Fleetwood Mac – Fleetwood Mac
Label: |
Reprise Records – 603497839650 |
|---|---|
Format: |
Vinyl
, LP, Album, Reissue, Stereo
|
Country: |
Worldwide |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | Monday Morning | 2:48 | |
| A2 | Warm Ways | 3:50 | |
| A3 | Blue Letter | 2:31 | |
| A4 | Rhiannon | 4:12 | |
| A5 | Over My Head | 3:34 | |
| A6 | Crystal | 5:12 | |
| B1 | Say You Love Me | 4:11 | |
| B2 | Landslide | 3:05 | |
| B3 | World Turning | 4:25 | |
| B4 | Sugar Daddy | 4:09 | |
| B5 | I'm So Afraid | 4:15 |
Companies, etc.
- Phonographic Copyright ℗ – Warner Records Inc.
- Copyright © – Warner Records Inc.
- Manufactured For – Warner Music Group
- Marketed By – Warner Music Group
- Recorded At – Sound City Studios
- Mixed At – Sound City Studios
- Mixed At – Kendun Recorders
- Pressed By – Optimal Media GmbH – BH65531
- Published By – Rockhopper Music, Inc.
- Published By – Catpatch Music, Inc.
- Published By – Buckingham Nicks Music
- Published By – Dona Marta Music
Credits
- Bass – John McVie
- Design [Album Design] – Des Strobel*
- Drums, Percussion – Mick Fleetwood
- Engineer – Keith Olsen
- Engineer [2nd Engineer] – David Devore
- Guitar [Guitars], Vocals – Lindsey Buckingham
- Keyboards, Synthesizer, Vocals – Christine McVie
- Lacquer Cut By – CB*
- Management [Road Manager] – Rhyno
- Photography By – Herbert Worthington*
- Producer [Produced By] – Keith Olsen
- Producer [Produced By], Concept By [Sleeve Concept] – Fleetwood Mac
- Vocals – Stevie Nicks
Notes
Issued with a printed inner sleeve that has lyrics and illustrations.
For track A3 the label has "Curtis" unlike the back cover which has "Curtis & Curtis".
On sticker:
"FLEETWOOD MAC'S
1975 BREAKOUT SMASH RELEASE
7X PLATINUM
R1 2281 / 603497839650"
On spine:
R1 2281 / 603497839650 Reprise
On back cover:
Recorded at Sound City, Los Angeles
Mixed at Sound City & Kendun Recorders
℗ & © 1975 Warner Records Inc. Manufactured for & Marketed by Warner Music Group. 777 S. Santa Fe Ave., Los Angeles, CA 90021. Made in . R1 2281 / 603497839650
On inner sleeve:
R1 2281 / 603497839650
© 1975 Warner Records Inc.
On labels:
℗ & © 1975 Warner Records Inc.
Manufactured for & Marketed by Warner Music Group. Made in . GEMA/BIEM. 603497839650
Except as indicated Published by Rockhopper Music, Inc. - ASCAP
Track A3 Published by Catpatch Music, Inc. - ASCAP
Track A6 Published by Buckingham Nicks/Dona Marta - ASCAP
Runouts are etched with 3 mirrored characters at the end.
The plates were reused for the 2023 reissue GZ Media.
For track A3 the label has "Curtis" unlike the back cover which has "Curtis & Curtis".
On sticker:
"FLEETWOOD MAC'S
1975 BREAKOUT SMASH RELEASE
7X PLATINUM
R1 2281 / 603497839650"
On spine:
R1 2281 / 603497839650 Reprise
On back cover:
Recorded at Sound City, Los Angeles
Mixed at Sound City & Kendun Recorders
℗ & © 1975 Warner Records Inc. Manufactured for & Marketed by Warner Music Group. 777 S. Santa Fe Ave., Los Angeles, CA 90021. Made in . R1 2281 / 603497839650
On inner sleeve:
R1 2281 / 603497839650
© 1975 Warner Records Inc.
On labels:
℗ & © 1975 Warner Records Inc.
