$uicideboy$ – I Want To Die In New Orleans
Label: |
G*59 Records – 2812109140 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Cloud Rap |
Tracklist
| A1 | King Tulip | |
| A2 | Bring Out Your Dead | |
| A3 | Nicotine Patches | |
| A4 | 10,000 Degrees | |
| A5 | 122 Days | |
| A6 | Phantom Menace | |
| A7 | Krewe Du Vieux (Comedy & Tragedy) | |
| A8 | War Time All The Time | |
| B1 | Coma | |
| B2 | Long Gone (Save Me From This Hell) | |
| B3 | Meet Mr. Nice Guy | |
| B4 | Carrollton | |
| B5 | Fuck The Industry | |
| B6 | I No Longer Fear The Razor Guarding My Heel (IV) |
Companies, etc.
- Phonographic Copyright ℗ – G*59 Records, LLC
- Copyright © – G*59 Records, LLC
- Distributed By – Caroline (5)
- Pressed By – GZ Media – 179824E
Credits
- Artwork – Aristos Petrou
- Mastered By – Chris Athens
- Mixed By, Engineer – Mike "Crazy Mike" Foster*
- Producer, Written-By, Recorded By, Performer – $uicideboy$
Notes
Pressed on black & red split vinyl.
Housed in a full-colour, single-sleeve jacket.
Double-sided, full-colour credit sleeve/insert included.
Special thanks to Juicy J, Project Pat & the G59 team : Dana Blondi, Kyle Leunissen, Adam Ariagga, Crystal Meth, Max Beck and Slaya Murk.
* Track A8 stylised entirely in capitals.
* Track B3 stylised as "Meet Mr. NICEGUY".
* Track B5 stylised as "FUCK The Industry".
℗ & © 2018 G*59 Records, LLC. Distributed by Caroline. All rights reserved.
Unauthorized reproduction is a violation of applicable laws. 2812109140
Housed in a full-colour, single-sleeve jacket.
Double-sided, full-colour credit sleeve/insert included.
Special thanks to Juicy J, Project Pat & the G59 team : Dana Blondi, Kyle Leunissen, Adam Ariagga, Crystal Meth, Max Beck and Slaya Murk.
* Track A8 stylised entirely in capitals.
* Track B3 stylised as "Meet Mr. NICEGUY".
* Track B5 stylised as "FUCK The Industry".
℗ & © 2018 G*59 Records, LLC. Distributed by Caroline. All rights reserved.
Unauthorized reproduction is a violation of applicable laws. 2812109140
Barcode and Other Identifiers
- Barcode (Printed): 8 42812 10914 0
- Barcode (Scanned): 842812109140
- Matrix / Runout (Runout; Side A): 179824E1/A
- Matrix / Runout (Runout; Side B): 179824E2/A
Other Versions (5 of 11)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
I Want To Die In New Orleans (CD, Album) | G*59 Records | 2812109119 | US | 2018 | ||
|
New Submission
|
I Want To Die In New Orleans (Cassette, Album, Stereo, Red) | G*59 Records | 2612109133 | US | 2018 | ||
|
Recently Edited
|
I Want To Die In New Orleans (LP, Album, Silver) | G*59 Records | 2812109126 | US | 2018 | ||
|
Recently Edited
|
I Want To Die In New Orleans (LP, Album) | G*59 Records | 2812109126 | US | 2018 | ||
|
New Submission
|
I Want To Die In New Orleans (CD, Album) | G*59 Records | 2812109119 | Australia | 2018 |
Recommendations
Reviews
-
For anyone having issues deciphering the difference between this pressing and the 2023 reissue: this pressing is black/red opaque split and the reissue is black/red translucent split. Most the sellers listing under this release are selling the new 2023 translucent reissue. Buyers beware!
-
There has to be a way to tell the difference between the OG press and the new one everyone is getting. I bought the OG retail and think it’s some bs that it was repressed in the same fashion. Should have went plain black for the noobs.
-
Edited one year agoJust got my copy from Amazon today, (10/7/23) and it sounds fucking awesome! Not a single pop or click after cleaning, not even the usual fuzz. And it’s flat as hell with no movement from the stylus. I got absolutely lucky with this pressing. -
I’m just assuming there was a huge restock/repress on this album. I payed $200 on 7/2023 and fast forward 3 months later this gets restocked… super bummed but oh well. -
black/red > silver variant. I got a cheap copy with some surface marks and its pressed so deep it doesnt even matter. Meanwhile my silver pressing I bought new and played twice sounded like ass -
First off, it sounds great, it's certainly the best sounding way to hear this album.
Pressing quality is good, record is flat and sounds really punchy.
It's pressed quiet though, so you need to crank up the volume, which in turn raises the surface noise. But it sounds great, so I can overlook that.
Sadly, I noticed that the red color has more surface noise, so it cuts out with every rotation from black to red. Only noticeable in the quiet sections but there is a wooshing effect. I guess the red vinyl batch had some impurities?
I'm listen on a pretty nice HiFi: Technics 1200mk5g, Nagaoka MP-200 cartridge ($350) with a Darlington Labs MP-7 phono stage ($550) running into a Rega Brio and ELAC DBR62 speakers. -
Hey if anyone's still holding onto one of these feel free to me I'm a serious buyer in the market for this album!
-
-
-
Anyone know if this release has a black variant with the same catalog number? The vendor sold it as black and the catalog # on the outside barcode sticker matches the OTHER release(s.) So I'm wondering if I lucked out and got the nicer color lol, but I want to keep it sealed.
Release
See all versions
New Submission
New Submission
For sale on Discogs
Sell a copy
14 copies from $27.27