XTCNonsuch

Label:

Ape House – APELPX110

Format:

2 x Vinyl , LP, Album, Reissue, Remastered , 200g, Gatefold

Country:

Europe

Released:

Genre:

Pop

Style:

Pop Rock

Tracklist

A1 The Ballad Of Peter Pumpkinhead
Bass GuitarColin Moulding
DrumsDave Mattacks
Electric Guitar, Organ [Hammond Organ], Bells [Church Bell]Dave Gregory
Vocals, Electric Guitar, Harmonica, TambourineAndy Partridge
5:00
A2 My Bird Performs
DrumsDave Mattacks
Electric Guitar, Backing Vocals, PercussionAndy Partridge
Electric Guitar, Synthesizer [Synthesizers], Backing VocalsDave Gregory
Flugelhorn [Flugelhorns], Trumpet [Trumpet Solo]Guy Barker
Lead Vocals, Backing Vocals, Electric Guitar, Bass GuitarColin Moulding
3:51
A3 Dear Madam Barnum
Acoustic Guitar, Electric Guitar, Organ [Hammond Organ], Whistle [Acme Thunderer], Performer [Circus Band], Backing VocalsDave Gregory
Bass Guitar, Backing VocalsColin Moulding
DrumsDave Mattacks
Lead Vocals, Backing Vocals, Acoustic Guitar, Tambourine, Performer [Circus Band]Andy Partridge
Vocals [Ringmaster]Gus Dudgeon
2:53
A4 Humble Daisy
Bass Guitar, Backing VocalsColin Moulding
DrumsDave Mattacks
Lead Vocals, Backing Vocals, Electric Guitar, PercussionAndy Partridge
Synthesizer [Synthesizers], Electric Guitar, Backing VocalsDave Gregory
3:36
A5 The Smartest Monkeys
Drums, TambourineDave Mattacks
Electric GuitarAndy Partridge
Lead Vocals, Backing Vocals, Bass GuitarColin Moulding
Synthesizer [Synthesizers], Organ [Hammond Organ], Backing VocalsDave Gregory
ViolaFlorence Lovegrove
4:18
B1 The Disappointed
Bass GuitarColin Moulding
CelloRose Hall*
DrumsDave Mattacks
Electric Guitar, Synthesizer, Backing VocalsDave Gregory
Lead Vocals, Backing Vocals, Electric Guitar, TambourineAndy Partridge
ViolaFlorence Lovegrove
3:23
B2 Holly Up On Poppy
Acoustic Guitar [Acoustic Guitars], Lead Vocals, Backing VocalsAndy Partridge
Bass GuitarColin Moulding
DrumsDave Mattacks
Synthesizer [Synthesizers], Organ [Hammond Organ], Twelve-String Guitar [Electric 12-String Guitar], Backing Vocals, PianoDave Gregory
3:04
B3 Crocodile
Bass GuitarColin Moulding
Drums, Sampler [Amphibious Sample]Dave Mattacks
Electric Guitar [Electric Guitars], Soloist [Solo]Dave Gregory
Vocals, Backing Vocals, Electric GuitarAndy Partridge
3:56
B4 Rook
CelloRose Hull
Flugelhorn, TrumpetGuy Barker
Piano, SynthesizerDave Gregory
TambourineGus Dudgeon
ViolaFlorence Lovegrove
ViolinStuart Gordon
Vocals, Tambourine, ShakerAndy Partridge
3:45
C1 Omnibus
Acoustic Guitar, Backing VocalsDave Gregory
Bass Guitar, Backing VocalsColin Moulding
Drums, Sampler [Drum Samples]Dave Mattacks
Lead Vocals, Backing Vocals, Programmed By [Keyboard Programming], Synthesizer [Synthesizers], ShakerAndy Partridge
Trumpet [Trumpets]Guy Barker
3:20
C2 That Wave
Bass GuitarColin Moulding
Drums, PercussionDave Mattacks
Electric Guitar [Electric Guitars], Backing Vocals, Guitar [Solo Guitar]Dave Gregory
Lead Vocals, Backing Vocals, Electric Guitar [Electric Guitars]Andy Partridge
3:34
C3 Then She Appeared
Bass GuitarColin Moulding
Drums, Percussion, Sampler [Sitar Sample]Dave Mattacks
Electric Guitar [Electric 6- & 12-String Guitars], SynthesizerDave Gregory
Vocals, Electric Guitar [Electric Guitars], PercussionAndy Partridge
3:52
C4 War Dance
Acoustic Guitar, Electric Guitar, Synthesizer [Synthesizers]Dave Gregory
Drums, Shaker, PercussionDave Mattacks
ShakerAndy Partridge
Vocals, Bass Guitar, Acoustic GuitarColin Moulding
3:23
D1 Wrapped In Grey
Bass Guitar, Backing VocalsColin Moulding
CelloRose Hull
DrumsDave Mattacks
Lead Vocals, Backing Vocals, Tambourine, PercussionAndy Partridge
Piano, Synthesizer [Synthesizers], Backing VocalsDave Gregory
ViolaFlorence Lovegrove
ViolinStuart Gordon
3:46
D2 The Ugly Underneath
Bass GuitarColin Moulding
Drums, PercussionDave Mattacks
Lead Vocals, Backing Vocals, Electric GuitarAndy Partridge
Organ [Hammond Organ], E-Bow [E-Bow Guitars], Synthesizer [Synthesizers], Backing VocalsDave Gregory
PercussionGus Dudgeon
3:54
D3 Bungalow
Bell Tree, Backing VocalsAndy Partridge
DrumsDave Mattacks
Lead Vocals, Backing Vocals, Bass GuitarColin Moulding
Synthesizer [Synthesizers], Piano, Backing VocalsDave Gregory
2:49
D4 Books Are Burning
Bass GuitarColin Moulding
Drums, TambourineDave Mattacks
Lead Vocals, Backing Vocals, Electric Guitar [Electric Guitars (First & Third Solo)]Andy Partridge
Synthesizer [Synthesizers], Organ [Hammond Organ], Electric Guitar [Electric Guitar (Second & Fourth Solo)], Backing VocalsDave Gregory
Vocals [End Chorus]XTC
4:51

