Tom Waits – Real Gone
Label: |
Anti- – 7548-1 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Experimental |
Tracklist
A1 | Top Of The Hill | |
A2 | Hoist That Rag | |
A3 | Sins Of The Father | |
B1 | Shake It | |
B2 | Don't Go Into That Barn | |
B3 | How's It Gonna End | |
B4 | Metropolitan Glide | |
C1 | Dead And Lovely | |
C2 | Circus | |
C3 | Trampled Rose | |
C4 | Green Grass | |
D1 | Baby Gonna Leave Me | |
D2 | Clang Boom Steam | |
D3 | Make It Rain | |
D4 | Day After Tomorrow | |
D5 | Untitled |
Companies, etc.
- Pressed By – Record Industry – 20362
Credits
- Art Direction, Design – Chris Blum
- Coordinator [Production Coordinator] – Julianne Deery
- Crew [Production Crew] – Trisha Wilson
- Graphics – Ron Bean
- Mastered By – Pete Lyman
- Mixed By [Remixed By] – Karl Derfler
- Photography By – Dylan Barlow
- Recorded By, Mixed By – Mark Howard
- Technician [Grub And Lug] – Trisha Wilson
- Vocals – Tom Waits
- Written-By, Producer – Waits*
Notes
Track D5 (known as "Chick A Boom") is not named or referenced on outer or inner sleeves, nor labels.
Barcode and Other Identifiers
- Barcode: 8714092754810
- Label Code: LC02576
- Rights Society: BIEM/STEMRA
- Matrix / Runout (Side A): 20362 1A ePIT 7548-1
- Matrix / Runout (Side B): 20362 1B ePIT 7548-1
- Matrix / Runout (Side C): 20362 1C ePIT 7548-1
- Matrix / Runout (Side D): 20362 1D ePIT 7548-1 (crossed out B between 1 and D)
Other Versions (5 of 28)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Real Gone (2×LP, Album) | Anti- | 6678-1, 86678-1 | Europe | 2004 | |||
Real Gone (CD, Album, Sony DADC, Digipak) | Epitaph | 6678-2 | Europe | 2004 | |||
Recently Edited
|
Real Gone (CD, Album) | Anti- | 86678-2 | US | 2004 | ||
Recently Edited
|
Real Gone (CD, Album, Digipak) | Shock (2) | E 86678-2 | Australia | 2004 | ||
Recently Edited
|
Real Gone (2×LP, Album) | Anti- | 86678-1 | US | 2004 |
Recommendations
Reviews
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Edited 4 months agoSuch a great sounding record from an audio quality perspective, Waits voice really comes alive on vinyl.
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I listened to two versions. I like 2017 better. Why - it’s more musical. I don’t understand why someone doesn’t like the increase in tools. Or maybe it’s all about the first press. people - listen to the music. not money.
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Hi all. on my release the last song, Chick A Boom, is not really mentioned. everything is correct. the recording quality is excellent
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Release
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