Tracklist
| A1 | Astradyne | 7:07 | |
| A2 | New Europeans | 4:00 | |
| A3 | Private Lives | 4:06 | |
| A4 | ing Strangers | 3:49 | |
| A5 | Sleepwalk | 3:10 | |
| B1 | Mr. X | 6:33 | |
| B2 | Western Promise | 5:44 | |
| B3 | Vienna | 4:52 | |
| B4 | All Stood Still | 4:23 |
Companies, etc.
- Record Company – Ariola Eurodisc GmbH
- Distributed By – Ariola
- Phonographic Copyright ℗ – Chrysalis
- Pressed By – Sonopress
- Printed By – Mohndruck Graphische Betriebe GmbH
- Recorded At – RAK Studios
- Mixed At – Conny's Studio
Credits
- Bass, Synthesizer, Vocals – Chris Cross
- Design – Glenn Travis
- Drums, Percussion [Electronic], Vocals – Warren Cann
- Lead Vocals, Guitar, Synthesizer – Midge Ure
- Management – Morrison-O'Donnell Limited*
- Photography By – Brian Griffin (3)
- Piano, Violin, Viola, Synthesizer – Billy Currie
- Producer – Ultravox
- Written-By – W. Cann*
Notes
- Two pressing rings on labels with 10 mm and 32 mm and one elevation with 74 mm in diameter
On rear cover:
Recorded at RAK [London]
Mixed at Conny's Studio [near Köln]
Special Thanks to Will, Thelma and Suzanne
Im Ariola-Vertrieb
Printed in Western by Mohndruck Graphische Betriebe GmbH, Gütersloh
On labels:
℗ 1980 Chrysalis
Ariola-Eurodisc GmbH., München.
On rear cover:
Recorded at RAK [London]
Mixed at Conny's Studio [near Köln]
Special Thanks to Will, Thelma and Suzanne
Im Ariola-Vertrieb
Printed in Western by Mohndruck Graphische Betriebe GmbH, Gütersloh
On labels:
℗ 1980 Chrysalis
Ariola-Eurodisc GmbH., München.
Barcode and Other Identifiers
- Label Code: LC 1626
- Rights Society: GEMA
- Matrix / Runout (Label side A): S 202 701 A
- Matrix / Runout (Label side B): S 202 701 B
- Matrix / Runout (Side A runout, variant 1): 202701 A-1/80S Made in
- Matrix / Runout (Side B runout, variant 1): 202701 B-1/80S Made in
- Matrix / Runout (Side A runout, variant 2): 202701 A-1/80S III Made in
- Matrix / Runout (Side B runout, variant 2): 202701 B-1/80S II Made in
- Matrix / Runout (Side A runout, variant 3): 202701 A-1/80S IV Made in
- Matrix / Runout (Side B runout, variant 3): 202701 B-1/80S II Made in
- Matrix / Runout (Side A runout, variant 4): 202701 A-1/80S II Made in
- Matrix / Runout (Side B runout, variant 4): 202701 B-1/80S Made in
- Matrix / Runout (Side A runout, variant 5): 202701 A-1/80S II Made in
- Matrix / Runout (Side B runout, variant 5): 202701 B-1/80S II Made in
Other Versions (5 of 177)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Vienna (LP, Album, Stereo) | Chrysalis | CHR 1296 | UK | 1980 | ||
|
Recently Edited
|
Vienna (LP, Album, Stereo, Santa Maria Press) | Chrysalis | CHR 1296 | US | 1980 | ||
|
Recently Edited
|
Vienna (LP, Album) | Chrysalis | L 37376, CHR 1296, L-37,376 | Australia | 1980 | ||
|
Recently Edited
|
Vienna (Cassette, Album, Grey) | Chrysalis | ZCHR 1296 | UK | 1980 | ||
| Vienna (LP, Album) | Chrysalis | WWS-81355 | Japan | 1980 |
Recommendations
Reviews
-
The sound of ultravox on this album(good lp) is more commerciel and on this moment on the hits came like clock work on the following lps after ""Vienna"".Midge Ure first appearance after John Foxx left the band (he went solo in 1980 with methametic)is on this album.
Its now clear in witch direction the band goes.More synthersizers
and drumcomputers but the sound is not to compare with John Foxx ""methametic""that sound is more dark and better quality electronics.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
81 copies from $3.41