Companies, etc.

  • Phonographic Copyright ℗Virgin Records Ltd.
  • Licensed ToApe House Ltd.
  • Copyright ©Ape House Ltd.
  • Published ByBMG
  • Recorded AtChipping Norton Recording Studios
  • Mixed AtRockfield Studios
  • Remastered AtLoud Mastering
  • Lacquer Cut AtLoud Mastering

Credits

  • Arranged By [String And Brass Arrangements By]Dave Gregory (tracks: A1 to B3, C2, C3, D1 to D4)
  • Arranged By [Strings Arranged By]Andy Partridge (tracks: B1)
  • ArtworkJohn Speed (2)
  • Engineer [Engineered By]Barry Hammond
  • Lacquer Cut ByJasdaface
  • Mixed ByNick Davis
  • Mixed By [Assisted By]Simon 'Lord Brewer' Dawson*
  • Photography By [Photos By]Kevin Westenberg
  • Producer [Produced By]Gus Dudgeon
  • Remastered ByJason Mitchell
  • Sleeve [Original Sleeve By]Dave Dragon
  • Sleeve [Original Sleeve, At]The Design Clinic
  • Sleeve [This Edition By]Andrew Swainson
  • Written-ByColin Moulding (tracks: A2, A5, C4, D3)

Notes

Recorded at Chipping Norton Studios, Oxfordshire, England, July - October 1991.
Mixed at Rockfield Studios, Monmouth, South Wales, November - December 1991.
This edition remastered at Loud Mastering.

Published by BMG

Front cover image from John Speed's Map of Surrey 1611.

℗ 1992, The copyright in this sound recording is owned by Virgin Records Limited under licence to Ape House Limited. © 2020 Ape House Ltd.
Made in the EU.

Barcode and Other Identifiers

  • Barcode (Scanned, on sticker): 633367792716
  • Barcode (Text, on sticker): 6 33367 79271 6
  • Matrix / Runout (Side A runout, etched): APELPX110 A JASDAFACE LOUD
  • Matrix / Runout (Side B runout, etched): APELPX110 B JASDAFACE LOUD
  • Matrix / Runout (Side C runout, etched): APELPX110 C JASDAFACE LOUD
  • Matrix / Runout (Side D runout, etched): APELPX110 D JASDAFACE LOUD

Other Versions (5 of 56)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Nonsuch (CD, Album, DADC) Virgin GEFD-24474 US 1992
Recently Edited
Nonsuch (CD, Album) Virgin CDV 2699, 262 792 Europe 1992
Recently Edited
Nonsuch (Cassette, Album, Dolby HX Pro, B NR) Virgin GEFC-24474 US 1992
Recently Edited
Nonsuch (2×LP, Album) Virgin V 2699 UK 1992
New Submission
Nonsuch (Cassette, Album, Promo) Virgin CDV 2699 UK 1992

