4 Hero – Creating Patterns
Label: |
Talkin' Loud – 586 212-2 |
---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Future Jazz |
Tracklist
1 | Conceptions | 5:39 | |
2 | Time | 4:38 | |
3 | Golden Solitude | 6:55 | |
4 | Twothesme | 6:01 | |
5 | Another Day | 4:57 | |
6 | Hold It Down | 5:11 | |
7 | Unique | 4:43 | |
8 | Something Nothing | 2:37 | |
9 | Ways Of Thought | 4:29 | |
10 | Eight | 5:40 | |
11 | Twelve Tribes | 6:06 | |
12 | 2-BS-74638 | 3:58 | |
13 | Les Fleur | 6:05 |
Companies, etc.
- Phonographic Copyright ℗ – Mercury Records Ltd.
- Copyright © – Mercury Records Ltd.
- Published By – Reinforced Music
- Published By – Westbury Music
- Published By – Copyright Control
- Published By – Blues Baby Music
- Published By – Ramsel Publishing
- Recorded At – Dollis Hill
- Recorded At – The Studio
- Recorded At – A Touch Of Jazz Studios
- Mixed At – Dollis Hill
- Made By – Universal M & L, – 51211934
Credits
- Drums – Luke Parkhouse (tracks: 1, 2, 4, 5, 9, 11 to 13)
- Engineer – Brad Somatik*
- Graphic Design – ©eed*
- Producer, Arranged By – Mark Mac* (tracks: 1, 2, 5, 9, 11, 13)
Notes
Published By:
Reinforced Music (tracks 1 to 12)
Westbury Music (tracks 1 to 12)
Blues Baby Music (track 5)
Ramsel Publishing (track 13)
Copyright Control (tracks 1 to 3, 5, 7, 9, 11)
Recorded and mixed at Dollis Hill Studio, London.
Except:
Vocals track 2 recorded at Larry Gold Studio (The Studio), Philadelphia.
Vocals track 5 recorded at A Touch Of Jazz Studios, Philadelphia.
"Jill Scott appears courtesy of Hidden Beach Recordings"
Made in the EU
℗ & © 2001 Mercury Records Ltd.
Reinforced Music (tracks 1 to 12)
Westbury Music (tracks 1 to 12)
Blues Baby Music (track 5)
Ramsel Publishing (track 13)
Copyright Control (tracks 1 to 3, 5, 7, 9, 11)
Recorded and mixed at Dollis Hill Studio, London.
Except:
Vocals track 2 recorded at Larry Gold Studio (The Studio), Philadelphia.
Vocals track 5 recorded at A Touch Of Jazz Studios, Philadelphia.
"Jill Scott appears courtesy of Hidden Beach Recordings"
Made in the EU
℗ & © 2001 Mercury Records Ltd.
Barcode and Other Identifiers
- Barcode (Text): 7 31458 62122 5
- Barcode (Scanned): 731458621225
- Label Code: LC06521
- Rights Society: BIEM/MS
- Rights Society: BMI
- Matrix / Runout (Variant 1): 07314 586 212-2 01 # 51211934
- Matrix / Runout (Variant 1, inner ring): MADE IN BY UNIVERSAL M & L A
- Mastering SID Code (Variant 1): IFPI L008
- Mould SID Code (Variant 1): IFPI 0117
- Matrix / Runout (Variant 2): 07314 586 212-2 01 # 51211934
- Matrix / Runout (Variant 2, inner ring): MADE IN BY UNIVERSAL M & L AA
- Mastering SID Code (Variant 2): not entered
- Mould SID Code (Variant 2): IFPI 0130
- Matrix / Runout (Variant 3): 07314 586 212-2 01 # 51211934
- Matrix / Runout (Variant 3, inner ring): MADE IN BY UNIVERSAL M & L AA
- Mastering SID Code (Variant 3): not entered
- Mould SID Code (Variant 3): IFPI 0116
Other Versions (5 of 15)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Creating Patterns (3×12", 45 RPM, Album, Stereo) | Talkin' Loud | 586 057-1 | UK | 2001 | ||
Recently Edited
|
Creating Patterns (CD, Album, Special Edition) | Talkin' Loud | 586 057-2 | UK | 2001 | ||
Recently Edited
|
Creating Patterns (CD, Album) | Talkin' Loud | UICR-1016 | Japan | 2001 | ||
New Submission
|
Creating Patterns - Exclusive Album Promo (CD, Album, Promo) | Talkin' Loud | TLD7 | UK | 2001 | ||
New Submission
|
Creating Patterns (CD, Album) | Talkin' Loud | 73145862122 | Brazil | 2001 |
Recommendations
Reviews
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I’m surprised to see no one commenting on the fact that there’s absolutely no overlap in the credits for these tracks. Mark Mac does his thing and Dego does his thing. They don’t even thank each other in their shout outs. So I guess by this point they had completely fallen out? This release to my ears is past the peak of Two Pages. It’s still enjoyable (though I agree with the below review that Dego’s tracks are a bit samey), but also sad.
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There is something I find frustrating about 4hero starting in Creating Patterns: Dego and Marc Mac stick to tracks that are more... tropes? It is as if they pidgeonhole themselves into one of the two different compartments: Marc to the string based epic song reminiscent of the hippy jazzy scene like, yeah, Rotary Connection, and Dego to the more electronic and experimental and raw broken beat. Thing is, if you have followed the career of both you know that they are actually not that dissimilar (Marc tends to get lose more in piano chords and some riffs but that's mostly it) so I am wondering, in here and in "Play with the changes", how... sincere is what they are doing, how much they are composing stuff to stick to the brand they got themselves into.
There are good tracks, of course, and I cannot even say there is a bad one. The Dego ones can get a bit too similar to each other or too long (did "Golden Solitude" need that long intro?) and the Marc Mac ones follow a very strict pattern. But "Unique"/"Something Nothing" are here, as well as "Les Fleur" and in some editions "The Day of the Greys" which is the most spectacular epic piece on that "soul with strings" style with a Terry Callier who gathers an overwhelming collection of emotions. Yeah, collaborations started to be spectacular at this point.
In any case, if this album frustrates you too much, there is the rest of the huge enormous output of Dego and Marc Mac, where you will find (even in the last few years) hip hop, jungle, broken beat, techno and anything else, in a bit more of a free form way. -
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As the name implies, the English formation 4 Hero originally from four . When, however, in 1998 the breakthrough album Two Pages came out, there were only two about: Mark Mac (real name: Mark Clair) and Dego McFarlane. Along with Goldie and Roni Size 4 Hero long time belonged to the biggest innovators in the drum & bass genre. The above-mentioned double album Two Pages had two faces: the first part (Page One) sounded warm and melodic, while the second part (Page Two) especially from chilly, electronic break beats existed. With the successor Creating Patterns (2001) are they managed to mix these elements to a sound that feel free to be called unique. What at the first listening immediately noticeable is the fact that almost all the instruments are played by real musicians. The winds and strings come this time so not from a box and even most drum beats are real. In addition, the vocals become more important and it shows the best in the price numbers Golden Solitude, Another Day (featuring Jill Scott) and the great single Les Fleur. After a few spins, we must conclude that 4 Hero is the dance scene. With Creating Patterns they have a groundbreaking pop album made of which you can enjoy at home.
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