Manufactured for & Marketed by Warner Music Group. Made in . GEMA/BIEM. 603497839650
Except as indicated Published by Rockhopper Music, Inc. - ASCAP
Track A3 Published by Catpatch Music, Inc. - ASCAP
Track A6 Published by Buckingham Nicks/Dona Marta - ASCAP
Runouts are etched with 3 mirrored characters at the end.
The plates were reused for the 2023 reissue GZ Media.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 603497839650
- Barcode (Text): 6 03497 83965 0
- Rights Society: GEMA/BIEM
- Rights Society: ASCAP
- Matrix / Runout (Runout, side A, variant 1): 0081227940768 BH65531-01 A1 R1-2281-A CB ==1
- Matrix / Runout (Runout, side B, variant 1): 0081227940768 BH65531-01 B1 R1-2281-B CB
- Matrix / Runout (Runout, side A, variant 2): 0081227940768 BH65531-01 A1 R1-2281-A CB 1==
- Matrix / Runout (Runout, side B, variant 2): 0081227940768 BH65531-01 B1 R1-2281-B CB 1I△
- Matrix / Runout (Runout, side A, variant 3): 0081227940768 BH65531-01 A1 R1-2281-A CB 1=1
- Matrix / Runout (Runout, side B, variant 3): 0081227940768 BH65531-01 B1 R1-2281-B CB
Other Versions (5 of 310)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Fleetwood Mac (LP, Album, Reissue) | Reprise Records | KMS 2281 | Canada | 1975 | ||
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Recently Edited
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Fleetwood Mac (LP, Album, Winchester Pressing) | Reprise Records | MS 2225 | US | 1975 | ||
|
Recently Edited
|
Fleetwood Mac (LP, Album, Reissue, Stereo) | Reprise Records | K 54043, K54043, MS 2225 | UK | 1975 | ||
|
Recently Edited
|
Fleetwood Mac (Cassette, Album, Club Edition) | Reprise Records | M5 2281 | US | 1975 | ||
|
Recently Edited
|
Fleetwood Mac (Cassette, Album) | Reprise Records | 454 043-X, MS 2225, REP 454 043-X | 1975 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo -
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2016 USA & CanadaVinyl —LP, Album, Reissue, Remastered, Stereo -
Reviews
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Edited 2 months agoAnyone know which version has BM66254-01 A1 in the runout? Can't find it anywhere, but that's what it says on my copy. This version was the closest I could find.
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Sounds pretty good. The drums aren't terribly well defined, nor are the vocals or bass, but only in comparison to my pressing of Tusk. Maybe it just wasn't recorded as well, I can't tell. Still, compared to most albums, it sounds great.
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Edited one year agoBought brand new sealed from Amazon. Record is mostly flat and well centered. Pressing quality is great on side B (mostly quiet, apart for a few small clicks), but side A is quite a bit worse (lots of surface noise and crackling). Some nasty popping at the end of A4 / beginning of A5. Some distortion on A6 and B5. This is not ruining the experience, but it's noticeable and a bit annoying to be honest. Apart from that, the music is fantastic and the mixing is quite good. 3,9 / 5 -
I've bought 2 copies of this exact record and both skip in the exact same spot during crystal, apart from that the record is great -
Really damn good sounding remaster by Chris Bellman, and a great companion to the original Kendun and MOFI LPs. It's a bit brighter here, much like Chris's other remasters, whilst also retaining the oomph and soundstage of the two latters quite nicely. Lots of details I'd never noticed before, such as Lindsey breathing in at the beginning of Monday Morning and a banjo in Say You Love Me. Landslide is just incredible sounding here as well. definitely recommended. -
Fellas, this press is quite good. My copy is dead silent (has the Czech sticker) and the range is quite good. Seconding someone in here saying don't on this sleeper. Get it while it's cheap -
Outstanding pressing. Deep, punchy bass; mids and vocals perhaps a shade less silky smooth than the originals but still pretty solid. The best price/performance today. Buy Now!
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Some are pressed at Optimal, some are pressed at GZ. The GZ copies can be a crap shoot whether or not you get a clean, warped or noisy pressing. Mine is from GZ and it's perfect. I lucked out. The mastering is still incredible. The best I ever heard this album.
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