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Reviews

  • Saku-Kitten's avatar
    Saku-Kitten
    This somehow eluded me when it came out (perhaps I was way too into shoegaze at the time), but I hav to say: this is an absolutely brilliant gem in their discography. Sounds incredible too, with a lush bottom end and clean acoustics unmuddied by surface noise.
    • DaseinOseven's avatar
      DaseinOseven
      Absolutely stellar pressing. Dead silent. Beautifully eq’ed as well. Every instrument sits perfectly in its song space. Bravo.
      • Archer_of_Loaf's avatar
        Archer_of_Loaf
        Very happy I finally got my as* up and went and bought this. Like others, I don’t have an OP to compare to, but the soundstage is rich and the bass has punch even if some thought the high-end drowns out the recording. I didn’t find that at all. No compression either, can’t believe someone above used that in their description of the APehouse reissues (if not Nonsuch specifically)
        • LaziosPresident's avatar
          LaziosPresident
          Edited 2 years ago
          Great album with a bunch of awsome tracks including my personal no. 1 XTC song - "The Smartest Monkeys". Sounds great, no issues and what I would recommend for anybody looking to get a great sounding copy of this album at a much more affordable price than an original. I've got a NM copy the -92 release and that release still remains my preference, but it's a close call.
          • Loomis_'s avatar
            Loomis_
            This is a decent replacement for the original. Rook does sound pretty poor but I am finding a lot of final tracks on somewhat recent-ish records sound a bit off or compressed. If you can find an affordable clean copy of the original (good luck!), go for that. I bought an original copy recently but it was damaged so I returned and went for this. The original sounded tremendous where the records were clean. This version is amazing aside from those final tracks on each side.
            • d.teil's avatar
              d.teil
              Edited 3 years ago
              Pressing is quite fine even I can not compare this one with the 1st press . Everything else too. . . .
              • martinjanet's avatar
                martinjanet
                Slightly disappointing press. Muddy in places especially on the treble end and loud ages. At other times supremely detailed. "Rook" is a complete disaster whilst Omnibus is lovely
                • steelydaniele's avatar
                  steelydaniele
                  Edited 4 years ago
                  Wonderful pressing; the sound, to me, is practically the same as the BluRay remasters;
                  Same thing of skylarking
                  • darrynray's avatar
                    darrynray
                    I've been waiting a long time for this to be reissued for vinyl (and I'm probably not the only one here). Unfortunately, in 1992 they weren't going to manufacture a lot of LPs for this issue, hence the price if you want one. I think the pressing sounds fantastic. The only things I have to compare it to are the other LPs in XTC's catalog that I have that are original pressings. They sound fantastic too. They did a good job with this Nonsuch reissue. Worth getting for sure.
                    • krudster's avatar
                      krudster
                      Edited 4 years ago
                      Like everyone else, I was pretty enamored with this pressing, as it's a slickly produced album. The pressing is really high quality in that it's super flat, noise free, and looks like real care has been taken. But then I got out the 1992 UK original and started to compare the two, and the difference in mastering was immediately obvious. Much like Ape's recent Apple Venus Vol 1 pressing, they seem to roll off the higher frequencies for reasons unknown. Exactly like Apple Venus, the softer clarity means you miss some of the 'zing' of the acoustic guitars and cymbals on Dear Madam Barnum, and the vocals don't have the sheen on Humble Daisy. If you don't know what you're missing, it still sounds good, but anyone thinking about flogging their original might want to hold fire until they have the repress to compare to.

                      The packaging is also different from the original. In some ways better, in that the previous single sleeve is now a lovely gatefold, though all they've really done is squish the previously easy to read lyrics from three pages onto one (Get your glasses out! ), and used the inner sleeves as an advert for Ape's XTC and Andy P catalogue (repeated on each inner sleeve), rather than, say, added some retrospective musing and period in-studio pics (which would have been great, and displayed attention to detail and added value). The cover design is also a little different: the gold ink is a different shade (basically gold, rather than the deep yellow of the original) and the title graphics don't 'pop' like the original. Very minor detail, but something to keep in mind.

                      In summary, if your original copy's trashed, by all means get the new one. It's decent, and at least they didn't squish the 2LP down to 1LP like Ape bizarrely chose to do with Wasp Star. But if you're the kind of superfan that wants the ultimate vinyl version, I'm sorry to report that the original is arguably the one to get.

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