Death Cab For Cutie – Transatlanticism
Label: |
Barsuk Records – BARK32LP |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Post Rock |
Tracklist
| A1 | The New Year | 4:06 | |
| A2 | Lightness | 3:30 | |
| A3 | Title And Registration | 3:39 | |
| B1 | Expo '86 | 4:11 | |
| B2 | The Sound Of Settling | 2:12 | |
| B3 | Tiny Vessels | 4:21 | |
| C1 | Transatlanticism | 7:55 | |
| C2 | enger Seat | 3:41 | |
| D1 | Death Of An Interior Decorator | 2:56 | |
| D2 | We Looked Like Giants | 5:32 | |
| D3 | A Lack Of Color | 3:36 |
Companies, etc.
- Recorded At – The Hall Of Justice
- Recorded At – Tiny Telephone
- Recorded At – Avast! Recording Co.
- Recorded At – Ironwood Studios
- Recorded At – Studio X
- Mastered At – RFI Mastering
- Lacquer Cut At – AcousTech Mastering
- Mastered At – Record Technology Incorporated – 10470
- Mastered At – Schallplattenfabrik Pallas GmbH – 27590
- Pressed By – Quality Record Pressings
Credits
- Artwork, Layout – Adde Russell
- Bass – Nicholas Harmer
- Booking [Aero Booking], Booking – Trey Many
- Drums – Jason McGerr
- Engineer [Assistant, Avast! Recording] – Troy Tietjen
- Engineer [Assistant, Hall Of Justice] – Robbie Skrocki
- Engineer [Assistant, Ironwood] – Steve Wiseman
- Engineer [Assistant, Studio X] – Sam Hofstedt
- Engineer [Assistant, Tiny Telephone] – Aaron Prellwitz
- Lacquer Cut By – KPG*
- Legal [Levine, Plotkin & Menin, LLP] – Conrad Rippy
- Mastered By – Ed Brooks
- Mastered By [Prepared For Vinyl] – L.N.*
- Mixed By – Christopher Walla* (tracks: 1 to 3, 6 to 11)
- Producer, Recorded By, Guitar – Christopher Walla*
- Vocals, Guitar – Ben Gibbard
- Words By [All Words By] – Benjamin Gibbard*
Notes
10th anniversary edition. 180-gram double LP in a gatefold sleeve, with code for album + demos.
Comes with a 12p booklet including lyrics, credits & artwork.
©℗ 2003 Under Exclusive License to Barsuk Records
Later 2015 re-press by QRP; difference is crossed-out 'SBR' strings in runouts.
Comes with a 12p booklet including lyrics, credits & artwork.
©℗ 2003 Under Exclusive License to Barsuk Records
Later 2015 re-press by QRP; difference is crossed-out 'SBR' strings in runouts.
Barcode and Other Identifiers
- Barcode (Text): 6 55173 10321 0
- Barcode (String): 655173103210
- Matrix / Runout (Side A, etched [Variant 1]): BARK 32-LP A S̶B̶R̶-̶0̶1̶2̶-̶A̶ -27590- KGP@ATM W/L.N. 10470.1(3)
- Matrix / Runout (Side B, etched [Variant 1]): BARK 32-LP B S̶B̶R̶-̶0̶1̶2̶-̶B̶ -27590- KGP@ATM W/L.N. 10470.2(3)
- Matrix / Runout (Side C, etched [Variant 1]): BARK 32-LP C S̶B̶R̶-̶0̶1̶2̶-̶C̶ -27590- KGP@ATM W/L.N. 10470.3(3)
- Matrix / Runout (Side D, etched [Variant 1]): BARK 32-LP D S̶B̶R̶-̶0̶1̶2̶-̶D̶ -27590- KGP@ATM W/L.N. 10470.4(3)
- Matrix / Runout (Side A, etched [Variant 2]): BARK 32-LP A S̶B̶R̶-̶0̶1̶2̶-̶A̶ -21590- KGP@ATM W/L.N. 10470.1(3)
- Matrix / Runout (Side B, etched [Variant 2]): BARK 32-LP B S̶B̶R̶-̶0̶1̶2̶-̶B̶ -21590- KGP@ATM W/L.N. 10470.2(3)
- Matrix / Runout (Side C, etched [Variant 2]): BARK 32-LP C S̶B̶R̶-̶0̶1̶2̶-̶C̶ -21591- KGP@ATM W/L.N. 10470.3(3)
- Matrix / Runout (Side D, etched [Variant 2]): BARK 32-LP D S̶B̶R̶-̶0̶1̶2̶-̶D̶ -21591- KGP@ATM W/L.N. 10470.4(3)
Other Versions (5 of 30)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Transatlanticism (CD, Album) | Fierce Panda | nong32cd | UK | 2003 | ||
|
Recently Edited
|
Transatlanticism (CD, Album) | Barsuk Records | bark32 | US | 2003 | ||
|
Recently Edited
|
Transatlanticism (CD, Album) | Munich Records | MRCD 246 | Netherlands | 2003 | ||
|
Recently Edited
|
Transatlanticism (2×LP, Album) | Grand Hotel Van Cleef | GvHC 008, GHvC 008 | 2003 | |||
|
Recently Edited
|
Transatlanticism (2×LP, Album, Limited Edition) | Barsuk Records | SBR012, bark32 | US | 2003 |
Recommendations
Reviews
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Picked this up on the recent repress and it sounds incredible. Yes, it’s cut a little hot (which was a decision Kevin Gray clearly thought was best) and i feel it makes this album come alive. I’m not getting any distortion or sibilance on my system, at all. Soundstage is huge, instrument separation is excellent, and it sounds full, powerful, and warm. I highly recommend this. -
Edited one year agoExcellent pressing.
Great soundstage, imaging depth.
Solid sound on this one.
VPI / Soundsmith -
Anyone else had an issue with an off centre pressing? Just listening to the first record and both sides are causing tonearm wobble which is giving me a proper woozy feeling in the music . Also appears to be a very minor warp. Will be sending it back and hoping for a better copy as I love this album and was so happy to have it.
Edit - the second LP was better but became more noticeable towards the end of each side. -
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Sounds great.
It has Kevin Gray involved and was pressed at QRP. Buy with confidence.
I bought my copy beginning of this year from the band's merch site so they are still out there in the wild.
Release
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Data Correct
Data Correct
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9 copies from €28.27