Pixies – Trompe Le Monde
Label: |
4AD – CAD 1014 LP |
|---|---|
Format: |
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Country: |
UK, Europe & US |
Released: |
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Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | Trompe Le Monde | |
| A2 | Planet Of Sound | |
| A3 | Alec Eiffel | |
| A4 | The Sad Punk | |
| A5 | Head On | |
| A6 | U-Mass | |
| A7 | Palace Of The Brine | |
| A8 | Letter To Memphis | |
| B1 | Bird Dream Of The Olympus Mons | |
| B2 | Space (I Believe In) | |
| B3 | Subbacultcha | |
| B4 | Distance Equals Rate Times Time | |
| B5 | Lovely Day | |
| B6 | Motorway To Roswell | |
| B7 | The Navajo Know |
Companies, etc.
- Recorded At – Master Control, Burbank
- Recorded At – Pacifique Studios
- Recorded At – Studio Des Dames
- Recorded At – Blackwing Studios
- Mixed At – Master Rock Studios
- Published By – Rice and Beans Music
- Published By – Warner Chappell Music Ltd.
- Phonographic Copyright ℗ – 4AD
- Copyright © – 4AD
- Pressed By – MPO
Credits
- Art Direction, Design – Vaughan Oliver
- Artwork [Rockets] – Steven Appleby
- Bass, Vocals – Kim Deal
- Design [Design Assistance] – Paul McMenamin
- Drums – David Lovering*
- Engineer – Steve Haigler*
- Engineer [Assistant Engineers] – Scott Blockland
- Lead Guitar – Joey Santiago
- Musician [Additional Musicians], Keyboards, Synthesizer [Synthetics] – Eric Drew Feldman
- Musician [Additional Musicians], Tabla, Goblet Drum [Dumbek] – Jef Feldman
- Photography By – Simon Larbalestier
- Producer – Gil Norton
- Songwriter – Black Francis (tracks: A1 to A4, A6 to B7)
- Typography [Typesetting] – TPP Ltd. London*
- Vocals, Guitar – Black Francis
Notes
30th Anniversary Edition
Includes a printed inner sleeve.
Recorded at Master Control, Burbank
Pacifique, Burbank
Studio Des Dames, Paris
Blackwing, London
Mixed at Master Rock, London
Published by Rice And Beans Music except "Head On" by Warner Chappell Music Ltd.
℗&© 1991 4.A.D.
Includes a printed inner sleeve.
Recorded at Master Control, Burbank
Pacifique, Burbank
Studio Des Dames, Paris
Blackwing, London
Mixed at Master Rock, London
Published by Rice And Beans Music except "Head On" by Warner Chappell Music Ltd.
℗&© 1991 4.A.D.
Barcode and Other Identifiers
- Barcode (Text): 6 52637 10140 9
- Matrix / Runout (Side A runout): CAD 1014 LP A [MPO logo]21 205824
- Matrix / Runout (Side B runout): CAD 1014 LP B [MPO logo]21 223593
Other Versions (5 of 112)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Trompe Le Monde (CD, Album) | 4AD | CAD 1014 CD | UK | 1991 | ||
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Recently Edited
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Trompe Le Monde (CD, Album, Limited Edition) | 4AD | CAD 1014 LCD | Benelux | 1991 | ||
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Recently Edited
|
Trompe Le Monde (CD, Album, SRC Pressing) | 4AD | 9 61118-2, 61118-2 | US | 1991 | ||
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Recently Edited
|
Trompe Le Monde (LP, Album) | 4AD | CAD 1014 | Spain | 1991 | ||
|
Recently Edited
|
Trompe Le Monde (Cassette, Album) | 4AD | 9 61118-4, 61118-4 | US | 1991 |
Recommendations
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2018 USA, Canada & EuropeVinyl —LP, Mini-Album, Reissue -
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2020 EuropeVinyl —LP, Album, Limited Edition, Reissue, Remastered, Repress, Stereo -
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Reviews
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Edited 2 years agoAgree with the previous comments. Very solid pressing, silent and sound has depth. Vinyl looks amazing too.
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Anyway to tell the difference between this pressing and the the GZ Media one here without opening it? https://discogs.mejorespelis.org/release/20199340-Pixies-Trompe-Le-Monde. I bought a copy without a Made in Czech Republic sticker on the back, but it was still the GZ pressing, it has same bar code numbers as this release as well. -
Great pressing, beautiful graphic and the quality is pretry much perfect, no clics and pops, a solid choice -
I can't comment on the other, seemingly more common pressing for this reissue (the CZ one: https://discogs.mejorespelis.org/release/20199340-Pixies-Trompe-Le-Monde), but my MPO copy arrived today and sounds fantastic. I don't have an original or earlier pressing to compare, but this just explodes out of the speakers the way that this record is meant to. I'm using a Technics 1211 MK2 (either 1990 or most likely 2000 as they were manufactured every 10 years iirc) with a Pyle pre-amp through a Yamaha receiver ca. 2003 and Pinnacle bookshelf speakers from the '90s.
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