (tracks: B1 to B2, C1, D2)
  • Written-ByLionel Richie (tracks: A1 to B3, C2 to D4)

Notes

This compilation ℗ 1992 Motown Record Company L.P.
Made in Holland

Comes with sticker on cover:
“Back To Front All His Greatest Hits European Version Contains 2 Extra Tracks 530 018-1”

A1: © 1992 Speeding Bullet Music, ASCAP
Recorded and Mixed at Conway Recording Studio, Hollywood, C.A.
A2: © 1992 Speeding Bullet Music, ASCAP
Recorded and Mixed at Conway Recording Studio, Hollywood, C.A.
A3: © 1992 Speeding Bullet Music, ASCAP
Recorded and Mixed at Conway Recording Studio, Hollywood, C.A.
A4: © 1992 Brockman Music, istered by Brockman Music, ASCAP
Recorded at: Oceanway Recording Studio, Hollywood, C.A.
Mixed at: Motown Recording Studio, West Hollywood, C.A.
B1: © 1992 Libren Music, istered by Jobete Music, ASCAP
Recorded & Mixed at: Motown Recording Studio, West Hollywood, C.A.
B2: © 1992 Libren Music, istered by Jobete Music, ASCAP
Recorded & Mixed at: Motown Recording Studio, West Hollywood, C.A.
B3: © 1992 Brockman Music, istered by Brockman Music, ASCAP
Recorded at Devonshire Recording Studios, North Hollywood, C.A.
Mixed at Motown Recording Studio, West Hollywood, C.A.
B4: © 1992 Brockman Music and Dyad Music, istered by Brockman Music, ASCAP and Dyad Music Limited, BMI
Recorded at: Oceanway Recording Studio, Hollywood, C.A.
Mixed at: Motown Recording Studio, West Hollywood, C.A.
C1: © 1986 Brockman Music, istered by Brockman Music, ASCAP
C2: © 1992 Libren Music, istered by Jobete Music, ASCAP
Recorded & Mixed at: Motown Recording Studio, West Hollywood, C.A.
C3: © 1992 Brockman Music, istered by Brockman Music, ASCAP
Recorded at: Oceanway Recording Studio, Hollywood, C.A.
Mixed at: Motown Recording Studio, West Hollywood, C.A.
C4: © 1992 Brockman Music, istered by Brockman Music, ASCAP
Recorded at: A&M Recording Studio, Hollywood, C.A.
Mixed at: Motown Recording Studio, Hollywood, C.A.
D1: © 1992 Brockman Music, istered by Brockman Music, ASCAP
Recorded at: Oceanway Recording Studio, Hollywood, C.A.
Mixed at: Motown Recording Studio, West Hollywood, C.A.
D2: © 1983 Brockman Music, istered by Brockman Music, ASCAP
D3: © 1992 Brockman Music, istered by Brockman Music, ASCAP
Recorded & Mixed at Oceanway Recording Studio, Hollywood, C.A.
D4: © 1992 Libren Music, istered by Jobete Music, ASCAP
Recorded & Mixed at: Motown Recording Studio, West Hollywood, C.A.

Jim Keltner appears courtesy of Warner Brothers / Reprise Records

Runouts are stamped.

Barcode and Other Identifiers

  • Barcode (Scanned): 731453001817
  • Barcode (Text): 7 31453 00181 7
  • Label Code: LC 0881
  • Rights Society (Boxed on back cover): BIEM/STEMRA
  • Rights Society (Boxed on labels): B.I.E.M | STEMRA
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Other (Disc 1 Catalog Number): 530 019 - 1
  • Other (Disc 2 Catalog Number): 530 020 - 1
  • Matrix / Runout (Side A runout): 530 019 - 1 S1 = 1 670 06 1 6
  • Matrix / Runout (Side B runout): 530 019 - 1 S2 = 1 670 06 1 1
  • Matrix / Runout (Side C runout): 530 020 - 1 S1 = 1 670 07 1 1
  • Matrix / Runout (Side D runout): 530 020 - 1 S2 = 1 670 07 1 1

Other Versions (5 of 146)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Back To Front (CD, Compilation) Motown 530 018-2 Europe 1992
Recently Edited
Back To Front (2×LP, Compilation) Motown 374 636 338-1 US 1992
Recently Edited
Back To Front (CD, Compilation, Club Edition) Motown MOTD 6338 US 1992
Back To Front (2×LP, Compilation) Motown 530 018-1 UK & Europe 1992
Recently Edited
Back To Front (CD, Compilation) Motown 374636338-2 US 1992

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Reviews

  • jp005's avatar
    jp005
    Edited one year ago
    This version is poor sound quality wise I compared dancing on the ceiling on this album to my original USA album cut by Brian Gardner. the difference is shocking the original USA album from 1985 is cut louder the drums and bass sound so mutch better. It has nice deep rich sound where as this greatest hits is flat and lifeless in comparison. Next I tried say you say me also off the dancing on the ceiling album and again the original USA pressing cut by Brian Gardner was better the bass and drums hit louder and sounded a lot fuller also the greatest hits was quieter as well. So to summarise this is good if you just want his hits and don’t care about having the best sound quality now mabey the Uk penthouse cut of this album will sound better I don’t know as I don’t have it to compare.

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